Tag Archives: cotton

And Another Apron

Once I finished stitching one apron… I was keen to keep going! I had trouble dyeing my other candidate apron so in the end I cut one from some hemp I had prepared for dyeing with soy milk. Hrm, very stiff for stitching. However–I took it with me for a week in Melbourne and constructed the whole thing by hand, then began stitching for sheer decoration.

Here is the top front, with leaves stitched into it using a variety of undyed threads. And here is the apron prepared for dyeing, with onion shells arranged over the embroidery.

And here it is after dyeing…

And in more detail…

It has gone to one of my beloveds–we make bread together quite regularly and he is often to be seen at our house sporting one of the kitchen aprons.

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A tale of an Apron

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It all began with a linen shirt from an op shop in Warrnambool. A lime green linen shirt. Then I added India Flint’s online class The Alchemist’s Apron and stirred.

I overshot my goals on the elimination of lime green and produced a very dark grey shirt on the first attempt. Never mind, I dyed it and it was still deep grey with some leafy marks on it. I wanted to take it with me on holiday… and so I sewed it into an apron shape more or less, found some cereal packets to cut to size and tuck into pockets, added thread and scissors and my trusty needle book, tucked them into the inside zippered pocket and tucked the lot into my bag. Not quite what The Alchemist’s Apron proposed, but definitely using it as a point of departure!

I had a quote in mind, and stitched it in: ‘a needle is a tool for reparation’ Gina Niederhumer. Then the serious stitching began… and just kept going while my beloved was having her dream holiday swimming 5 km every day and I was often spending time sitting on a boat. It’s a funny thing. I have never fancied embroidery, and undoubtedly, this is embroidery of a type. And yet, I just kept going and going. At first, with threads I’d dyed (and some undyed too). And after I’d cruised a lot of plausible looking places in Athens, I finally found a really old fashioned haberdashery. And did not take good images of it! I could not find a way to ask the women running the shop if that would be OK with them, and it sure was sunny outside. I could have spent hours in there but my enthusiasm tried the patience of others… I came away with single strand cotton thread in two colours.

And when I came home, I kept going for some time. I bought some pre-Euro Greek coins in the flea market in Athens and added them, and a yellow washer I’d picked up on a French Road we were walking along. I stitched in the places I’d sewn in, including the sea.

I stitched watery lines.

And eventually there was an entire apron covered in rather a lot of stitching, with a lot of pockets.

… which tinkles as I move! I find I rather like it.

I do love wearing it. And I like the way it demarcates time when I’m dyeing and stitching and crafting and whatnot, from time when I’m occupied with other things.

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Boomerang Bags

The latest round of Boomerang Bags have been driven by thrifted bedlinen. There was one quilt cover that I acquired simply because it was pretty and had owls on it. But then there have been others bought as a set where what I really want is the sheet or one side of the quilt cover (which is a good green for Extinction Rebellion patches) and the remainder of the set is looking for a use. Oh my. Some of this bedlinen is just about new and already at the op shop. IKEA is the leading label and it makes me sad.

Then there are the places I use fabric that I can’t use any other way. This strap is being made sturdy and thick with a piece of cotton blanket I found on the path where I was walking. I took it home and washed it, and then decided it could be used here.

Then there are some clothes I can’t reuse as bag outers or linings, like this pair of pants. Bought at the op shop, they were one of the first pairs of half lined trousers I’ve had the luck to wear. Now I have decided they can’t keep going–I removed the buttons and salvaged lining and fabric. Some of this will go into straps too.

There have been pockets added into some bags from a pile of jeans pockets I bought for a song at the Adelaide Remakery sale–lovingly removed from jeans being upcycled into mats.

Oh, and there was this. A garden umbrella lying discarded and broken by the side of a road I pass most days. I often pick litter along here. This time I removed the canopy, took it home, washed it, and calculated which parts could be re-used.

These are the umbrella bags–I found two more yesterday…and the colour is wrong but never mind.

One of a kind–two from sample fabrics from the Remakery. One from a great print from an op shop. The large image, a dress from the op shop.

Acorn and iron dyeing experiments…

These are the bedding bags… The two linen bags bottom right are lined with IKEA sheets.

Doona covers with a complementary print on the reverse side and/or the sheet. I guess it’s a long time since I bought a doona cover. But the design opportunities are excellent.

And finally, a nostalgia print my friend could find no use for. 44 bags in all. Whew.

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Dandelion Hankies

Dearest Reader, it has been a long time. I was traveling for six weeks, and managed to create so many posts there were posts the whole time I was gone. And since then almost nothing! I have been feeling a little overwhelmed at the thought of catching up or maintaining a sense of timing or order. I think it’s better I let that go, and just create posts in any order that works. There is always a bit of poetic license going on here in any case!

