Tag Archives: upcycling

Drawing down the stash, or, more Boomerang Bags

The stash of fabrics that will never become clothing has dwindled very much in the Boomerang Bags period, my friends–this time, some metres of an open weave black fabric became many handles and a few bags. The little ?indigo? patch featured here appeared on the Guild trading table the other night with a little label about how it had been resist dyed with pegs.  Cute as a button!

This fabric was a gift from a person I used to work with many, many years ago.  It had years of use covering a small table and hanging on the wall, but had been tucked away for some years. Now it will be out in the world again in all its glory.

I had evidently patched together leftovers of my last Boomerang Bags episode, (and not only for linings–lots of these bags have jeans pockets from jeans that are no more, patched together with other scraps into linings).  So there are some bags with a black front and a patchwork back, or vice versa.

And then–the motherlode of wide wale corduroy.  This had a $2 tag on it from the Salvos.  I think I had a long period of wistfully looking back to a specific pair of corduroy pants I had near the end of High School and beyond–I remember them as chocolate brown and with a paperbag waist.  I felt like a sensation in them for some years. Eventually someone told me how bold she thought I was I was to wear them–or perhaps the green pair that replaced them in the early 1980s, with, ahem, secondhand suede winklepickers–on a first date with a mutual friend who was stylish and, well, judgmental. At first I was surprised and delighted, if puzzled, to be judged bold. Then I realised I was really being told that I had worn a very unflattering outfit to a first date, and with a style queen.  Sigh.  As it happens the outfit did not kill the date and we went on to have a relationship in which I received quite some instruction on how to dress!

Anyway–I am entirely unsure how I come to have so much wide wale corduroy in my possession, unless it was a wistful longing for my younger self feeling like a million dollars and able even to consider a corduroy paperbag waist as a style statement. But now it is all gone–all the maroon and two different shades of black of it. I do wish I hadn’t given away those suede winklepickers though!

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Komebukuro Rice-Bags

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I am still in love with this traditional Japanese style of bag.  Having acquired Japanese fabric scraps in Japan, I made some more, combining recycled clothing (a red linen shirt from the op shop and a maroon sleeveless linen shirt worn very much by me since the 1990s became linings) with fabric I have dyed with indigo as well as all kinds of Japanese fabric scraps.

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I find this design very cunning, and in Japan, I was struck by the different styles that casings tended to take, with drawstrings travelling through casings that were quite separate from the main bag.  In the drawstring constructions I more often have encountered and created, the drawstring passes through a casing in the garment or bag itself.

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And there it is again.  I constantly find myself creating series, and I constantly find myself much more readily making scraps, remnants and recycled fabrics into projects rather than using untouched loveliness in my possession, as if it is too special and valuable to cut, even when it is a gift!  I’ll have to work on that, because of course I want people to use the things I gift them!

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Fabrics in Kyoto

I think regular readers will have worked out that there were some obvious reasons I saw textiles everywhere in Japan–after all, I was seeking them out! I must admit though–and I’ve already explained that my ignorance and lack of language are a limitation–that fabric in Kyoto seemed far more accessible than at home. I was really impressed by the range of scrap fabric and recycled fabric available, and the range of places it was for sale. My friend and I bought scrap packs at a high end Shibori store.  There were packs of scrap fabrics available on street stalls during the evening street parties that came with the Gion festival.  Kimono is a big business in Kyoto and no doubt especially during the Gion festival, when people clearly go out of their way to dress up and dress traditionally, and tourists often do so as well.

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This may be one reason that secondhand kimono are for sale in so many places. The amount of silk made into clothing in Japan (relative to Australia) might also account for the availability of bolt ends of kimono silk and for some of the scraps which seem to have been torn off when a hem was raised, for example. But to my ignorant eyes it also seemed there was a different kind of reverence for beautiful fabric and design. During the Gion festival when community treasures are on display, fabulous garments were among them.

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When the Gion floats were paraded through the streets, they were hung with amazing, and in some cases, ancient, tapestries and carpets, often imported (long ago and from far away).

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Here is another example.

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And another!  It was amazing! I had been watching some of the floats being assembled out on the streets (remember the temperature is 39C or above every day at this stage), visited them on display once complete and seen the Gion Bayashi musicians rehearsing in them. Then we saw them lifted, pulled or wheeled through the streets on one of the two parade days. To see them all was extraordinary–each with a complex history and a heavy freight of symbols.  How hard it must have been to be pulling them through the streets–some of them weighing tonnes and with antique wooden wheels, being kept on track by a wooden chock dextrously applied as the wheels turned, and cornering without steering by use of wet bamboo slats and brute strength.  Sweaty work even for the very committed.

