Tag Archives: wool

In preparation for a natural dyeing workshop

As I write, I’m preparing to run a workshop at my Guild.  I’m counting down and there are only a few days left.  Preparation has been going on for weeks now! I’ve skeined beautiful organic wool and mordanted some.

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I’ve washed fleece in two colours and two breeds, and mordanted some.  I’ve decided being able to mordant cold in alum is a real benefit to preparing unspun fibres.  Less opportunity for felting or simply mooshing the fibres.  Three cheers to Jenny Dean, who introduced me to the idea of cold mordanting with alum.

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I treated some merino roving to a cold alum bath too. Later I decided that past unlovely experiments with paj silk could go in the mordant bath with a view to being overdyed.  And added silk embroidery thread.

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I have been packing things into bags and writing lists. I’ve begged milk bottles from coffee carts and turned them into sample cards. Finally, on the weekend, I wandered the neighbourhood on my bike gleaning leaves, and finding some damaged pomegranates that might be used for dyeing–the rats that were scampering along the fence nearby had clearly been having a banquet!  It was overcast, but can you see these two E Cinereas forming an arch at the end of this street?  Cute as a button!

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Ironbarks were oozing kino, which is their main strategy for avoiding pest attack.  This one seemed to have gone a bit too far…

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Some ironbarks were in flower. Gloriously.

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In some streets there was a carpet of flowers on the ground where lorikeets and rosellas had been partying.

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Some of the neighbourhood E Cinereas have recovered from the most recent attack of the chainsaws a bit.

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I stopped off at my favourite E Scoparia on my way home.  It now has some leaves I can reach for the first time since a bough was lopped a couple of years ago.

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So, I came home fully laden.  I even found an E Cinerea branch that had been cut some time ago but must have fallen to the ground more recently. Needless to say, it came home with me.

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Hopefully, my preparations are nearing completion.  I had a dream the other night where my workshop went terribly wrong… for one thing, there were two workshops and I had not prepared for the first one at all… and the Guild hall, which is a bit of a rabbit warren, had several rooms that I had not previously seen!  Perhaps it is the idea of using cochineal for the first time acting on my overdeveloped sense of responsibility…

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Filed under Dye Plants, Eucalypts, Fibre preparation, Natural dyeing, Neighbourhood pleasures

For the love of mending: Make do and mend afternoon

We had a make do and mend afternoon with friends recently.  We’re investigating actions we might take about climate change, and we’ve begun with some conversations about consumerism.  Who knows where that might lead?  I began by stitching up a torn out seam for my partner and tightening all the screws on the clothes rack so it works properly. Meanwhile a rusty frypan was rehabilitated, an electrical plug was replaced, and the endless chewing of moths on fine wool was darned in by others.

I have a wardrobe which is heavy on the bottom end.  I always have more clothes suitable for gardening and doing filthy jobs than I have clothes for best.  And my favourites are usually my gardening clothes.  Things that are no longer suitable for wearing to work or to visit my mother, unless I’ll be weeding while I’m there. My father is a bit like me.  When I knit him socks he puts them in the drawer until he has worn out a previous pair.  My current favourite jeans are well past their best, and weeks ago they went through in the knee.  I kept thinking I would turn them into a bag, but then I kept taking them out of the reuse pile and pulling them on.  So with a crowd of friends who were mending and repairing too, and a pot of pumpkin soup to keep it cheery, I patched them.  Maybe one day this patch will be part of a bag!

For those who wish they knew how to patch the knee of jeans, step one for a simple mend is to rip out whichever seam is less complicated.  Leave the flat felled, beautifully topstitched seam intact and rip the other one, if there is a choice.

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Choose a nice patch.  This one was once part of a pair of cotton twill pants and is now eco printed with E Cinerea leaves.  Trim back the hole to some solid fabric, and shape it.  My mother taught me this mend and always created a straight sided shape, like a rectangle.  I decided to try something rounded.  Put the patch on the inside, and turn the edges of the jeans under all around, attaching to the patch fabric. Tacking would be a great way to proceed, but I prefer pins.  Call me a daredevil!

