Category Archives: Sewing

Mending the earth

Some days seem more surreal than others.  It’s #Menditmay, and part of me is considering ripping out the zipper on that pair of jeans with the zipper that won’t stay up this evening.  Or perhaps re-stitching the lining of a lovely winter jacket that is a treasured gift.

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In my day job today, though, I am thinking about the appalling toll that sexual assault and other forms of violence take on people and what, if anything, the law can do about that.  This has been a project of some decades for me.  And tonight I will be packing for Newcastle to go and participate in Break Free, an international set of peaceful nonviolent protests directed at the major sources of the emissions that cause climate change. I will be one of the people attempting to close the world’s biggest coal port, however briefly, because Australian coal is fueling global warming both here and in the other parts of the world where it is burned.  For this world to survive in any recognisable form, that needs to stop, and stop quickly.

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This morning I read one man’s account of participating in a protest at a lignite mine in Germany in 2015.   While I was reading, I had Bob Marley’s song Three Little Birds playing, because I’ll be singing it as part of a global sing along with other local climate activists.  But I didn’t feel like ‘every little thing’s going to be all right’ today.  I’ve been a bit too focused on coral bleaching, abuse, and the wildfire in Alberta’s tar sands region that is devastating the region already laid waste by fossil fuel extraction.  First Nations have been resisting this damage, and the damage in the country where I live, for generations.  So, I was listening to Bob Marley’s reassuring song, reading about people’s efforts to bring a halt to fossil fuels and weeping.

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Mending garments and other belongings is appropriate and meaningful, and I am committed to sharing these necessary skills.  The first mending workshop was wonderful, and I am looking forward to the second, next week. But in addition, I am trying to work out how to participate in ending the massive damage being done to our beloved planet and every ecosystem and species that depends on it.  I am certainly also trying to work out how to limit my own personal contribution to that damage, including by mending and planting out my neighbourhood with native plants as a gesture of care. But that will never be enough, and here is a sensational 11 minute video that explains why.

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To quote Bill McKibben, ‘The time has come to take action commensurate with the scale of the problem.’  So this weekend I will be doing less stitching and more civil disobedience in the name of earth mending, with many others.  Because I think every mender knows that when something is coming apart at the seams, the first thing you do is stop the damage getting worse.  This is a crucial step if mending is to be possible at all.

If you wish you could be at one of the Break Free protests but you are not able to, you might consider being a digital witness.

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Crafting time: How to make trousers

The question I hear more often than anything other, about this blog or my life in general, is ‘how do you fit it all in?’  There are a lot of ways I could answer, but one of the big ones is: slowly, in many small steps.  I started this post as a way of demonstrating the point, but quite early on decided this post might be much too long, even though I left out all the days when nothing happened on this project!  This is the story of how I made enough time to make a pair of trousers.

Day 1: drop in at the public library and find David Page Coffin has written a book on making trousers.  Borrow it. In Week 1, read this book in various states of understanding and misunderstanding and failing to follow.  Feel my confidence in attempting double welt pockets begin to rise. This has been the barrier to the creation of some new summer work pants for some years now.  So this is progress!

Day 2: Iron fabric from the stash.

Day 3: Cut out.  Mostly remembering adjustments (I think) and deciding to try cutting on the fly facing.  I am surprised to find a zipper in the pattern envelope. Clearly I have had good intentions before, so long ago I can’t figure out what they were.  Black pants, I assume!

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Day 4: Choose one of my grandma’s scarves for the pocket bags.  Silk pockets!! I have looked up Clifford Bond online and found him listed alongside vintage silk scarves.  This one is vintage, certainly.  It is also stained and well loved.  To my surprise, when I ironed it, a faint waft of my beloved, stylish grandmother’s cosmetic choices wafted up, even after so many years.  The silk is beautiful quality to my way of thinking, and the hand rolled hem is exquisitely stitched.  The tiny tag says it was made in Japan.  I do not know how Merle would have come to have this scarf.  She had many, and they were a style statement of hers so well recognised she received many as gifts.

