Category Archives: Spinning

Introducing Eucalyptus Scoparia

Finally today a friend from my Guild has been able to tell me the name of some of my favourite dye Eucalypts.  Here is one example: Eucalyptus Scoparia (Wallangarra White Gum).

I love these trees, and they are fabulous dye plants. I feel lucky to have several in my neighbourhood! If you’ve been following this blog you’ve met three of the four I have foundnearby: (October 4; September 5; August 22 2012).  Here’s a bag I made with E Scoparia leaf prints on cotton, using a sea water and soy mordant and cast iron:

And this is a corespun yarn.  I carded merino dyed with E Scoparia bark with dyed mohair locks and dyed silk and corespun it over a crossbred wool core.

Thanks to E Scoparia, and thanks to Helen for organising an identification for me!

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Flax fibres 2

At the end of a lot of hand picking and an experiment with hand cards, with more chaff spreading around the place at every stage… I was left with this: some longer fibres and some tow, still with quite a bit of chaff attached.

I decided to try spinning despite this falling quite a way short of optimal preparation.  Yes, this is the total amount of fibre!  Yes, I have spun flax before (and it looks like yarn–do I sound defensive?).  And yes, when I found that last bit of fibre hiding in one of the many teatowels used in the process after I had taken the flax off the bobbin, I was annoyed.

Ah, the profound sense of achievement!  I think I can manage to resist boiling this string yarn in an alkaline solution and instead, I’ll go direct to vacuuming the chaff…

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Nettle and flax fibres 1

I have been fascinated with the idea of growing fibre for spinning for a long time, but it is not a simple matter to process bast (stem) fibres. There are amazing YouTube videos of people (in Nepal, for example) spinning fibres which must have been hand prepared with the most basic of equipment and a corresponding maximum amount of skill, time and patience.  There are also videos showing the process of linen production from start to finish, like this Irish film.  Here is a re-enactment film using decent tools but with all steps done by hand (needless to say I lack the right tools and must improvise), and another showing how this was done in Germany (with an excellent rooster crowing in the backgound).  Even with some parts of the process mechanised, the preparation of the fibres is backbreaking and dangerous work I’m glad I don’t depend on doing for my living.

The skills and tools needed for hand preparation of bast fibres were probably known to someone in my family tree, but at a guess, this must have been many generations back.  I’ve decided to have another attempt.  I have here the total outcome of my latest nettle harvest (left) and my first flax harvest (right), dried and saved.  No, it isn’t impressive!  I have pulled them, stripped the leaves and side stems and dried them.  Next step, retting.

I put the stems into a bucket and covered them with rainwater on Labour Day.  It’s important to celebrate the achievementof the 8 hour day by doing things you love, so I was washing fibre and mucking around in the garden, visiting friends for dinner and making treats for the week to come.  And, putting these stems to soak.

The week turned out to be warm, so I changed the water several times.  Part way through the week, Through the Eye of a Needle by John-Paul Flintoff arrived in the mail from dear friends in Denmark.  They know me well!  I have already read this book and just loved it.  In fact, I set about this experiment after a long break from thinking about it because I followed a link to a YouTube video of Flintoff talking about nettle fibre.  Needless to say it falls short of being a full instructional guide on how to rett nettle fibre.  In fact, I have really struggled to find any instruction on how to decide when flax or nettle has retted long enough.  Even Alden Amos’ Big Book of Handspinning (not normally a model of concision or falling short on the challenge of offering instructions) offers no real assistance.  I am guessing that even a skilled person might struggle to describe how much decomposition of the woody parts of a stem is enough, but not too much!  The most detailed account I’ve found is online here.  So, I decided to leave the stems in the water for 5 days–based on the best advice I could find so far.

Nothing much to see at the end of the 5 day soaking.  I dried the stems and set to work figuring out how to break the woody parts enough that I could detach them from the fibrous parts (traditionally, breaking, scutching and hackling, all with speciic tools).  I tried stamping on them and rolling a metal pipe over them first.  You can see some results from the rolling…

At this stage I delared the nettle unfit for further effort (shattered into pieces with little evidence of fibre).  I am not sure why.  I squashed the nettle stems as they were drying out the first time and maybe that was wrong, or maybe they were just too young.

Fibres were becoming more visible at each stage of flax bashing… and more chaff was falling away.  I would say that means it was retted long enough. I tried my wool combs.  Not great for the job, but some improvement.  I really don’t have the tools (let alone skills) for breaking, scutching and hackling, and looking at the videos in the links above suggests my flax is very poor quality and short–no great suprises there either!

Next stage, laborious hand picking, I think.

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Turning a sow’s ear into a silk purse. I mean, a slipper.

