Category Archives: Spinning

Holiday spinning

We had a fabulous holiday at Port Willunga.  In spite of the warm weather, I did a lot of spinning. I have three fat bobbins of naturally dyed wool waiting for plying and I three-plied this rather lovely wool and silk blend by Wren and Ollie, a relatively new local business.

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Here is the resulting yarn.

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It came with a tiny lucky dip batt. I spun it up finely and three ply was the theme of the moment. I could’t resist using the photo opportunities of the lovely beach shack we were staying in. The low turret on the front right seems to be an acorn cap, for those wondering about scale.

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Finally, I had several small batts of alpaca that began in natural shades of grey which I then dyed with eucalyptus, leavng the deepest grey in its natural state.  I turned them into a gradient yarn.

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One final photo just for fun…

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What to do with silk cocoons 4: Spin degummed cocoons

For those who have not been following the silkworm saga… I raised a good number of silkworms last year, starting with the hatching and ending (after riveting weekly updates, believe me), with the very last silkworm creating a cocoon. Since then there has been a small series of ‘what I did with my silk cocoons’ posts… and I think this is the last one for this season of silk.

With  A Silk Worker’s Notebook by Cheryl Kolander (Interweave Press, Colorado USA 1985) as my guide, I moved on to my final experiment.  Cheryl describes the potential of spinning from degummed cocoons as ‘unlimited’ (page 71).  In fact, she goes so far as to say: ‘Direct spinning from degummed cocoons is the classic form for handspun silk. In fact, there is no easier fiber to spin.’

As it happens, I bought 25g of degummed cocoons last time I visited the Victorian Guild, (they have a lovely shop and gallery) for the princessly sum of $3.20.  It’s a good thing I did, because these are the only degummed silk cocoons I have ever touched. It can be difficult to embark on a process (such as degumming) when you have never seen anyone do it (other than on YouTube perhaps) and you have never seen or touched the finished product–and you have only a paragraph of text as your guide.

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Degumming is a way of releasing the sticky substance that holds the strands of silk together to form the cocoon, so these are still roughly cocoon shaped but fluffy by comparison with their intact counterparts.  Now, I have to begin by saying that Cheryl Kolander has skills that far exceed my own, but for me this was not the easiest fibre I have ever spun!

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Just the same, I managed to spin it, extract most of the chrysalis remains that were included and produce yarn, even if I was quite unsure how to turn it into something even and lovely.  I didn’t really expect to do that on my first attempt–but I would not object to being surprised by beginners’ luck at some point in my life. I re-read the relevant part of the book to discover that even from Cheryl’s skill level and point of view, some parts are not spinnable, and they were the ones I struggled with most.  Here is what I produced:

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The next thing to do was to follow Cheryl’s advice on how to degum silk cocoons and try this process with my own.

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There were two accounts of how to degum in the book, one of which implied that the cocoons were degummed with the chrysalis intact (since it was extracted at a certain point in the spinning process).  The other advised cutting the cocoons up the side and removing the chrysalis before before degumming,  In the end, I decided to do that because the idea of a well simmered chrysalis did not excite me.  Call me unprepared to pick small insect parts from my fibre–stronger insults have come my way!

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So, into the pot went the white cocoons, the yellow cocoons and the parts left over from spinning raw cocoons, just in case more could be done with them.  There were mysterious elements, as there often are with instructional texts from the US–for me, at least.  What is Ivory dish detergent?  Does the brand matter?  What would count as a big squirt?  This complication in understanding what others actually do is particularly entertaining in reading online discussion of washing wool–I recommend the thousands of accounts of the ‘only’ and ‘best’ way to clean raw fleece that you can find in any forum where this issue is discussed as fine entertainment!

As usual, I resolved these mysteries with the judicious application of guesswork.  Some time later I had this, a circular mass of silk fibres with quite a bit less structure, much less colour and some yellow water:

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I rinsed–and had something decidedly mangy and sad looking at the end of the process.  So I drew it out into a longish lumpy mass and hung it out to dry.

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Then, the struggle to spin began.  I think the temperature on my degumming pot may have been a problem… in that my burners maintain temperature by intermittently heating, which sometimes produces bubbling. I think this introduced a level of tangling that the cocoons I bought from the Victorian Guild did not suffer from.  But of course… this was probably only one of my beginner mistakes. My cocoons did not contain as much fibre as those I had purchased either, so the ratio of spinnable silk to fine inner layer was different too.

