Category Archives: Sewing

Overalls

I got another “commission”. This time, for a pair of bib and brace overalls for a friend who works as a gardener. After some consideration they chose Simplicity 8165, which is a vintage pattern with updated photos on the packet. I felt the “vintage” part really showed in a few places… like the patch pockets at the front! But these things are soon remedied. They brought round their favourite workwear and I did my best to create pockets that match their favourite shorts. They chose a green cotton fabric, and off I went!

[Yes, that’s just a random garden image from our backyard.] I’ve never made overalls before. I just tried to assume I could, since my friend did! The pattern was clear in almost every respect–and it’s a common thing for me to hit a snag in a sewing pattern. I think it is pretty often a place where I am unaware that I have such a strong picture of what is or should be happening–that I can’t actually really see what the instructions say. Mmm. That really only happened once, in a part of the garment that regular pants don’t have. Recently I have begun to think that I should just embrace these places, and provided it will be retrievable–act on my mental model (tacking the seam if necessary to reduce the pain involved) and then, when I see it doesn’t work–ripping it out and going again. Recently I tried this when I was making a friend two “U pillow” covers and it was quite satisfying to puzzle over the detail less, and resolve it more quickly, by doing what I really wanted to believe would work. I could see it did not work very quickly, and rip it out without regret. Perhaps I have identified a new part of my sewing fantasy life?

Apologies for the poor colour. This fabric and my camera did not get on, and I do not understand why. After reconstructing every pocket in the garment and adding a few, I moved on.

Eventually I had both the front and back constructed.

Then they were ready to fit! This image does better on the actual colour. To my dismay the vintage quality of the pattern showed when I tried to get hardware. Bib and brace overalls are just not an item made at home much anymore–with corresponding limited choices in hardware and none in the size required. I was none too sure of my capacity to revise fit but we did seem to get by!

And there the story ends. Apparently I finished these overalls and handed them over without taking another picture. My friend had not been able to buy any that fit. Now they have overalls that fit, that they wear a lot… so much so that they asked for a second pair. We are swapping gardening for sewing. I love it!

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The dressing gown

In the time since I studied an online version of The Alchemist’s Apron with India Flint, in which I was introduced to the use of a rusty-object-solution iron mordant in a way that I understood freshly… there has been some time where I still felt no interest in using it. I have created some very black items with it, and some not so great prints. And then, there have been times when I thought that perhaps, I could put some effort into coming to grips with it and build my judgement. This apron was a turning point for me, where I began to see I might be able to do exciting things with it. And, I love any approach to textile dyeing where the main components are found, free and non toxic–which is why I enjoy India Flint’s approaches so much. Over time I have done quite a few experiments, including some where I created my mordant on holiday from found local objects and any leftover parts of lemons we happened to have, and combined it with the leaves available where we were staying and some calico from the local op shop. Ah, the pre-pandemic age. Maybe not my best work… but the time scale was ambitious!

What often happens as I accumulate various bits and pieces of bundle dyed fabric is that over time, a thought about what they could become forms. At first, I thought a shirt would be perfect. I asked a sewing friend and I don’t think she liked the idea as much as I did–after all it would be a grey shirt. I reconsidered. More months passed, and one day I was at The Fabric Store trying to get fabric in a specific colour for a beloved niece, and there it was, hanging on the wall in the perfect colour of a beautiful linen: The Lucie Robe. The kind of sample garment that must sell a lot of patterns and fabric, I reckon. I thought about the 20 year old terry toweling dressing gown hanging at home (a gift from my beloved now well past its best), and how many times in the last year I’ve thought I should try to make a new one. I considered the glorious (and of course, expensive) linen and then thought… I might use my iron mordanted cottons instead.

I did have to do the epic jigsaw-cum-collage that is assembling a pdf pattern. But then it was done and I was off, cutting out where the shapes of the dyed fabric worked for a pattern piece; patchworking together enough fabric for larger pieces as needed. Bits of old sheet and cast off calico, fast becoming a garment.

Somehow even the not so glorious bits work, I think–and what if they don’t? This won’t be out on the streets.

I like the E Nicholii leaves from the tree I planted myself! I also like the generous, elegant pockets.

But for me the bit that pulls it all together is the rose-leaf collar. I’m a fan. When I saw it, I had to check whether this was a silly whim. I did all that thinking about whether I really need another pattern, and even more than that–whether I need more fabric. I don’t need more fabric! But I am very happy about having chosen this to make with the fabric I already had.

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Filed under Eucalypts, Leaf prints, Natural dyeing, Neighbourhood pleasures, Sewing

More little shoes…

The “DIY baby shoes that are too cute to pass up” pattern from Spoonflower is just as good as its name. My daughter is so keen, this is my second attempt to grade it up a little to fit growing little feet. Also, she loved this fabric so much, this is #2!

This attempt was a better fit (despite them looking so little alike, *cough*), so here is another pair, made from pre-loved jeans fabric.

I did a little embroidery, and raided the stash of leather scraps and samples for two more different-coloured soles!