Here is a little make I enjoyed–I could not resist this beautiful print, and I always want to make the best use possible of fabric. So I made three sizes of hanky. One for small people with small noses, and more to the point–small pockets. One for medium size and one in the generous size I prefer.

I love that I have made friends with my roll hemming foot sufficiently that I just make hankies now. Since I returned I’ve been on a roll with finishing things, and I am noticing that so often I stopped something because I was afraid of the next step. It’s a confidence thing. But my skills are actually fine, and where I do not have skill, all I really need to do is spend some calm time working something out, asking for help, or seeking instruction online. It’s good to notice, and I am happy to find that I’m working through a backlog of items in progress. Thanks for reading and thanks for being patient. Maybe you notice that confidence and lack of confidence play a role in your making too? I’ll be interested to hear how this works for you.

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Very hungry caterpillar shirt #2

Some time ago I made a Very Hungry Caterpillar shirt, while under the delusion that I am twice my usual size. Or something. Anyway, the fit was appalling, so that even I was not prepared to wear it much. So there came a day when I pulled it apart and cut out a different shirt from the pieces, with a bit of creative piecing together in places. And the shirt was reborn as Lotta Jansdotter’s Esme Shirt.

And the back… and now we wait to see if this one gets more wear!

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More mending adventures

My mending adventures just keep rolling. In between the boring old mending that I do regularly–stitching fastenings back on, repairing falling hems, re-stitching seams that have popped… these mends are much more fun.

I did also take up these hiking pants for my beloved (by about 6 cm). They have those zip-off legs that allow you to convert the pants to shorts, and a complex arrangement down by the hems. In the end I took them up just below the zippers and the change did not show at all.

There have been stretch pyjama mends…

Torn dress mends…

Mending of beautiful pillowcases so soft and buttery and thin I used most of an old linen shirt in an effort to keep them going…

Hand stitched patch on a floaty fine dress.

Now replaced!

Worn, exquisitely soft quilt cover mending. I used a hand stitch I learned in Girl Guides (for canvas tent mending) to pull the edges of this tear together, then applied a reinforcing patch on the inside and machine stitched it into place.

It’s piling up a little…

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Mending adventures

One day, some time after the conversation that triggered it, the mending arrived. A LOT of mending! In fact, I’ve taken to calling this “a big mending commission” just for fun. Friends handed over their mending pile and I’m working my way down through it gradually.

Black jeans with ripped knee..
Finally, I get to mend jeans knees!
Black jeans with patch.

There is darning (and in this case, I took in the side seams and sleeve seams–gulp). First the side seams…

Then the actual darning.

Lots of jeans patching…

Skirt zipper mending….

Serious feature patching: on small jeans I rip out the side seam, apply the patch, turn the edges on the right side, stitch in position and then re stitch the side seam.

And yes! There is more! For another day…

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Mending–above and beyond edition

There came a time recently when some pretty major mending came along. First this shirt was found in a bag in the shed (where to judge by the company it was keeping, it was intended, for a time, to be a rag) and it came back into the house as a much beloved shirt of my beloved, which it certainly had been for many years prior to its trip to the shed and long stay there. Could I mend it, because the holes were substantial?

Yes, I could–in this case by machine stitching a thin piece of reinforcing fabric on the inside, in several places.  With the end result on the right, above.

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Then, this pair of linen trousers. I got a new job a while back, and it demanded some smarter clothes (it’s one thing to be judged less than stylish personally, but it’s another to let the team down). The Salvation Army and other op shops, plus some home made tops got me through winter, but summer was a whole other issue. So these pants (and a blue shirt to go with them) were a rare new purchase, and this is how they are faring after one and a bit summers. Not as well as you’d hope given price tag and materials. Not as well as the linen pants I made myself (though they have their faults)–just saying.

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I decided on another machine mend–in which there is a lot of stitching that will show, so choice of thread matters more than it would in a seam. Sometimes when it comes right down to it, you have a preconception about the colour of the garment that you need to discard to do a good mend that won’t yell out. Sometimes using two different colours is the right thing to do. Choice made with thread laid across the fabric on the right side, I chose some thin fabric that will reinforce but not make the patch rigid (once stitched–the stitching adds some bulk).

Patch 1 pinned, tacked and then stitched, patch 2 begun. Here I’m using a three step zigzag as my mending stitch.

And, finished.  The texture and colour are slightly changed, but I’ve asked my beloved if she can tell me where my pants are mended and she can’t (when I have them on). Because the truth of the matter is, my friends, that the reason my pants wear out in this spot is because friction. And the reason there is friction is because two surfaces are in contact. And because they are in contact with one another–they don’t show a whole lot. These pants are no longer for best, sure.  They are still comfortable and shapely though, and will last a bit longer.  The big job is done with and the clothes I bought for it and didn’t care to keep have returned to the op shop for some other woman trying to pass herself off as a professional.