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Day 5: Read two more ways of creating  welt pockets, beginning with a lovely illustrated tutorial on Male Pattern Boldness.  The lead post was on welt pockets when I happened past his blog.  At this stage, I am beginning to feel the universe telling me to make those pants.  Well, I confess, I don’t think the universe troubles itself about me personally very much.  Really, I am experiencing recognition that I am scared of making the welt pockets, and that this is irrational.  Perhaps I should get over it and get on with it.  The blog post makes me think of an article in Threads magazine which I copied years ago and had used to create two sets of pockets with success and (relative) ease.  I dig that out and consider.  I pull out the two pairs of wool pants I made using this approach.  The pocket openings look great.  Much better than those I made using the method in the pattern–albeit in a fabric better suited to the pocket style.

Day 6: carry out an extensive search for organza, required by the Threads article method. This inspires plans for about seven other projects.  I find some organza that probably isn’t silk (silk is proposed by the authors in question).  I also find an op shopped silk scarf that leads to reconsideration of the pocket bags.  Ahem.

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Day 7: It is a weekend.  I have at least two hours.  I could sew the pockets.  Nerve fails me.  I make a soothing patchwork square.

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One turns out not to be enough (the cupboard-by-cupboard search for organza has uncovered yet more scraps, needless to say).  Well.  There’s the end of the time that could have been used to create the dreaded pockets, but some of the scraps from this pair of pants have been used up! I have also given up the chance to go to the Farmer’s Market, for good or ill.

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Day 8.  Return book on sewing trousers to the library. This should be a clue that considerable time has passed between some of the days listed here.

Day 9.  After much deferring, stitch the organza to the trouser fronts.

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Next, baste the welts together and iron ready for insertion.  Done!  Having deferred so long, it is now time to have dinner.  So, you know, a day of high trouser sewing achievement.

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Day 10: turn the facings, create the pocket mouths, pin the welts in place.

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Smoking speed, I’d say!

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I did all that before work, and then took the trouser fronts to my spinning group at Guild and stab stitched them into position while supporting a new spinner (or at least trying to be friendly–she is lovely); listening to several conversations; debriefing someone about a recent difficult situation; fielding jokes about how I would spin this when I was finished and responding to queries about my embroidery (yes, stitching the pocket welts in).  These pictures are a bit watching-paint-dry, I think.  Apologies.  And here ends the first ten days, with the pockets almost finished…

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Day 11: Day 11 was, for once, the next day after day 10.  Not spaced out by a week or so as some have been.  I machine stitched the welts into position and problem solved my pocket bags, the part of this method that seems to me a bit problematic.  Because I’ve done it before and washed and worn many times, I understand that nothing catastrophic happens despite my worries.  Finally, the part that has been really putting me off, the welt pockets, is done.  The pockets are imperfect but this is to be expected (I made them) they are pockets (hooray, pants without pockets are not for me) and they will not attract attention from passersby (imperfect but not astonishingly awful).  Now I only have to manage the fly and much of the rest will be plain sailing, sewing wise.  I hope.  I make a start on the fly facing.

Day 12: The next day.  I decide against going out in the evening for no really good reason and instead have a lovely chat with friends who give me eggs and cake as well as the pleasure of their company, and insert most of the fly for good measure before bed.

Day 13: I am on a roll!  Finish zipper insertion before work.  Come across some bias binding I made from ties and select some I might use on the hems for fun.

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Day 14: it’s a long weekend.  Stitch the darts, stitch the main seams, figure out what to do about interfacing (cut pieces from a recycled black linen shirt sleeve.  Stitch to pattern pieces. Realise later that this would mean lots of stitching showing on the main pattern pieces. Decide I can live with it).  Decide to finish the waist facing with more recycled tie bias binding.  Stitch one side on with the machine, then hand stitch the inside edge into position in front of the TV.  This looks really neat and lovely, so it’s a shame about my interfacing stitching being so random. As you can see.