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On the inside, turn the edges of the patch under, toward the wrong side of the jeans.  Stitching the first seam and then turning the second would have been a good idea, but I was having an interesting conversation and didn’t want to leave the room to use the sewing machine yet!

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Stitch around each edge.

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Apologies for the indoor pictures on a rainy day–but here is the patch, being a mend on gardening jeans, in the garden, with the sun out, however weakly!

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One of my treasured friends brought some socks with him.  It’s a shame about the lighting, but never mind.

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I made these from Cleckheaton 5 ply crepe in pure wool (not the best possible choice for socks) in 2009. Here they are on my desk at work in all their glory in 2009.  Who can believe I managed to find the photo (or understand why I took it at work?)

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The stripes at the tops are all my samples for the previous period–a metre or two of yarn dyed with samples of local eucalypts and other plants.  The rue dyepot was the worst ever–but a triumph of neighbourhood cooperation involving a rendezvous at the local train station where my friend handed a bag of rue prunings out the door and I stood there ready receive them as he continued on his way on the train relieved of his pungent burden!  One of the socks is all in orange tones and the other tans and greens.  Rue.  The ordinary kind does not give red, my friends, take it from me (or sort me out if you know how to get red from it–seems like there is a Siberian kind that might give red–but only from the seeds–or some such).  I digress.  These socks have been worn a lot, which is very flattering, and my heart’s friend wanted to keep them, though perhaps only for in-slipper wear.  We consulted about whether it was feasible to darn these holes.  I wasn’t sure.  He can darn but has not kept up his knitting skills in a period when carpentry has been needed more at his place.

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He has the biggest feet on my knitting roster.  These holes are BIG.  I wasn’t sure about darning them.  He went off to tend to a bicycle (there were others people dealing with wood and still others entertaining children with the wheelbarrow and others still darning).  I thought it over, no doubt drawing on things I’ve seen and read, and wondered if I could just pick up and knit on a patch.  I pulled out 4 ply patonyle dyed with eucalypts.  I’ve learned a few things about getting a strong colour since I dyed these socks.  the original wool in the socks has worn thin and the 4 ply was fine for the job.  I decided on a visible mending aesthetic.

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At first, I wasn’t sure how to join on the sides on.  Then it dawned on me… pick up a further stitch and knit or purl it together with the edge stitch.  What could be simpler?

Put your sunglasses on, I must have changed the settings on the camera.

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When I got to the end of each hole, I decided to graft.

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I picked up more stitches and kitchener stitched (grafted) them together.  And in the end… the conversation was so good I mended all three of the big holes.  Comfy socks to wear when your feet are up.  Eat your hearts out!

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More jars for the pantry!

I’ve been making the most of the end of season fruits and flowers to create more Stuff, steep and store jars.

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This jar contains pomegranate rind (and a few seeds)–somewhat dried out after contributing to more than one salad earlier in the week:

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Then I made another with hibiscus flowers, and since I was sorting through dyes from the Guild that day (on a large sheet to catch escapees), a few cochineals and kermes left on the sheet with dust and dirt and leaf fragments.

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Finally, why not try madder root, as I now have quite a bit of it in my possession?  I figure if this does not go well–though I can honestly see no reason it should fail–I can heat it and dye with it when it comes out of the jar.

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Before sealing…

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And some days after…

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Many more images of what people are doing with this process over at The Pantry.

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Milky merino: Second effort

I decided to use the scraps from my milky merino to make a singlet for a small friend. One inspiration was the discovery of another E Cinerea nearby on a suburban street.  It is beautiful.

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It is covered in new growth, whose leaves are larger and teardop shaped rather than the rounder heart shape that is usual for mature leaves.