In the end, there was some yarn.  Not very much, and not very lovely.  But there was yarn.

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Time to put my feet up until next September, I guess!

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What to do with silk cocoons 3: Spin them onto a yarn!

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I used Jacey Boggs‘ techniques to do this…

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I feel a tea cosy coming on!  Big thanks to the friend who gifted these cocoons: you know who you are!  This is really what I had planned all along to do with my home grown cocoons, but they turned out to be rather thin.  I guess I am raising silkworms of uncertain parentage, not silkworms that have been bred for their fine silk or silkworms that have had optimum treatment!  Their cocoons are certainly not as strong or as thick-walled as the cocoons in this picture.  So… perhaps they are not suitable to this use.  There have turned out to be many others!

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What to do with silk cocoons 2: Spin raw cocoons

On the last Guild meeting day for 2013 I wandered into the library intent on borrowing for the coming 2 months–including holiday time.  One of my loans was A Silk Worker’s Notebook by Cheryl Kolander (Interweave Press, Colorado USA 1985). She describes spinning raw (softened in water but not degummed), degummed whole and cut and degummed cocoons.  Choices, choices, choices!

She instructs the reader to soak the cocoons to soften them.  I soaked them cold and nothing much happened.

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I double checked and Cheryl Kolander says to soak in warm water.  I did, and by bedtime, I had spun a very small number of cocoons over a considerable amount of time with great effort and decided soaking until the following evening would be necessary, since I do in fact have a job to go to…

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Kolander’s instructions make gradually drawing out fibre from one end of the cocoon sound straightforward.  Bless her heart, if she can do that, she has greater skills and/or strength than I do!  I have never applied so much sheer force to draft anything.  I found I had to snip the cocoon to make a start, enlarge the hole by pulling, remove the chrysalis and then tear or stretch the cocoon far enough that I could grab one half in one hand and the other half in my other hand and create a bridge of fibres I could attenuate and attempt to join to my thread.  All while still wet.

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Kolander promised a stiff thread and mine did not disappoint. Can you see the end of the thread heading off to the upper right in the next picture?  No wind or special effects were applied to this image!

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This was the smallest reel I could find.  But I am delighted to have managed to spin a thread.  I drew the line at plying and left it as a single.  As always, experiments like these give some finger-and-muscle-understanding and not just a vague intellectual sense of the tremendous skill and sheer hard work and time commitment of people who create fine reeled silk and all manner of silk yarns and fabrics with the most basic of equipment. I won’t be giving up my day job anytime soon!

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What to do with silk cocoons 1: Spin the blaze!

One of my more knowledgeable friends (who loves working with silk) told me that the loose fluffy fibres around a silk cocoon–where the silkworm was just getting started on anchoring themselves in space and creating a scaffolding for the eventual cocoon–is called the ‘blaze’. She was planning to try spinning the blaze–and I decided to follow her example.  I had never seen this feature of a silk cocoon before growing my own.  I guess it is removed or destroyed when cocoons are dyed or prepared for sale.  But this puffy little cloud of fibre is rather lovely.

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I tried spinning it by just drafting it away from the cocoons.

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This sometimes meant several cocoons were caught up in my drafting, and occasionally one was dangling in mid-air, hanging from a filament so slender as to be invisible.

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Here are the cocoons, now without their blaze.

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And here is the resulting tiny three-ply skein with some cocoons for scale.

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It’s pretty but tiny!

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Fractal spinning

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One of my lovely friends was travelling through country Australia whe she saw this braid and thought its colours were gorgeous–and then had the insight that I would know what to do with it!  I would tell you the dyer’s name or the fibre content (merino, at a guess) but it didn’t come with a label.  Around the time it arrived I read the second issue of Ply!  Magazine and the article on fractal spinning had me thinking of this braid.

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I decided to try–as I have never tried fractal spinning before. And this is the result… which might make a good hat for the friend who liked its colours so much…

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Textured yarns and tea cosies

There has been quite a bit of tea cosy action around here…

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This was the leftover from a yarn with felted leaves on it.  As it turned out, there were only a couple left!  I like the pennant effect… like a ship’s mast, or perhaps a circus tent. Then there is this corespun yarn, complete with silk and sparkle.

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It went home after a film viewing at our house recently, to a happy new home.