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Day 15: Stitch on the waist facing.  Tack some seams so I can find my way through making the front edges look good.  Machine a buttonhole into the fly facing so there can be a button on the inside top edge–thank you to Page Coffin’s book.  Hand stitch on a small button for it.  Hand stitch on a hook and slide.  Create the belt loops.  Fail to find the loop turner.  I love that thing.  Room to room search.  No joy. Much time passes, I clean some drawers out, eventually turn belt loops without the loop turner.

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Day 16: Stitch belt loops in place; try on (they are roomy and will require a belt!  Better than being too small which was my concern)…

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Take up hems with tie bias binding and use a quilt binding trick to do this in the neatest way I have ever managed.  Feel so proud I have learned something. Rip out the tacking holding the welts together so Merle’s scarf can peep out.  DONE!

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I love the hem finish on these.  I have done this before and enjoyed looking at this tiny, loving detail at odd moments while wearing them, for years.  Here’s hoping this pair will have a long and cheerful life in my work wardrobe.

 

 

 

 

 

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Just mend it: Getting started

In preparation for the upcoming mending workshops, I’ve created a directory of mending tutorials.  I’ve also been beetling away creating mending kits. Friends have been handing over their spare unwanted haberdashery and tins.  I have raided local op shops.  At one of them I was offered a motherlode of  unwanted notions that were seeking a new home. Here’s a partial view.

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Such treasures.  Including a lifetime’s collection of travelling mending kits from hotels and airlines the like of which I have never seen.  Now, it is going to new homes. I’ve even sewed little covers for thread snips from lino samples I seem to somehow have acquired.

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There are pincushions and measuring tapes, thimbles and safety pins and many reels of thread.  Amazing collections of needles, pins and such.

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The creation of the needle case gallery has been ongoing. Scraps of fabric with a lovely button and all manner of little bits of ribbon, string and cord I have saved for a special occasion (or just a use) have been converted into needle books.

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Lovely little bits of hand embroidery on fabric that has gone well past original use, now adorn a few.  Beautiful Australian print remnants have been  turned to use too.  Some have buttonholes and some have loop closures. Some are plant dyed and some are tied with cord too short to form a drawstring on a bag.

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I am very fond of my own needle case, so eventually I made some just like it.  Well, sort of like it. We started here (mine on the left, and pieces of dyed blanket on the right).

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Eventually, there were about eight.  I stitched at triathlons and in front of the TV and on the train.  I finished some with fancy buttons, beads or little bells saved from Easter bunnies.  I tied some with cotton string that has also seen the dye bath, and others with some hand twined silk string, with a thankyou to India Flint for allowing me to see this was possible and that string was not only to be made from plants.  I was thinking about the fact that I had saved all these improbable things, while others had been handed on to me by relatives and friends with similar habits–

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It brought to mind my mother’s parents, two people who lived in poverty their entire lives, scaling up to indoor plumbing and heated water during my lifetime.  My grandfather left countless pieces of recycled string, pre-loved screws and straightened out nails when he died. My grandmother had a drawer where special treasures lived that I was allowed to admire as a child.   There was a special safety pin in there she used to pierce a hole in the filter of her rare cigarettes for some supposed health reason.  There was also a little black cat made of plastic.  I knew it had come from a box of Black Magic chocolates.  I had seen the boxes for sale but never had any.  Like her, I thought this little creature was a treasure worth saving when the cardboard box and the rather amazing papers surrounding each chocolate might have passed on.

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My life is utterly unlike Millie’s.  But it is good to have things in common with her. It warms me to carry these memories of her along and hold them in my mind as I craft these little books for future menders who will share some fraction of the skills she had.

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Filed under Leaf prints, Sewing

Just Mend It!

Exciting news!  I will be spreading the joy of mending (and some skills for mending) in two workshops at The Joinery (a lovely, central, public transport accessible venue) coming up in May and organised by the good folk at the Adelaide Sustainability Centre. Should you be local and keen…

Just Mend It - jpeg

So–bring along holey socks, dropped hems, missing buttons, evidence that clothes moths have left their babies to feed in your drawers and whatever else is plaguing your wardrobe and we’ll see what we can do!