This week’s question is whether I can turn a sow’s ear into a silk purse slipper.

I have been the lucky recipient of a lot of free fleece since I took up spinning.  It all started with some filthy Gotland fleece straight from the sheep’s back that my Dad gave me.  He had provided the antique engine that was running the shearing plant in a demonstration of hand shearing at a local show.  Because he knew I wanted to learn to spin, he brought home a few handfuls.   He is a great enabler!  It was rough and filthy, but I spun it on my first spindle and was grateful.  Admittedly, Dad said there was a handspinner at the show and he had spoken to her about it: she advised doing me a favour and not bringing that fleece home to me, but naturally, he didn’t listen!  And I was glad.  I didn’t know anywhere I could get fleece then.

Next, I was given several bags of Dorper fleece by friends who were keeping Dorpers as meat sheep.  I didn’t understand the meaning of ‘meat sheep’ in the context of fleece at that stage.   Dorpers shed their fleece rather than needing to be shorn when they are pure bred, which might have been a clue to (lack of) spinnability for a more knowledgeable person, too!  I dyed it, I spun it, I carded it… oh my goodness. It was the beginning of my fleece preparation journey and it was a very challenging start.  Months later the woman who had lent me her carder said when she saw what I was working with, she was just overcome to think I would even try to spin that fleece!  She didn’t offer me her opinion at the time, though, and it was a long time before I decided that I could, perhaps, compost the rest as my struggles were not only about my lack of skill but also about the state of the fleece.

Needless to say I have also received fleece that has spent lengthy periods in a shed and bred an overwhelming moth population.  Happily, I had said fleece in a plastic tub with a lid.

So… I have had some personal experience of the possibility that people who give the gift of fleece don’t have the judgment necessary to decide whether what they have handed over is worth spinning.   I have to be the one to decide whether the fact that I could turn that into yarn given enough time and effort, is a sufficient reason to do it.  I think I have proved to myself that I can spin almost anything–if I could spin those fleeces as a beginner!

I went to a couple of workshops on fibre preparation (washing, combing and using hackles) at the recent Majacraft Magic camp at Lake Dewar outside Melbourne, and came home ready to tackle some of my current fibre preparation challenges.  I had reached some new conclusions about why I find getting fleece clean difficult sometimes.  1. our hot water tap doesn’t give very hot water, and can’t be adjusted.  Boiling the kettle repeatedly is boring, as well as slow, after a while! 2. I can be more slapdash than is ideal for the task. 3. Most of the fleece I currently have is Polwarth, more gifts from a couple of pet sheep in the hills.  This is a fine and greasy fleece, among the more challenging to clean.  4. I always hope to be able to wash a bigger batch of fleece than is desirable for optimal results.

Anyway… having tried washing some more gifted alpaca fleece and some more gifted Polwarth, and using careful observation of how it behaves with flicking, combing and carding, I have decided the following.  1. The specific Polwarth fleece I am currently working on has tips that are weather damaged.  When I flick card them, they pull right off.  Is it any wonder that these paler tips appear as nepps in the batt when I card the same fleece? The other fleeces I have had from the same sheep don’t have these difficulties. The poor sheep must have had a tough year…

2. That same fleece has a break in it, so the longer locks are giving way under the tension involved in carding, again leading to less than optimal batts.  3. The alpaca is super short (happily, I have now worked with high quality alpaca and no longer assume this s just the way alpaca comes).  It has not really been skirted.  Most of it pulls onto the licker-in (the small drum on the drum carder) when carded. Yes, from the very start, and not only when the large drum is full.

4.That alpaca has big clumps of guard hair and has been shorn without consideration to the future spinner.  Hopefully the shearer was thinking of the animal’s welfare in taking so many passes!

In short, these are not the highest quality fleeces possible and they would present challenges to anyone preparing them for spinning.  No matter how much time I spend I may not be able to turn these sow’s ears into the proverbial silk purses.  I have decided, instead, to attempt to turn them into felted slippers.  I am carding them together as a blend, spinning them up without too much fuss and very fat (good practice) and my ultimate plan is to knit slippers which will be felted and perhaps dyed.  Shazam!  Their less than ideal qualities will no longer be of importance.  I hope!

Here are my first few balls, and a slipper with some polwarth content and some eucalyptus dyed wool content to give me hope…

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The end of the Royal Show… and some show and tell

Well, my attempts to keep our saltbush plants from being trampled had partial success.  The bunting was apparently attractive enough that it was stolen several times (but survived gale force winds for a couple of days).  I had initially planned to make very time consuming and beautiful bunting, and there are great tutorials for making it online.  Then, as I contemplated the enormity of the task, a friend told me she would just take her overlocker to each triangle and then overlock the triangles into a strip and that she had success doing this in the past.  I decided that I’d take this lower fi approach, and it was a great use of some of my huge stash of bias binding (which I used to join the triangles on some strips) and some fabric that I bought as offcuts from bedsheet manufacturing years ago.

