Tag Archives: gifts

Garden colours jumper

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This is the Orphans for Orphans sweater from Knitting for Peace.  This is the third time I’ve knit this design and it is an ingenious, easy pattern that lends itself to wool in odd amounts and various colours.  This one is made from handspun local wool and dyed with plants from my garden: woad, coreopsis, eucalyptus, woad + coreopsis.

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Where the woad vat was running out, the natural grey of the wool shows through. I cast it on, on an excitable day of knitting confidence when I decided it would fit someone I know!  I think in fact the likeliest candidate is the daughter of the sweethearts who gave me Knitting for Peace. She is no orphan but a delightful and extremely well loved small human.  And if not her, then some other treasure…

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Sometimes it happens that I look at a random selection of yarns and suddenly see what it could become.  This was one such case.  It has some wonkiness to be going on with, but quite frankly, any jumper that isn’t wonky before it goes onto a small person hopefully becomes wonky through sheer activity soon afterward. I’m reliably informed that the recipient is a fine appreciator of knitwear and that she held it close all the way home.  That’s a lovely start!

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Rost

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I knit another design by Kit Couture. This design is called Rost.  I admit, I chose it without asking my dear friend if he would like it, but I was very relieved when I checked in with him and he agreed he would like it!  Quite appropriately, I finished it while he was in Norway, much closer to Denmark than usual.

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I love the design.  It starts at the neck and is knit in the round from the neck down, so the yoke is one of the earliest steps.  It was so much fun knitting this part, though I look at designs that are colour work all the way to the hem and that doesn’t seem like fun to me. This was a great match of (pattern) challenge to (my knitting) capacity. I still have some colour knitting tension issues.  My last effort was, if anything, too loose.  This time, it is a little tight.  When he tried it on while in progress, my friend admired the corrugation in the yoke and marvelled over how I could be so clever as to create it.  I decided against making a big issue out of it being a flaw!  But it did not block out (as I had hoped it would) so it’s lucky that he likes it and it looks great unless you’re examining it as a fault in the knitting.  I can live with imperfection, as it turns out. It was reassuring to try it on him a couple of times as it progressed–it is a great fit and looks fabulous on him (in my humble opinion).

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After the yoke, the body is knit down to the hem, and then each sleeve is knit on in the round.  For me, knitting in the round is the obvious way to proceed (because socks), and this is the knitting strategy I have adopted on some garments I have designed myself, learned from books adopting Scandinavian knitting processes.

If I had this design in black and white and had to choose colours for it, I would never have chosen these colours.  I think this is one boon of knitting from a kit (or from a pattern and using the prescribed yarns, something I don’t remember ever having done).  In all honesty, part of what has been so interesting about these two Kit Couture knits has been having almost all the choices made for me.  Knitting with handspun is not like this at all, and knitting these has felt so easy!  It turns out it is not the complexity of the knitting that feels hard for me in making up my own patterns or knitting with handspun, it’s the decision making. This is an extraordinary freedom, but I think I had already noticed that the degree of challenge is sometimes more than I can easily manage.  Either I lack the confidence or I just feel too tired to decide in the pieces of time in which I knit.

Repetitive, simple knitting makes up a lot of the knitting I do, and it has to. In the environments in which I knit,  counting is impossible or rude and referring to the pattern all the time, likewise inappropriate or not manageable.  Colour choice is not my strength either.  I only make wild colour choices where the risk is low.  Garments that won’t be seen (socks–I am knitting some lurid socks right now); things that will not be worn (tea cosies), recipients who make decisions for me or are excited about my random colour ways, bless them one and all.

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The kit is also unspeakably cute: all those balls of wool lined up in cute little rows in a beautiful card board box, with a darning needle, picture, instructions and some Danish liquorice treats.  And this wool was cushy (merino, my friends) and fat and even.  I love knitting handspun and some of mine is very even (while some is certainly not). Cushy is harder to achieve for me, and I haven’t knit a garment on 5.5 mms before.  Fast! Sensational, especially on something so big.  Entertainingly enough this garment required only the same kind of frankenfitting for father as Sotra required for son: everything needed to be longer than the largest size but only as wide as the smallest. This is the simple kind of fitting I can mange without difficulty.  I can’t wait to hand it over, even though today is the last day of winter! And, something about knitting these kits has made me want to knit and knit and built up my confidence for big knitting (jumpers, not socks).  There was a rash of casting on as soon as I finished it…

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Indigo and cochineal Jaywalkers

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A while back I acquired some merino-silk 4 ply (fingering) yarn to use as a no-nylon sock yarn.