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Corespun but with the tips of the locks left to roam free… incredibly silly…

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Oh… and there is this natural grey single with leftover silk thread from a friend’s handspinning and card weaving… and mohair and sari silk thread and suchlike…

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… and there are a few others from previous tea cosy jags lying about too…

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The never-ending parade of slippers

I have been working on some slippers… with long breaks in between activity… for such a long time! They came of some polwarth fibre that was not promising enough for fine spinning and that I thought would be best rendered into felt.  This is my go-to classic felting pattern, Bev Galeskas’ Fibertrends Clog pattern.  If you’re a regular around here you know by now that I have made many dozens of them.  I still think this pattern is genius… but  I am a little bit over it just at present, personally.  Anyway… some of these pairs had already suffered the indignity of being unsuccessfully dipped into indigo.  Time to try again!  I decided to pre-wet for evenness for once in my life.

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Finally, the time came for unnatural dyeing. I have two burners, and four pairs of slippers.  They’re big!  I decided to exhaust the dye and re-use the water on the second round of dyeing, which worked well.  It seemed a perfect opportunity to try this strategy out–after all, I am dyeing over chocolate brown wool for the most part.  Fine details of colour are not of real moment.

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Finally, I give you purple over brown, green over brown, red-brown-black (using up the leftovers of dyeing adventures past) and blue over brown.

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Sadly I’ll not be able to hand them over in person but I can’t bear to make my friends wait any longer!  We have had unseasonably cold weather here of late, and credibility on the question of whether they will ever see these slippers must be stretched to a very fine thread already!  So I am going to give them to a mutual friend who I am hoping will be happy to drop them in to warm chilly toes at the next opportunity.

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Alas, poor Malcolm the Corriedale

We had a glorious visit to our friends in the hills on the weekend. There were recently shorn alpacas.  In black…

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In white…

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And in cinnamon.  But like the sheep, the brown alpacas were too shy for photos.  There was a woodlot of blackwood trees, and some stumps with very impressive fungi growing on them:

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There was a wealth of eucalypts and a knowledgeable community member who knew what many of them were. I brought home E Nicholii leaves (I have not had the chance to greet a fully grown specimen before, let alone a row of them), E Cinerea leaves and some massive juvenile E Globulus leaves.

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There was fine company, cake and scones and home grown cherries.  Not only that, but koala sightings and visits with rescue joeys (baby kangaroos whose mothers have been killed on the road, being raised by hand with tender loving care).  Such awesomeness!  I took lots of handspun yarn and left quite a bit behind where creative minds were whirling with plans and fingers were itching to get knitting… but there was bad news too.  I got to meet with the people who hand raised the corriedale whose fleece I have been working with most recently, from a lamb.  And sadly, poor Malcolm had recently and unexpectedly died, just before the shearer was due to visit.  We paused on Malcolm’s grave.  So it was special to have taken yarns made from Malcolm’s fleece to share… and I still have some, plus fleece that I dyed with eucalypts last week (it is E Scoparia bark peeling season) …

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And fleece that is prepared and ready to spin, from my recent coreopsis–osage orange–indigo dyeing season.  So… although I never did get to meet Malcolm, it’s conceivable I’ve spent more hours with my hands in his fleece than anyone…

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And I now have 5 alpaca fleeces and one from Lentil the sheep to think about and share around, such is the generosity of our friends!

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Eucalyptus dyed gradient yarns

Some time ago I blogged about dyeing with windfall eucalyptus leaves. I had been dyeing over white corriedale and had quite a range of colours in the range of ochre and caramel through flame orange and… opinions differ about whether that really is red. Here it is, wet from dyeing and ready to be rinsed:

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I divided my fleece up into colour groupings, carded it and pulled a roving straight from the carder drum with a diz.  What a great technique.  You can find it on YouTube, but it was watching a friend from the Guild demonstrate it that really convinced me to try it out.  This Youtube video has an explanation of the same simple homemade diz my friend has made, so maybe she was inspired by that video.  Here are my rovings.  Creating these made me feel like I have learned a few things about fleece preparation.

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Then I created bumps of roving with segments of each colour, lined up to create a gradient from ochre through to reddish. Then, there was spinning and plying and skeining and washing–spinning being a craft of many stages–and now…

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I am so happy with this yarn! I can’t wait to share it with the friends whose sheep this wool came from.  Coincidentally, the week I finished this yarn, they invited me to their place for shearing time.

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