Category Archives: Natural dyeing

Standing here

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Last week I sent off a small collection of squares for the Standing Here public art installation.  I was just delighted (even if also saddened) to hear that the location for the installation–Tree Place–commemorates the place an ancient tree was felled.  I am glad others recognise this as something to be marked and responded to.

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This one is a patchwork of raw silk scraps I dyed at Summer Dye Camp.  The very last of a raw silk suit a friend bought me at an op shop.  I added one of the indigo dyed–bedsheet–napkins for good measure, and this piece, which is a piece of hemp/silk with borders of cotton, dyed with eucalyptus leaves in different ways.  Wishing Jenai Hooke and Anne Harris every success with this project!

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Transformations: Blind to Banner

I think some of my earliest sewing projects were mending and banner making.  I see no reason to change now!  This week the household is preparing to head out and let CommBank know we want them to rule out funding the Adani coal mine.  This mega-mine would mean that Australia could not hope to meet its obligations under the Paris agreement on climate action, let alone claim global leadership on addressing the most serious threat facing the planet, all species, and humanity.  We are part of the national movement to stop the money going to this project, and our strategies include going to the banks and singing about our hopes and expectations. We also want the passersby to know what we are doing–and that is where the banner comes in.

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A few weeks back I saw an old holland blind abandoned on the verge/nature strip.  I took it home because it was crying out to become a banner.  Nice, firm, neutral coloured fabric that won’t bleed through–and otherwise destined for landfill. I cut off the really sad parts that were coming apart through UV light damage and long use.  Then I washed off the surface grime (it had been out in the weather when I came across it).  Next, discussion about how big the banner should be, and snip!  In with the scissors.

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Next, collaboration on the engineering aspects, and construction of the pole pockets, with me on the sewing machine and my friends supporting the weight of the fabric.  We agreed on the message and design, then ate a delicious dinner!  I roughed out the text with a pencil and then we got to colouring it in, and called a friend for resources.  She came over with paint and brushes and I outlined the black sections in texta/sharpie/permanent felt tip pen. Then  everything went quiet for a while.  It’s more fun than you think to collaborate on a thing like this. And it doesn’t have to be a work of art, it just has to be a communication.

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Ready to go… but not quite… next day, off to the local bamboo clump, with some admiration of guerilla gardening success en route.  Here, I planted everything except the tree.

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Here, my friends and I planted everything, and there is so much cover now a friend planted a eucalypt in there with me one day–the site is protected enough that it might make it now!

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Then I made my bamboo selections, cut a spare one or two, stripped the leaves and headed home for breakfast and work.  We are ready to go!  If you are in Adelaide and want to join us, see you at 10 am outside the Commbank branch on Gouger St City, beside the market, for an hour of songs about why renewable energy is preferable to coal, the need for climate action, our determination to dump banks that won’t see sense and stop investing in fossil fuels, and some very fun new songs about stopping Adani. Feel free to swell our numbers whether you sing or not.  There’s a banner you could hold… or bring your own!

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Flowers at my Fingertips Hussif

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In another radical transformation of vintage woolen blanket, I (more or less) followed the instructions for the Flowers at My Fingertips hussif/sewing kit from Christine Vejar’s The Modern Natural Dyer. You can have a sense of what she did (and some pictures of her hussif) by following this link. Above are prints from maroon coreopsis flowers I had in the garden at the time I was dyeing. I bought the plant at the Seed Freedom Festival and have just loved it. It is not enjoying winter though.

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These are prunus leaves from a neighbourhood tree.  I cut binding from some linen pants that entered their second life some time ago.

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Some parts of the binding went more smoothly than others, but in the end the edge was reasonably neat.

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So now I have a sewing toolkit that rolls up.  I really just wanted to make this pattern and try the dyeing strategy out, at a time of year when I had African marigolds, Mexican marigolds, Alyogyne Huegelii flowers, salvias and more to try out, and then realised that I also had something close enough to woolen flannel to try them on.  I’ll figure out where it will go to live later!

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More socks!

As usual, the latest pair of socks spent quite a lot of time on public transport. This is a local train service knitting opportunity.
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They came on some pretty tired and sad visits to hospital and nursing home as one of my dearests has been having a very tough time and I have been doing what I can to accompany her.  Knitting on public transport was a big help on a few visits when I took trips to visit her and she had already been taken by ambulance to some other place.