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Of course, it all started out white.  Over time, some was dyed in legacy logwood.  Some with legacy cochineal, and some with indigo.  Then I decided on overdyeing the cochineal to create stripes and spots, creating some deep pink-purple and some blue sections where I had tied resists during the first dyeing in cochineal.

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There was hospital knitting, nursing home knitting, public transport knitting as ever, meeting knitting.

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There was even knitting during an experimental opera!

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And now there are socks.  The pattern is an old favourite, Jaywalker, by Grumperina.  It doesn’t stretch much but it stays up and it looks great.

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They are destined to be added to India Flint’s collection… bless her creative mind and nimble fingers and keep her toes warm, I say!

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Needlebooks

I made another little stack of needlebooks.  I have been accumulating tins that can become mending kits as I assemble all their elements over time.  I figure I will be teaching mending again sooner or later.

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I love how these little pieces use tiny scraps (in this case, blanket offcuts) and yet turn them into something that is useful and perhaps also lovely.  I also enjoy choosing plant dyed threads that work with the section of print I am using.  Sometimes I change thread colour as I go or as the thread remaining in that colour runs out.

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I made an exception here and used indigo dyed thread my beloved brought home from Japan for the coreopsis flower print, because–the print itself seemed to call for it.  I can feel the time drawing closer when I will need to open my stuff, steep and store jars and see what new silk thread options they offer.  How have I managed to wait so long?

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More socks!

As usual, the latest pair of socks spent quite a lot of time on public transport. This is a local train service knitting opportunity.
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They came on some pretty tired and sad visits to hospital and nursing home as one of my dearests has been having a very tough time and I have been doing what I can to accompany her.  Knitting on public transport was a big help on a few visits when I took trips to visit her and she had already been taken by ambulance to some other place.

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Socks don’t care about your worries.  They just keep growing as you keep knitting, and that works for me.

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As you can see, it’s another pair of socks made with the same fibres.  And roughly the same size.  And there the resemblances end!  I managed to finish the skein with only this tiny ball of wool left!  But did get two pairs out of my naturally dyed Suffolk handspun.

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They have already gone to a dear friend who spends more time in gumboots than pleases her sometimes, and finds a hand knit sock an asset in her gumboot (wellington boot? galosh? wellie boot?  rubber boot? you get the picture, I hope).

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None of the pictures really came out right, with some too washed out and some a little overdone.  But I am sure you get the idea!  And in these times of considering mortality and suffering, I thought I would share this little gem taken as I ran through the cemetery one morning.  There were four magpies perched on this statue but two flew away as I approached. Camera shy.  I understand.

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Striped jumper for a fairy goddess-son

In a development that I could not have predicted, I have been recruited onto the English translation team for a Danish knitting business that specialises in knitting and embroidery kits.  A friend who now lives in Denmark was doing some of the translation and they were looking for an English speaking knitter. This is about as far from local and bespoke as it is possible to get! Anyway–it has led to my receiving knitting kits from Kit Couture.  This is my first effort: the Sotra Pullover.

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Well.  There was knitting the body on the way home from my folks’ place (by train) with a bag full of mandarins and mutant spring onions bigger than some leeks I’ve met from their garden.

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I forgot everything I knew about knitting jogless jogs (making the transition from one stripe to another less visible) and dropped all the joins back to try again at one point.  Then faced the reality that the wearer will not notice, and even if he noticed, would not care.  I managed to knit the ends in and was not facing hours of darning in ends at the end of all those stripes.  Thank you, Kaffe Fassett.  One of Kaffe’s books was the place I learned this was possible, and this is the place I have really used this strategy to the maximum.  This is one of the reasons I read knitting books: the real gift from a book may not be a pattern you knit from it!

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Here I am knitting a sleeve in public somewhere with my grease marked backpack as an aesthetically questionable backdrop.

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The exciting moment when I joined sleeves to body the night before and am preparing to take the whole thing to work so I can knit on the train, in a seminar and then in the bus home again… that blue patch at the top is the indigo and woad dyed bag the jumper is going into.

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My fairy goddess-son is perfect in every way, but evidently not quite the same shape as the models in Copenhagen.  So this version is a Frankenfit in which I am knitting the 4 year old size in width and the 10 year old size (and then some) in length.

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It is approximately the opposite situation to the Frankenfit necessary for me to use a Vogue pattern, in which it has always been the case that the Vogue Body and my body are not very similar.

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The colours are rather lovely, I think.  This experience has made me realise that I usually confront a lot more choices and decisions when making a jumper.  My handspun is not always even, not always one of the routine thicknesses for which knitting patterns are made, not the colours in anyone’s picture, and I often design my own jumpers.  This has its upsides and joys, but there was something differently gleeful about only having to figure out how to make width and length come together (not too challenging).  And–Kit Couture’s pattern was designed to be knit from the bottom up, seamlessly and in the round.  One of the ways I prefer to knit. Fantastic.

