I’ve been busily dyeing fabric, making plans and piecing examples for the leafy log cabin workshop coming up in only a very few weeks’ time.
There are still places for anyone able to join us. We’ll be exploring using eco prints in patchwork as well as doing a little dyeing and making a bag featuring a leafy log cabin design. All in a lovely, friendly setting at the Aldinga Eco-Village. For details or to sign up… click here.
The springtime brings on fleece washing, carding and seed planting, apparently!
I’ve spun up all kinds of tragic fleece dyed last year, lawnmowing crossbred sheep’s wool, alpaca, blends, cochineal dyed fleece, natural fleece… there has even been some eucalypt dyeing (the orange skein in the foreground).
I’ve spun batts created from logwood exhaust and woad exhaust and where did that even come from? batts.
Anonymous roving from my friend’s stash. Alpaca gifted from another friend. Local fleece blended with dark grey alpaca with far too many burrs in it. Possum and wool blended together.
My winter of knitting was lovely indeed but I am loving being back to spinning as well, so it seems…
On my little holiday in Allansford, I dyed up some knit silk and some silky merino from the Beautiful Silks odds and ends department–much better fun than the remnants at a big chain store.
I had to do some creative work to find this entire garment from the pieces. In the end, I settled on silk sleeves and a silky merino body.
A friend agreed to take some pictures for me one day but she evidently couldn’t do anything about my embarrassment! And she offered the view that this top would work better if it were a little longer. She may well be right.
You can see I’ve got leaves running in one direction up my back and down the other… I just couldn’t get the pattern to fit any other way. And–I’ve enjoyed wearing this most of the winter.
This is the Orphans for Orphans sweater from Knitting for Peace. This is the third time I’ve knit this design and it is an ingenious, easy pattern that lends itself to wool in odd amounts and various colours. This one is made from handspun local wool and dyed with plants from my garden: woad, coreopsis, eucalyptus, woad + coreopsis.
Where the woad vat was running out, the natural grey of the wool shows through. I cast it on, on an excitable day of knitting confidence when I decided it would fit someone I know! I think in fact the likeliest candidate is the daughter of the sweethearts who gave me Knitting for Peace. She is no orphan but a delightful and extremely well loved small human. And if not her, then some other treasure…
Sometimes it happens that I look at a random selection of yarns and suddenly see what it could become. This was one such case. It has some wonkiness to be going on with, but quite frankly, any jumper that isn’t wonky before it goes onto a small person hopefully becomes wonky through sheer activity soon afterward. I’m reliably informed that the recipient is a fine appreciator of knitwear and that she held it close all the way home. That’s a lovely start!
I have ethical questions about cutting up garments at times. For example, should I leave them in the op shop for someone who might use them as they are rather than treating them as raw materials? Not to mention, how about using what I already have and not getting anything more, even second hand? I have to admit that other days I think about how much textile waste is thrown away in the overdeveloped world and think I should just go wild if I have a good idea. But my ethical quibbles are completely swept away when I confront the bargain rack at the op shop, where things have failed to sell and the next stop is rags. Which is how the linen jacket above (and a pair of jeans) came home with me a little while back. The jacket had clearly gone through the washing machine despite its dry clean only tag (I understand, dry cleaning is an evil chemical process and expensive as well), and the interfacing had not shrunk at the same rate as the linen. And that, my friends, is how I found myself ripping an Armani suit into its component parts!
This process entertained two friends who don’t share my fascination with garment construction mightily. I’ve read about the signature Armani interior pocket in my wanderings through Threads Magazine. And here it is! Not to mention so much interfacing, of about five different types. In the end some of the jacket lining and the interior pockets became part of this lining.
And the lining was set into an eco print on silk left from dye camp summer 2017.
And finally, I have a new knitting bag. I’ve lost one, and one needs comprehensive mending… and this one has luxury interior pockets for all my little stuff (stitch markers, needles). I’m a happy knitter! And the linen has hit a bucket of soy milk, the better to meet its new destiny.
I had another breakout of bags recently. You know how it is with me and bags–I start one and make more than you can imagine! Some were made from offcuts, some from eco prints. An entire pair of RM Williams pants that had made it to the bargain rack at the op shop met their new destiny too.
Here they are with bag bodies and bag linings in position (mmm–mismatched seams in evidence) and (RM Williams) straps cut and stitched and ready to be stitched on, waiting for another day.