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But wait, there’s more.  I’d researched some things prior to departure and understood Nomura Tailor was not to be missed. The main store was on the big shopping strip of Kyoto (the Rundle Mall of Kyoto for local-to-me readers). It looks small here but there were four, or perhaps five, floors!

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I was entirely unsure whether it was acceptable to take photographs, and found myself in someone’s way no matter where I stood on any floor with a small reprieve on the top floor where haberdashery was for sale. I was utterly embarrassed!

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Here was for sale every kind of cloth. Every colour of linen.  Lots of cute prints (I now understand a little more about the cute aesthetic in Japan, but not a whole lot)! In the image above you can see an entire display of Marimekko. I have never seen so many Liberty prints outside a Liberty store. And so on (remember, this is only what I could recognise). It was overwhelming. I try not to buy new stuff as a general rule–but I really wanted to buy here and could find no way to make a decision about where I would stop if I started. I came back on a second day to see if I had more judgment or perhaps it was less crowded.  I still could not bring myself to buy fabric, overwhelmed by how I would ask for it, not understanding how to initiate a purchase, not wanting to hold up the queue, and in general feeling all heffalump in a very organised and efficient space in which I was unable to grasp the key organisational and efficiency principles. I bought some braid, some Japanese zippers and some sashiko sampler packs. The difference between buying fixed items and negotiating yardage is profound, or at least it felt that way to me on the day!

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The sashiko samplers turned out to be cushion covers but only the shape of the fabric and the pictures with the Japanese instructions inside allowed me to work this out.  I became ill a week or so after returning and did a lot of stitching!

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None of these was the highlight for me. The highlight really was going to a shrine sale the day we left.  We went to the flea market, and it was immense.  It was not a fabric sale–pottery, tools, metal, ready to eat food, brushware, vegetables, pickles… just abut everything!  It was over 40C that day and I inhabited a fantasy that I could look around and come back to things sighted earlier.  Oops! That is one thing I do regret.  Here was every kind of fabric, new and second hand. New garments and second hand garments. Second hand sake bags.

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Sacking, advertising materials on fabric (as far as I could tell). Cheap mass produced stuff. I bought what turned out to be strips from the ends of bolts (lengths?) of white silk kimono fabric. Then there were so many second hand fabrics whose origins I could only guess.

There were plant dyed clothes, and while indigo was prominent some were dyed with nettles, cedar bark or wormwood (that is what I could understand at any rate–)

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There was vintage clothing and fabric in every stage from well preserved to utterly disintegrating and in every stage of being mended from a patch here or there to rags stitched together–the boro tradition.  There were also many stallholders converting scraps of beautiful silk or vintage indigo dyed fabric into small items of loveliness, honouring them by transforming them.

I have read about boro and seen images, and read its history.  But while some of these items spoke of thrift and long wear, some were so ragged and so much mended that I was confronted by a sense of grief and awe for the people whose suffering and resilience created these clothes and cloths. While they now sell for a good deal of money (which does not go to anyone who used them), these items speak of the sheer poverty and difficult lives as well as speaking of the diligence, skill, love and care that must have gone into them.

In the end, I felt as though the flea market was an education in the life of everyday people through textiles. The museums I visited focused on things of high quality and amazing craft and design skill (as museums often do). Yet, this means museums often tell the stories of the wealthy and powerful, even when it is their clothing that is on show. At the flea market, the incredible effort that went into staying warm and covered for so many people who made that wealth possible was on show instead.

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Boomerang Bags–a few more!

Well, I’ve had some weeks of illness in which knitting seemed too much. I know, I know!! But I managed to slowly make more Boomerang bags some days.  I finally cut up a pair of ramie jeans I must have kept for at least 15 years since they  wore right out, in case I’d learn how to make another pair… or something.  I can see why I loved these from the time I bought them second hand in, oh, the late 1980s or early 1990s– but I’ve finally let my longing to reproduce them go and taken the scissors to them.

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They made some nice bags…

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I found yet more bits and pieces to create linings from, including jeans pockets and other leftovers from the last round of bags.

This series of bags all came from a striking border print I had in stash.  Origins lost in the mists of time, but I guarantee I never imagined myself in a square dancing circle skirt made of this!

Then there was this shirt I made many years ago and had years of happy times wearing.  Now that fabulous print gets a new lease on life.

The last of one of Joyce’s fabrics, teamed with jeans that have passed the point of no return for a nice strong base.

Finally, I had quite a score of big prints on cotton canvas one day at the op shop. A black and white panel seemingly designed to hang on a wall and then these red and green prints.

And that is a wrap! But not a single use plastic wrap, haha….

 

 

 

 

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