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In preparation for the big event, I am constructing mending kits.  No doubt some people who come will be dedicated menders.  Others may not be so well equipped, and these kits are for all comers. I began with a leftover scrap of woolen blanket dyed with pohutukawa leaves. Soon, I had a little pile of hand-stitched needle books complete with pins and needles and suchlike. Meanwhile, the call has gone out for boxes and tins for the kits to go into and tins formerly full of tea or chocolate and all manner of other good things are trickling in.

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Then I started on needle books made from fabric scraps, and since I found some woolen felt of unknown origin rolled up in the cupboard, I tried some with scrap leather and vinyl samples as covers with felt pages within. My grandmother’s pinking shears were pulled out for use rather than wonderment for the first time in ten years, at least!

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Soon it led to a wish for more woollen blanket and as it happens I have a few blankets acquired at the op shops of Adelaide on a previous occasion.  I walked out to my favourite Eucalyptus Scoparia as the sun went down after work, and set the dye bath to heat by the light of a moon though cloud (this is a picturesque way of saying this photo is dark…)

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Next day, things were looking promising…

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And it may be this is enough to make needle books for everyone I know.

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Filed under Leaf prints, Natural dyeing, Sewing

Scrap patchwork

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Top #64 turned out to have been rolled up unsewn together with some scrap fabric.  Once I had finished it, I made another crazy log cabin. Of course.

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Then there’s this one, with offcuts from batik pants, leftovers from sewing handkerchieves, scraps from fabrics turned into bags in the last bag frenzy, and a little upholstery fabric.

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This has pieces of fabric left from making shirts for myself and three friends, oddments of my lovely hand woven pants (may they rest in peace), quilting and bag making oddments… and the very last bits and pieces from op shop scores of old.  I am acquiring a little stack of these squares and will eventually have to decide what to do with them.  For the interim, it has proved a happy thing to use up all the little bits and pieces, strips and triangles.

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More adventures in plant dyed embroidery

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I still have some upholstery fabric left from having some chairs re-covered.  It is natural linen, a lovely fabric.  I have been wondering what to do with it.  One day I went to an exhibition of Papunya artists in the City Gallery of Flinders University (on the ground floor of the State Library) and I came home longing to embroider.  I can’t exactly say why.  Perhaps it is partly that some of these glorious paintings are such clear manifestations of the principle that many tiny marks can make a whole that is sheer wonder.  I marvelled at the capacity of these artists to hold entire desert landscapes and the stories of these places in their minds, and from these to create spectacular images which somehow communicate the story and the place. Even if I cannot begin to grasp all that they might have in mind in creating these works, I can still stand in awe.

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I don’t need to be able to create wonder.  I don’t expect to, and I don’t mind.  But stitches are tiny.  Perhaps the immediate thing was simply the invitation to begin.

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These threads have been dyed with indigo, pansy, hibiscus and eucalyptus.  I love their subtlety and the slight sheen of the silk thread against the matte texture of the linen.  I love the effects of uneven dyeing, as it turns out.  Even dyeing is overrated!  Once I had decided I was done (which is a com0plicated thing in itself, I find), I settled on yet another bag.

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The lining is made of patchworked silk scraps dyed with all kinds of plants.

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And then, just because I can never make just one… I made another with a different piece of upholstery fabric and some scraps of recycled fabric of different weights.

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Transformations: Table cloth to top #64

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Once upon a time there was a linen tablecloth.   It was a round table cloth with an overlocked edge, gifted to me by someone who no longer had a round table.

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It went into the dyepot one week, but since the dye pot is only so big, I tore it into strips and dyed it that way, mostly with E Scoparia, but also with cotinus (smokebush) leaves and flowering heads picked when they poked out through a fence near our food co-op.  I really could not believe the purple from the cotinus and I am not sure why it happened.  Needless to say, I will try that again and see if it repeats.  I did also try woad leaves but that was less spectacular.  Pinky but not very leaf printy.