This one was made from the offcuts of a shirt I made last year, and it found a new home very quickly as such a fabulous print should. Hence the hurried photo. A rather striking E Scoparia print went to the same happy home, but my picture of it was so blurred I have decided to spare you. And here are the rest: a bark cloth print that somehow found its way into my stash second hand and well loved which is also currently covering my ironing board–and–leaf prints on cotton and silk.
I had a little holiday in Allansford in the middle of the year, and since I stayed at Beautiful Silks–it involved stitching and dyeing. Perfect. I also broke my commitments against buying stuff and invested in a pile of fabric from the scraps and oddments department at Beautiful Silks and some silky merino. And there was some op shopping too!
Some fabrics hit the dye pots while I was still in Victoria! The ever-generous Marion showed me some of her favourite local dye trees, including plants I had not been able to coax much colour from or simply didn’t know. And some wonderful greens resulted.
I have a very basic home made singlet pattern, and managed to get the front from a silk knit and the back from silky merino after cutting a larger garment out.
So now I have this machine seamed, hand finished piece of splendid. The front:
And the back:
It’s a bit sad so few people will ever see it.
If you’ve been following this blog for a while, you will not be surprised that I was unable to stop at two of these bags. The pattern is ‘The Wanderlust Bag’ from The Modern Natural Dyer by Kristine Vejar.
I’ll be honest with you, I often find the projects included in dyeing and other craft books tedious. It seems as though there is a publishing requirement to include them, but often they are uninspiring to me. I guess this makes me an outlier as a reader of such books: I am sure publishers do market research on these things. This pattern, though… oh my goodness. It’s love for me. Vejar has an entirely different dyeing strategy modelled in this project but I am sure she would be untroubled by my putting her design to alternative naturally dyed use.
I have been trying to work my way to the bottom of the zipper collection. I used all those suitable to this project and… had to go and buy more rather than stop or use the bright purple ones. Where did they come from?? (The likely answer is, the op shop–possibly in the 1980s when I did sew purple things quite a bit). Apparently stopping was not an option either. Prepare for more photos soon, because I am amassing a collection, and I am not bored in the slightest….
As autumn has settled in there has been some final harvesting. And perhaps the final hat. You just never know.
It’s made of an alpaca yarn left over when my mother-out-law made a vest, and some eucalyptus dyed handspun alpaca. It has already gone to a happy new home as a birthday gift.
My colour work still needs some practice. In my efforts not to pull too tightly on the floats I have some overly loose stitches. But actually, I think this turned out really well. I loved the pattern at first sight. It’s the passerine hat by Erica Heusser. Somehow the crown on mine looks totally different to all of her images (and I see the same result in some other people’s versions on Ravelry). But it is not a problem of any kind. It’s a completely charming design and I’d knit it again, except that I seem to have moved on from hats for now and I am working on another project that needs to get knit, because autumn is moving all too quickly into winter!
The recent period of incapacity and pain has somehow led to an outbreak of hats. I was talking it over with a considerably older friend whose mobility is now quite restricted and whose everyday life has become a challenge in its own right. Formerly a proficient and very adventurous knitter (when I first met her she was knitting an extremely complex cabled jumper in a traditional style), she has been knitting the same hat over and over for the last few years. When I said to her that I had been feeling as though perhaps I just didn’t have the mental space to attempt anything more complex than a beanie and then another beanie, she said that was how she felt.
First there was this. It is closer to Jared Flood’s Turn A Square than any other I have made more or less following the pattern, but it’s handspun and the colour change in the yarn turned out to be almost at the crown!
Then there was an alpaca-dyed-with-eucalyptus hat. Then I knit up a ball of possum wool that remained from a trip to Aotearoa/NZ. But somehow the casting on kept happening… in this case oatmeal corriedale hand dyed by The Thylacine and spun into yarn by me, cast on on the train.
And pretty soon, there was a pile.
Suri alpaca… oddments of eucalyptus dyed wool, two colours of eucalyptus dyed + naturally black alpaca, corriedale! It was about then that the colour work began: a sign that the pain has been abating and also that the casting on keeps occurring. It’s great to have whisked through some of the small quantities in my stash, and it is also a happy thing that the cold weather has arrived and we are going to a shed warming where many people with all kinds of head sizes and tastes and tolerances for fibres will be there. I can feel a beanie giveaway coming on!