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Finally, a drum case.  Being a drummer involves hefting a lot of kit, and doing it regularly, and doing it ingeniously.  In the case of the wonderful drummer in our band, I’d noticed the snare drum case was looking pretty sad. So I offered to mend it. I threaded up a leather needle, the most sturdy needle I can use on my machine.  First I trimmed off the frayed sections. Then unpicked the binding. Then realised I could not insert three layers (especially tatty layers) into it neatly, especially because the edge had shortened through fraying and disintegration.  I found some black seam binding tape in the stash (thanks Joyce!) and neatened up the edge, then finally reinserted it with considerable difficulty, into the binding.

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It’s far from perfect.  But it is much better.  If this fails I told my friend the awesome drummer I’d be prepared to try again.  But for local readers it has occurred to me that the industrial strength option would be The Luggage Place, 108 Gilbert St, Adelaide. I’ve had various repairs done to suitcases there and they do a good job. They are not paying me–there are just so few places left where you could get something like this repaired, every one is worth sharing. In one instance, I’d given up completely and bought a new suitcase, and then realised I could take it to The Luggage Place. They sewed the carry handle back on a fair sized suitcase and in fact that case has kicked on for some years since then. They also replace wheels and suitcase innards!

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And there you have the above and beyond edition. As all manner of lovely books on mending come out, Tom of Holland’s Visible Mending programme becomes a hashhtag, and the beautiful, ingenious work of India Flint in converting one garment/s to another/s and such spread more widely, mending is having a resurgence. It’s a wonderful thing!  And with the encouragement and occasional shock response to my mending of you all, dear readers–I’ve continued to be a prosaic and practical mender in the main.  But I am now more able and more likely to look for a lovely way to mend garments and items that are not quite so thoroughly damaged as these!IMAG2337

Just a little public service announcement. Age no barrier.  Striking school students are calling out to everyone to join them. In Australia, University students are coming. Grey Power for Climate Action are coming. Parents are coming. Our Climate Choir and local Extinction Rebellion will be there, honouring the leadership of the student strikers and standing behind and beside them. I will certainly be there.  So join us!  Wherever you are!

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Festival of handkerchieves

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I love the humble hanky. The way it accompanies me through life in a pocket, ready to assist when pollen is too much, when I’m moved to tears, when the wind is chilly enough to make eyes water or when genuine misery leaks out of me. The way it supports me through illness time after time. The way it saves me from single use napkins, means I never find a tissue that has gone through the washing machine, and rescues entire trees from being turned into tissues. I love the way it can be called upon to wipe up spills, deal with sticky fingers at unexpected moments, prevent chafing, or (if clean) wrap a small item at short notice.

The latest festival of the hanky was generated by a friend whose hanky collection had shrunk to zero. But needless to say it didn’t stop when I’d made a collection for him. Soon I had some made from cotton voile and some made from muslin that had a past life wrapping a baby. Then a fine cotton scarf which has been in the cupboard unused for over a decade became four lovely hankies. Then the main parts of a striped shirt that belonged to a friend, who gifted it to me, which had a superpower of making people in shops address me as sir for many years–was converted from a very worn thin shirt to some lovely fine hankies.

And then some fine cotton I’d dyed… and some brand new fine cotton voile… and there it stopped for the time being.  And now I have so many opportunities to share the hanky love…

 

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Lotta Jansdotter’s Esme Top

I found I could not resist a delightful print from The Drapery.  I saw it when I went there to buy denim for the jeans making project and I did resist it twice (as I really do not need more fabric) before investing.  The Drapery don’t give me anything, by the way–I am just keen to support such a lovely, local, independent business when I can.

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I decided I would make the Esme top from Everyday Style by Lotta Jansdotter. First tracing off the pattern, then cutting out… and finally, after a long wait, the sewing.

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I love the watercolour look of those big dots! And I have no idea how I selected these points in making it up to photograph. It is a delightfully simple and quick top to make compared to my classic long sleeved, buttoned down the front shirt with collar stand, collar, cuffs, buttonholes, plackets and all. Which is also to say it is a departure from a lot of other garments in my wardrobe.

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Now that it is complete I can say two things with confidence: for once, I did not make it too large.  If anything, it could be a little broader in the shoulders and a little wider across the back. Perhaps I’ll make the next size up, next time. But it fits much better than many of my clothes because I do tend to wear roomy and baggy. And, it has attracted a lot of positive comments, which is rather lovely…

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