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Socks don’t care about your worries.  They just keep growing as you keep knitting, and that works for me.

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As you can see, it’s another pair of socks made with the same fibres.  And roughly the same size.  And there the resemblances end!  I managed to finish the skein with only this tiny ball of wool left!  But did get two pairs out of my naturally dyed Suffolk handspun.

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They have already gone to a dear friend who spends more time in gumboots than pleases her sometimes, and finds a hand knit sock an asset in her gumboot (wellington boot? galosh? wellie boot?  rubber boot? you get the picture, I hope).

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None of the pictures really came out right, with some too washed out and some a little overdone.  But I am sure you get the idea!  And in these times of considering mortality and suffering, I thought I would share this little gem taken as I ran through the cemetery one morning.  There were four magpies perched on this statue but two flew away as I approached. Camera shy.  I understand.

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‘Standing here’ public art installation: be in it!

Dear friends, I have had an invitation to be part of a natural dyeing arts project–so I am writing to invite you to join me in participating!  If you’d like to follow me on instagram (and see my square when I post it there), I’m @localandbespoke on Instagram.

The invitation comes from Jenai Hooke, who was the indigo dyeing tutor at Summer Dye Camp.

All Natural Dyers are invited to be part of this Art Installation
  • Create 30x30cm square of naturally dyed material.
  • Take a Photo of you and your work tag @thetreeplace #treeplace on facebook or instagram.
  • Post your squares by 28th July 2017 to: Tree Place, PO Box 1336, Noosaville, Qld 4566 AUSTRALIA
The squares  will be joined together and hung as part of the Sunshine Coast Horizon Festival (24 Aug – 4 Sept) at the USC Sunshine Coast Piazza – 90 Sippy Downs Drive, Sippy Downs. The Art Installation created is entitled “Standing Here”. This is a beautiful installation comprising of 1200’s naturally dyed squares of fabric. Bringing together the natural dyeing work from communities around Australia. This sustainable installation is facilitated by Indigo Dyer Jenai Hooke and Natural Plant Dyer Anne Harris, celebrating trees and their connection to people and place. The story of the flags can be viewed @thetreeplace #treeplace www.treeplace.com.au/events for more information. 

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Another Wanderlust bag

If you’ve been following this blog for a while, you will not be surprised that I was unable to stop at two of these bags.  The pattern is ‘The Wanderlust Bag’ from The Modern Natural Dyer by Kristine Vejar.

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I’ll be honest with you, I often find the projects included in dyeing and other craft books tedious.  It seems as though there is a publishing requirement to include them, but often they are uninspiring to me.  I guess this makes me an outlier as a reader of such books: I am sure publishers do market research on these things.  This pattern, though… oh my goodness.  It’s love for me.  Vejar has an entirely different dyeing strategy modelled in this project but I am sure she would be untroubled by my putting her design to alternative naturally dyed use.

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I have been trying to work my way to the bottom of the zipper collection.  I used all those suitable to this project and… had to go and buy more rather than stop or use the bright purple ones.  Where did they come from?? (The likely answer is, the op shop–possibly in the 1980s when I did sew purple things quite a bit). Apparently stopping was not an option either.  Prepare for more photos soon, because I am amassing a collection, and I am not bored in the slightest….

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Filed under Leaf prints, Natural dyeing, Sewing

Handspun, hand dyed, handknit socks

Some time back, I embarked upon creating sock yarn from scratch, beginning with scouring, dyeing and combing raw local Suffolk fleece. If you missed the early, exciting stages (yes, that is a joke!) here is a post about the woolHere is one of multiple dye adventures. And the spinning went on at intervals over some months.  It’s hard to make incremental progress in spinning fun with photos!

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Here is the first sock being knit at a coffee shop after exercise class, overseen by a dog.

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Here is the second sock, almost done on the weekend when I cooked for many friends planting 500 trees on land two of our friends (and their two children, as they grow) are reclaiming, rehabilitating and revegetating with a degree of  care, thought, vision and commitment that is awesome to behold.  I was just too scared of back re-injury to plant.  So made myself a bit useful kitchen handing.  In between times, I knit and chatted with small folk.  I even did the hilarious feat of walking while knitting.