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Some time last year I had a sudden whim to turn it into Merchant and Mills Top #64 and pieced parts together to make that happen, and cut it out.  Then after a while it was rolled up.  Then it was parked for some months.  Just recently I did some cleaning up and thought maybe I should finish some things. I just sewed a seam or two a day in a busy time.

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Since so many readers here were interested in my recent discussion of interfacing, here’s what happened this time.  I cut the neck facing out of a piece of leaf printed calico.  I actually cut it back out of a piece of patchwork, also unfinished.

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The interfacing fabric is a piece of a much loved kimono that has passed beyond the mending interest of my mother-out-law. You can see it layered under the facing here after stitching teh layers together but before finishing the edge.

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I think my mother-out-law is rather enjoying being able to send me her raggedy, beloved things as they get past the point of original use and getting stories of their conversion into all manner of other things.  I stitched the two pieces of fabric together and overlocked (serged) the outer edge.  Here it is pinned on and ready to stitch.

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And finally…

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Here is the back view:

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And some closer views…

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It is rather stiff at present, after its preparatory baths in soy milk mordant.  But that will change with more washing.

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All the little bits and pieces were, needless to say, so interesting to me that I patched them together months before I sewed the garment!

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Filed under Leaf prints, Natural dyeing, Neighbourhood pleasures, Sewing

Let the sock yarn spinning begin!

Classically, a hand spun sock yarn is made with a combed, rather than carded, preparation of fibres. I started out with my kilogram of Suffolk fleece, and divided it up.  Some has been dyed with legacy unnatural dyes and some with plant dyes.  I started in on combing some wool dyed in shades of blue and green.  I dyed some tussah silk along with the wool (the silk did not take the dye well at all), and have local kid mohair that is plain natural white, and some that has been dyed with dyers’ chamomile, and some I bought dyed by the seller in shades of blue and purple.  I am blending in the silk and mohair for strength and durability.

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I have ‘English’ combs.  I am not sure what makes them English (they were made here in Australia)–I am sure there is a historical reason for the name.  But they are vicious looking things.  When I take them to Guild, there are always onlookers commenting on the fiendish tines.  Unfortunately, I am yet to find a Guildie who can offer me advice on better use.  This seems to be a minority preoccupation at my Guild, or perhaps I’ve just been unlucky.  So.  Step 1 is ‘lashing on’, loading the stationary comb with fibres.

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Step 2 involves combing the fibres off that comb and onto the other.  Done!

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Now, transferring the fibres back to the stationary comb.  It could go on… but this is the extent of my patience at this point.

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Then, pulling off ‘top’ through a diz.  I do love spinning terminology!  This produces a preparation in which the fibres are in alignment, ready to be spun into a dense, hard wearing yarn.

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Some of my top shows that I tried to blend fibres of different lengths.  This is a vice to be avoided in combing.  Combing does a great job of removing short fibres (and burrs and grass seeds…) but if the fibres are of differing lengths, the top will have (in my case) all mohair–the longest fibre–at one end and wool predominating in the middle, with the shortest silk fibres predominating at the other end.  I cut some of the kid mohair locks in half (another spinning crime!) to resolve this issue in some cases, and in others, spun top from both ends to blend the fibres as I spun them up.

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And here is the finished skein.  It is abut 5 ply (fingering), a little thicker than many sock yarns–but after my last effort, where I produced something thinner than sock yarn and have been too overcome to knit it up–I think that is OK.  I have chain plied it, which is not strictly speaking recommended for durability–but this seems to be a much debated point and I chose colour happiness over potentially reduced durability on this occasion. So–I am not quite ready for the knitting to begin, but I am getting closer.  One sock down to the toe on the current pair in progress…

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Filed under Fibre preparation, Sewing

So many hand made bags!