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I have to say milky merino is a glorious fabric to use for eco-printing.  It takes colour in a most spectacular fashion.  I bundled up one night and unbundled a day or so later.

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I love the way the fabric took on a golden creamy colour where it did not absorb a direct print.

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Action shot!

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I created a pattern from an existing garment and set about cutting and sewing it from the fabric.

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The finished garment is sooo cute, and so tiny I need to find a different recipient for it.  I should have recognised the difference in stretch between the garment I measured up and the milky merino…!

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Filed under Dye Plants, Eucalypts, Leaf prints, Natural dyeing, Neighbourhood pleasures, Sewing

Milky Merino: First effort

Last year, I managed (with a little help from cossack design) to acquire some milky merino knit fabric. I have been thinking that if I want to make all my own clothing I will need to learn how to make turtle neck, knit, long sleeved tops for winter and T shirts for summer (though perhaps it will be years before I wear out my current collection of T shirts–and people keep giving them to me)!  I decided to try a pattern I bought some time ago.  Then I managed to trace a pattern from a garment I already have and like to wear and cut one of those from the length of fabric I had as well.

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I was feeling positively gleeful about the potential for two garments to emerge from this experiment.  Many other dyers–see examples here, here and here have had beautiful results dyeing this fabric.

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I’m delighted with these results.

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I also dyed the little samples that came in the pack, neatly enclosed in my soup ball:

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This thread has since been applied to a ‘beloved tree’ banner.

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That was all very well.  I sewed my garment together, only to discover that I had succeeded in shrinking the fabric… and more in one direction than the other.  In the end, I gave the garment to a smaller friend and she adjusted it to fit her.  She looks wonderful in it!  Now I am building up my nerve to sew the second turtleneck together and see who that will fit!

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Filed under Eucalypts, Leaf prints, Natural dyeing, Sewing

Whatever became of the dress?

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Well, my friends, true confession time.  I sounded out a lot of people about the second skin frock, on and off line.  Their, and your, ideas were full of genius.  If I’d had ten of that frock I could have made ten different lovely garments from it.  But I didn’t!  I still could not overcome the fundamental issue—believing I’d wear it no matter how lovely it was.

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I turned it into a series of what India Flint calls ‘infinity scarves’, though a  little less fancy than the model we created in Melbourne.  Three of them.  Two have already gone to happy homes, in fact I saw one in use yesterday.  It had a leaf print from a white cedar (Melia azaderach var australasica) leaf, pale green, which my friend had particularly appreciated.

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One has been hand-pieced to manage the top part of the garment, and naturally it’s my favourite.  I’m surprised to find that the clean, shiny white of the silk and cotton thread stitches against the dyed fabric is pleasing to the eye.

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I’m now left with only a small pile of little scraps.  Each time I come past them, I think ‘pincushion’.  So there may still be another object to emerge from what was once a frock…

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More joy of stranded colourwork knitting

There have been two more pairs of Tingvoll slippers. Too much fun!  Unfortunately, without going into boring detail, I have also been having a great deal of trouble with photographs.  My phone  suffered a major episode while I was in Melbourne and is now on its second trip to repair.  The first visit fixed one problem but rendered the camera absolutely unable to focus.  This has meant discovering not a single photo is in focus when it it too late to take another set… having unfamiliar equipment, no equipment, or using the retired cameras and remembering why they were pensioned off!  So, my apologies for photo quality, and my hopes that my capacity to take pictures for the blog at will, and upload them with similar abandon, and access WordPress on my phone, will return soon.

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If you have been following along for a long while you might remember my dyeing project using eucalypts over grey Corriedale.  I created two sets of yarn–one where I maintained the colour changes and one where I plied different coloured singles together.  These slippers use the three ply colour-changes-maintained yarn.  Until now, I had struggled to figure out what to make with something so lovely but so chunky.