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It was hard to photograph the socks really well.  But there are some nice colours in there!

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And I am a sucker for the ingenuity of the heel arrangement.  The socks have whimsical cables, which puzzled some onlookers and delighted others.  And they are in no way twins, which likewise puzzled and affronted some while pleasing others very much. I’ll be honest, this is not exactly what I intended. But you know–they are fine! And headed to a happy new home as I type.  They will be snug, and hopefully, made as they are from a suffolk/silk/mohair blend and dyed with plants and cochineal–strong and colourful both.  And–there is enough for another pair, perhaps with a toe that, in this context, will not stand out if knit from a different yarn altogether–the finished socks weigh 101g and 89g remains…

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Box pouches

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I’ve had a spell of eco printing onto old woollen blankets.  It is extremely rewarding: wool is the perfect fibre for dyeing with eucalypts (as India Flint has said so may times) and the pile of the blanket means that every detail can show!

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This one turned out to be the perfect size for my friend’s new and glorious ceramic keep cup.  She was struggling with plastic at her favourite cafe; saw my beloved’s keep cup in use, found a lovely ceramic one of her own on a side trip to the art gallery–and all it needed was a little insulation against the bumps of life.

This is a larger model I also like a lot.  I think I will make more.  The pattern came from Kristine Vejar’s Modern Natural Dyer, which was a kind birthday gift.  I am enjoying it very much.

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An outbreak of hats

The recent period of incapacity and pain has somehow led to an outbreak of hats.  I was talking it over with a considerably older friend whose mobility is now quite restricted and whose everyday life has become a challenge in its own right.  Formerly a proficient and very adventurous knitter (when I first met her she was knitting an extremely complex cabled jumper in a traditional style), she has been knitting the same hat over and over for the last few years.  When I said to her that I had been feeling as though perhaps I just didn’t have the mental space to attempt anything more complex than a beanie and then another beanie, she said that was how she felt.

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First there was this.  It is closer to Jared Flood’s Turn A Square than any other I have made more or less following the pattern, but it’s handspun and the colour change in the yarn turned out to be almost at the crown!

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Then there was an alpaca-dyed-with-eucalyptus hat.  Then I knit up a ball of possum wool that remained from a trip to Aotearoa/NZ. But somehow the casting on kept happening… in this case oatmeal corriedale hand dyed by The Thylacine and spun into yarn by me, cast on on the train.

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And pretty soon, there was a pile.

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Suri alpaca… oddments of eucalyptus dyed wool, two colours of eucalyptus dyed + naturally black alpaca, corriedale!  It was about then that the colour work began: a sign that the pain has been abating and also that the casting on keeps occurring. It’s great to have whisked through some of the small quantities in my stash, and it is also a happy thing that the cold weather has arrived and we are going to a shed warming where many people with all kinds of head sizes and tastes and tolerances for fibres will be there.  I can feel a beanie giveaway coming on!

 

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Simple, pleasurable embroidery

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I have been embroidering some small bags.  They came with crowd sourced underwear (organic, fair trade) in them, with all the good information about the product printed onto unbleached calico.  Seven bags in all!  I decided to convert them to loveliness and started with dyeing them in indigo.  They are all slightly different shades of blue, some having been dipped more times than others.

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I am not a sophisticated embroiderer.  But I keep being given cast off embroidery thread, so there was no shortage of thread and no shortage of portable canvases for stitching.

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So I tried several patterns and admit I still enjoy the spiral most of all.

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One of the bags went travelling with my Mum when she was looking for a simple project, so then there were six.

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And after all these adventures in stitching, there is yet one waiting to be embroidered.

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I learned some things about how to store embroidery thread from the heritage items that have come to me, some of them in tangles, some in the original skeins, and some wrapped on cardboard shapes that keep the thread neat without taking up a lot of space and using something that comes into the house all the time.  Thank you to those women whose hands have held these threads already and whose minds have touched mine however distantly in this way.

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In the middle of all this my mother-out-law sent me her stash of embroidery threads in pastel colours, so some of them have gone into the project too.  So much pleasure from running stitch…

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