Progress shot of the hardest part, getting them right-side-out.

Out in the thyme patch.

In the sand pit! (this pair came to an early and appalling end, but they did their job, protecting precious little feet)…. the denim pair are clear favourites at the moment. I have been highly entertained to hear my daughter refer to them as “the Van Goghs”!

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Eucalypt dyeing

I love a good bundle… in this one, silky merino shows its capacity to take up eucalyptus dyes again. In this dye pot, a cowl that was ready for a dye bath, and a garment that had shrunk enough that I decided to turn it into other items…

My partner had requested a deep, narrow cowl that could be pulled up over her head and ears under her bike helmet. Her friend had made one from cotton knit, so I copied its dimensions. You can see all that remains of the neckline in the image below.

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Screen printing

I’ve returned to the screen printing. This stencil turned out to be the last one on the old, damaged screen. One day I decided to go buy a new one. I’ve been looking second hand for months and finally decided I’d like to be able to get a clean image to the extent my skills allow!

Oh my! The difference was immediate.

And they went directly to high vis for the large number of actions we’ve been running in the last couple of months.

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What the well dressed rebel is wearing this season

I have been gradually applying some of my rough screen printing to our extensive collection of upcycled high vis vests.

We have quite a number in all kinds of high vis glory…

And it isn’t complicated sewing.

As you can see, they are not an entirely matched set!

However, they do the job and here is a stack of plastic fabric that is not going to landfill… even if still not exactly high fashion!

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And then there were masks. And more masks

Oh my. Some people, and all the ones I know about are women–have made a LOT of masks. Not me. I stayed out of it for a long while, and masks are still not required in my state, while they are now required in some other states. But eventually–I decided I needed to make some, and I got requests. The first ones were made from offcuts from a friends mother’s stash, and a short of mine that started out as a sarong, spent well over 10 years as a short, and now has ended up as masks and bag linings.

Next, some of the beautiful fabrics I bought in very small quantities in the Nishiki markets in Kyoto. In a different world, a couple of years ago! The ancestral hat elastic (made so it could be boiled!) joined contemporary hat elastic (hand wash only–hmm).

Remainders from a short I made, lined with pre-loved sheeting.

More fabric from Kyoto.

Some more of my shirt… These masks are 3 layers, the centre one made from fine silk.

Fabric left over from my mother-out-law’s frock, and some pretty ladybirds I could not resist… then mostly cut out in the right size fro lining rather than outer layer–uh, oh, user error!

Black linen left over after pants I made years ago (and below, their linings)…

And–some ladybirds. Thanks for the pattern to Craft Passion. She clearly posted mask patterns well before coronavirus came into existence, and has done so much to make them accessible. And if you are not too sure about the science on masks, feel free to go and listen to Coronacast and get the information from experts who know how to communicate. My masks have mostly gone to relatives and friends who live in places where they are required–and some more locally.

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And another thing

I made another pair of moko trews. This pair are lined with an indigo dyed t-shirt…

Which I thought worked rather well!

These ones did make it onto the grandbub (pictured here miraculously sleeping), hooray!

And another thing… There were offcuts, so a few more gauntlets happened.

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Long sleeved knit top

With all this cutting up of my winter layers going on, I decided I needed to make some new long sleeved layers. And to think I used to be puzzled what I could make from knit fabrics!

I’d removed the zips from the old ones carefully, so I chose one for re-use.

There it is, in its new location. I didn’t think to dye my thread so I chose contrast. I just couldn’t wait once I’d started.

The back view.

And here is the front! For those who are interested: Vogue 9904. I’ve made this pattern more times than I can exactly count.

Is it perfect? Certainly not. Do I care? Not at all.

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The gauntlet series

I have accumulated scraps of knit fabrics that are precious–lovely, but also in some cases, expensive. And you know, I always want to use the last scrap, no matter what the fabric is! Anyway, I had the thought that I could attempt the Fingerless Gloves Master Pattern from Natalie Chanin’s Alabama Studio Sewing + Design.

Unfortunately, I fell at the first hurdle, enlarging the diagramme provided by 317%. It was during the period when I was not going out, so when I could not arrange this I guessed my way through it. The first one was too small. It had to go to a very petite friend.

Soon, though, I had a workable pattern and found this was a great use for leftover fabric from my run of undergarments.

So, I started turning them out! I used up a long sleeved t shirt and a pair of leggings that a friend had given me to use, once she had worn them out. Perfect linings for two layer gauntlets!

Once my leftovers were gone, I had the thought that some of my long sleeved home made tops that have shrunk too much to be dignified… could be transformed into these.

It was quite liberating to give up those shrunken tops, which I have been wearing under other things, for years in some cases. I kept the hems where I could.

And, that’s not really the last of it! I’ve not taken photos of some, and others I have made more recently. Some have been made more recently still… I pieced some together from smaller parts! But it might be enough for now.

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Filed under Eucalypts, Leaf prints, Natural dyeing, Sewing