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This first pair were made with 5.5 mm needles, my handspun eucalyptus dyed Corriedale wool and Bendigo Woolen Mills 12 ply, leftover from making slippers for a goth friend.

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They have gone to a different friend who is a writer.  She said she might save them to be special writing slippers.  What an exceedingly fine compliment.

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This second pair, knit on 5 mm needles, have gone to another dear one who spends her work life assisting people to recover from trauma.

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I hope they will gladden her heart!

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Having done it three times I began to find the chart so much easier to follow… my sense of following a chart as difficult began to ebb away.  My confidence that I can do colour knitting began to grow stronger.  I began to have that sense of happy familiarity you get with a song you have listened to a lot.  I now have my first set of metal DPNs and I like them very much–I tend to use circulars for most knitting in the round–and I mostly do knit in the round.  But in this case the pattern divides into four sections in a way that I decided very much lent itself to DPNs.  Lovely!  I can only recommend this pattern.

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Eucalyptus Eximia

I had the chance to sample fallen dried leaves of Eucalyptus Eximia, the yellow bloodwood.  Such spectacular bark!

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Needless to say, I didn’t pass up the opportunity!

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Apparently I did pass up the opportunity to take a picture of the entire tree, but here you have bark, trunk, leaves and immature fruit

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And the result from the dyepot…

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Just for your viewing pleasure–some more of the glorious native Australian plants at Wittunga Botanical Gardens–

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These are banksias at their splendid best.

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Eucalyptus Grandis

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These massive trees are a feature planting at Wittunga Botanical Gardens.  I am sure they are far from full grown, but they are huge!  I gathered fallen leaves from beneath them and since I was playing a game of trying to identify eucalypts as I walked up to them but before I could see their name tags–I guessed they were E Saligna.  My eucalypt handbook assures me the two are closely related, so perhaps I’m learning something…

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I had a significant amount of plant material relative to this tiny sample, but apparently this tree gives colour.  There were, of course, so many beautiful plants.  This one is Calistemon Rugulosus var Rugolosus:

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There is also a magnificent persimmon tree in the grounds.  Perhaps it pre-dates the gardens, since they are focused on Australian and South African plants. A persimmon in autumn is always a glorious sight, but this one is huge and spreading and even more magnificent than those I can see in my neighbourhood right now.

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And, of course, it is in fruit–those glowing orbs are just so beautiful… I’ve been investing in a couple each week at the farmer’s market and they are delectable!

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Handspun socks

Once upon a time there was a braid of Superwash Merino/Bamboo/Nylon blend, especially for sock spinners from Ewe Give Me The Knits, who surely wins a prize for business name.  I spent many an hour, some more patient than others, turning it into 100g of handspun three ply (for those who knit but do not spin, I mean there are three strands going into the final yarn, not that it is finer than ‘fingering’ or ‘4 ply’), high-twist yarn.  There is a previous post about the spinning part.  Fibre selection and spinning strategy were both focused on producing sock yarn.

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In my experience, if I want to produce a fine yarn, especially one with three plies, I have to make sure the singles are really fine.  In this case I went with ‘as fine as possible’, pretty much.  The comments at Guild touched on ‘frog hair’, though needless to say there are some serious fine spinners in the Guild, and I’m not one of them.  Here is my yarn beside some 4 ply (fingering) sock yarns I’ve knit into socks using 3 mm needles.

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Closer… I think my yarn is on the thin side compared to the 4 ply (fingering) yarn I usually would use to knit socks, so I went down a needle size to 2.75 mm (oooh—) and cast on!

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With yarn and needles as fine as any I’ve ever used, this took a little while.  Quite a while.  But in the end… these went off to warm the toes of my fairy godson–and yesterday I sighted them peeking out between his shoes and his jeans as we all pedalled into town to see a fabulous exhibition and talk about political printmaking in South Australia in the 1970s and 1980s. I feel very deeply blessed to have precious friends who appreciate handmade things so fulsomely.

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