When I turned that pair of Thai fishing pants into bag linings a while back… it had the predictable effect of setting off a bag jag. Since then, there have been dozens more.  In fact, I gave some away without ever photographing them.  I lost count.  One had a silk panel of E Cinerea leaves and a hemp base, with purple sheeting lining.

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A few had ikat fabrics salvaged from the op shop.

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There were fabrics from my friend’s mother’s stash.  Her mother has now passed on, but I think she would be pleased to know they were being used and appreciated.  There were fabrics from my stash acquired with other purposes in mind, or perhaps no purpose at all.  Those red flowers mystify me.

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E Cinerea leaves on calico and hemp fabric left over from making a pair of shorts.

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Bags with dragonflies.

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Bags with flowers. I remember acquiring this fabric in Melbourne! There are two-handled models and over-the-shoulder models.

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On the lining front, I used up a lot of manufacturers’ waste sheeting offcuts, and not before time (having had them for perhaps 20 years).  But scraps from recent sewing went into the mix too, along with random findings of patch-worked flour-bag-scraps.  Apparently this strange fixation with sewing little bits together has been going on longer than I imagine.

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There was a series of bags made with fat quarters (at least, I think that’s what they were) acquired when I made a quilt panel for a community quilt project.

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I still love these fabrics, and a friend let me see hers peeping out of her backpack on the bus to work recently.  It evaded photography apparently–and I see these are also lined with Thai fishing pant fabrics!

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But honestly, linings both fugly and lovely (to my eye) have been created.  Some fugly fabrics became lovely linings.

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Somewhat faded batiks from a garage sale.

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Screenprints of a cockatoo, from the same garage sale!  One of was destined for a friend whose taste is deliriously nineteen eighties even now, bless her. She loves it.

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Oh my.  Well, that was a major incursion into the stash.  Lots of bags were gifted over afternoon tea with a clutch of friends, which was great fun (I like it when people can choose what they really like and will use).  Then more at another celebratory lunch with a different bunch of friends. Others have been stuffed with handspun wool and handed to a friend undergoing horrible cancer treatment who still finds knitting a pleasure; stuffed with yarn for a knitting obsessive who is excited about my most outrageously strange yarns; wrapped around an awkwardly shaped birthday gift for another treasure in my life; and taken home full of clothes by my daughter instead of her using some random plastic bag.  Some have been handed to people who seem like especially strong candidates for some sentimental reason or because of a sense of taste or the sheer wish to give a gift.

As I neared the finish line and my puff started to recede, I realised I had a hessian potato sack with a hole in it awaiting attention.  Converted to a bag, mended and embellished all in one step! Then I tidied up remaining scraps by making the final two bags and called it the end of this particular bag jag.  A pile of bags has gone to Port Augusta to be shared with Adnyamathanha women through her work.  And there’s an end of it, until next time!

 

 

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Above and beyond darning

On a recent visit, my daughter brought with her a pair of socks I knit for her 7 years ago (!)

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There was a reason for their (sheepish) return.  Three big holes.  She says she might learn to darn when she retires, and not to give up on her in that department.  I remember these socks.  I am pretty sure I ripped the wool from a recycled jumper, and it was my first effort at making my own self striping yarn.  I made two pairs, the other pair in purple and blue and grey shades.  The skein went from one end of the hall to the front window of the house between two chairs.

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These are big holes, and I had no matching yarn.  I promised visible mends and decided not to darn. Instead–picking up stitches and knitting a patch, knitting or purling two together at the edges where the yarn was still sound.

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Then sewing the last round of stitches down with a darning needle.

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Here it is again–on the heel!  I did a little shaping and then decided it might be best just to let it conform to her foot in wear…

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And here we are with some handspun fleece from ‘Viola’ in crossbred natural grey filling the breach…

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Fingers crossed that Viola is up to the task.  One thing you can say about socks full of holes is that they have been well worn and much loved.  These somehow have a velvety quality that is quite pleasing.  I am surprised that recycled yarn has been up to this amount of wear!  And now–they can be returned to their owner by mail in time for winter.  I hope she’ll have some more years of enjoyment…

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