Long, long ago (the 1980s) I was a university student in the days before voluntary student unionism. Everyone paid a student union fee, and a lot of student services were paid for in this way, that no longer exist on university campuses in Australia. On my campus there was a craft studio. It was a thing of wonder to me that there was a space with a part time staff member where you could go and make stuff for free or for cheap. The woman who ran it would teach you things at a basic level and let you go. As a young activist, I learned how to do basic screenprinting, and in the days before photocopying and laser printing were freely available and good to look at, this is the way we created posters for events or occasionally, t shirts.
There is nothing fancy about my skills and lack of practice has not improved them, I’m sure. But to my surprise sometimes at Extinction Rebellion crafternoon I’ve been the one teaching screen printing, because others don’t know how, at all. The embrace of imperfection in Extinction Rebellion is a good fit for my lived imperfection. Before we went to lockdown, I had borrowed one of the very much preloved and probably 1980s era silk screens that had been donated to us and a friend’s squeegee. I had op shopped up sheets in good colours (and some that are less good)… and now I’ve also had time for digging around for stencil artwork and creating some of my own. I made this screen with stuff from an art shop (that was not available in the 1980s!!)
Plus the traditional one, cut in this case from a roll of second hand wallpaper from the Adelaide Remakery.
Between them, my first effort resulted in a lot of patches and my second, in patches and some bag blanks…
And some of them turned out quite well, especially considering the less than perfect combination of a very much used screen and my basic skills.