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The day we celebrated solstice with many friends, it finished blocking and drying. I tied it with handmade string, packed it into a bag for safekeeping, and handed it over.  I think it worked out pretty well, and my very dear goddess-son looks right at home in it…

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Handspun, hand dyed, handknit socks

Some time back, I embarked upon creating sock yarn from scratch, beginning with scouring, dyeing and combing raw local Suffolk fleece. If you missed the early, exciting stages (yes, that is a joke!) here is a post about the woolHere is one of multiple dye adventures. And the spinning went on at intervals over some months.  It’s hard to make incremental progress in spinning fun with photos!

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Here is the first sock being knit at a coffee shop after exercise class, overseen by a dog.

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Here is the second sock, almost done on the weekend when I cooked for many friends planting 500 trees on land two of our friends (and their two children, as they grow) are reclaiming, rehabilitating and revegetating with a degree of  care, thought, vision and commitment that is awesome to behold.  I was just too scared of back re-injury to plant.  So made myself a bit useful kitchen handing.  In between times, I knit and chatted with small folk.  I even did the hilarious feat of walking while knitting.

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It was hard to photograph the socks really well.  But there are some nice colours in there!

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And I am a sucker for the ingenuity of the heel arrangement.  The socks have whimsical cables, which puzzled some onlookers and delighted others.  And they are in no way twins, which likewise puzzled and affronted some while pleasing others very much. I’ll be honest, this is not exactly what I intended. But you know–they are fine! And headed to a happy new home as I type.  They will be snug, and hopefully, made as they are from a suffolk/silk/mohair blend and dyed with plants and cochineal–strong and colourful both.  And–there is enough for another pair, perhaps with a toe that, in this context, will not stand out if knit from a different yarn altogether–the finished socks weigh 101g and 89g remains…

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Passerine hat

As autumn has settled in there has been some final harvesting. And perhaps the final hat.  You just never know.

It’s made of an alpaca yarn left over when my mother-out-law made a vest, and some eucalyptus dyed handspun alpaca.  It has already gone to a happy new home as a birthday gift.

My colour work still needs some practice.  In my efforts not to pull too tightly on the floats I have some overly loose stitches.  But actually, I think this turned out really well.  I loved the pattern at first sight.  It’s the passerine hat by Erica Heusser.  Somehow the crown on mine looks totally different to all of her images (and I see the same result in some other people’s versions on Ravelry).  But it is not a problem of any kind.  It’s a completely charming design and I’d knit it again, except that I seem to have moved on from hats for now and I am working on another project that needs to get knit, because autumn is moving all too quickly into winter!

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Box pouches

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I’ve had a spell of eco printing onto old woollen blankets.  It is extremely rewarding: wool is the perfect fibre for dyeing with eucalypts (as India Flint has said so may times) and the pile of the blanket means that every detail can show!

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This one turned out to be the perfect size for my friend’s new and glorious ceramic keep cup.  She was struggling with plastic at her favourite cafe; saw my beloved’s keep cup in use, found a lovely ceramic one of her own on a side trip to the art gallery–and all it needed was a little insulation against the bumps of life.

This is a larger model I also like a lot.  I think I will make more.  The pattern came from Kristine Vejar’s Modern Natural Dyer, which was a kind birthday gift.  I am enjoying it very much.

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Filed under Leaf prints, Natural dyeing, Sewing

Persist

The hat jag didn’t stop with those shown in the last post, but there came a day when I was ready to try something new and I chose Donna Druchunas’ Persist Hat. Well, mostly.  Needless to say I modified it a little.  The design features the word persist, naturally.  And the sign for infinity.  I chose to feature the word more and the infinity sign a little less.

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The first one made me think my colour knitting had improved a bit!  I used some lovely soft local Polwarth yarn I had spun from the stash, and some leftover equally soft alpaca rich commercial yarn that was lying about.

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After that, I made another one, because… repetition seems to be in my blood.  And “persist” is a concept I embrace.  And I liked the first one and had ideas for further mods.  I went with a contrast cast-on and a twisted rib brim.  I like it. One of these hats was always planned for the daughter of friends who is a high school activist.  I chose this pattern with her in mind. She has been in a protracted campaign to establish a gay-straight alliance at her school.  She and I talk about it every time we meet up, and I am constantly holding out for the need to build our capacity to persist in the face of injustice.  I hope she might enjoy a soft and snug reminder of that principle.

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