It took plenty of time to make metres and metres of it anyway and I was glad not to have made over engineered loveliness for this particular application, especially once so much of it was stolen!  After I had replaced about 4 metres of bunting once I was dismayed to find that it had gone within a day.  And, the antique overlocker my grandma gave me when her eyesight reached the point where she hadnt been able to use it for years had a hissy fit and needed to go off to be repaired.  This is unusual.  That overlocker is a workhorse and has responded to irregular maintenance for many years.  My grandma died years ago but I often think of her while using her very dependable machine.

So, in short, the last replacement piece of bunting is extremely low fi… triangles zig zag stitched onto a piece of recycled cotton thread I rescued from a sad old jumper.  However, with one day of the show left to go, it was still there when I went to pick some leaves from the tree, and I found two geckos living under bark at the base of the tree when I checked under it for white ants (sadly, evidence of white ants as well as geckos).  I’ve never seen lizards on this tree before, so this was very exciting!

Here, finally, are my three braids from the twice-run  Eucalyptus dyepot.  I am not sure that the extra-long heating time has made any difference at all, but the low heating temperature has retained the softness of the roving very well.

 

Meanwhile, I have sieved out all the leaves and bark, added more dried leaves and my smallest piece of iron pipe, applied heat, and we’ll see how that goes… Finally, here is another tea cosy.  It’s made from merino dyed with Eucalyptus–for the orange– and Silky Oak (Grevillea Robusta)–for the yellow– with felted shapes spun into the yarn.  Once again, this is based on the Fun and Fast tea cozy by Funhouse Fibers.

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Off to the Royal Show

This week the Royal Show started.  The neighbourhood is full of cheerful people and cars.  One strand of my bunting is gone… it looks for all the world as if someone decided to souvenir the best part!  It has been completely removed.  So I’d better make some more.

I spent some hours on my Guild’s stall, selling things made by members and showing people what spinning looks like.  I took my spindle and some roving dyed with eucalyptus bark, but in the end when I was demonstrating I was on the Guild’s wheel spinning greasy fleece from a bag of locks.  It was interesting to see how many people had some idea what was being done and wanted to show their children.  It is always obvious that people from some parts of the world are much closer to a tradition of spinning in their country of origin than many Anglo-Australians.  I had a great conversation about spinning in India with a couple of people who were surprised I knew what a Charka was… and I am in awe of anyone who can draft with one hand!  Last year, someone took my picture drop spindling because he thought there was no way his mother in Iran would ever believe a white woman in Australia could do this, without a picture.  I heard lots of stories of mothers and grandmothers who were/are spinners, and we joined up a few new members, too.

And, I decided to begin on my tea cosy project.  I have spun a lot of art yarn in the last year and some of it is very bulky.  I think tea cosies would be perfect and I’ve already knit one, which went home with a visitor who thought it was too cute!  That is the kind of home knitting should go to…  I have four teapots I’ve bought second hand.  I decided to start with the smallest one and work up!  This tea cosy bears some relationship to the Fun and Fast tea cozy by Funhouse Fibers, but I’ll have to claim responsibility for its defects as, while I’ve used the central concept… I haven’t exactly followed the pattern… there just wasn’t enough yarn in my smallest skein, and this teapot is a tiddler.  The yarn is corespun, and contains merino I dyed with Earth Palette dyes, tencel and mohair locks.

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Dyeing weekend outcomes

As I suggested earlier… it was once more into the dyepot for my kilogram of wool.  This time, Landscapes ‘Bloodwood’.  I am still soaking and rinsing it, but I am much happier with the outcome so far.  Here it is in the dyepot for the second time:

The silk noil printed beautifully and perhaps it will become pillowslips…

And my efforts to spin bulky, soft, squishy yarn are yielding some improvements.  This is polwarth from a pet sheep that lives in the hills, carded and spun three ply.  The sheep is mostly white with a pale brown patch or two so I can create yarns with some variegation, which I love.

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Dyeing Weekend

This weekend I had some major dye plans.  I bought enough wool to make myself a jumper (I am thinking Swirled Pentagons by Norah Gaughan), but I bought it in white (it was bargainacious).  I thought I’d just dye it.  Easy, huh?  Dyeing a kilogram of wool is a big undertaking for me, so I decided I may as well make dyeing the focus of my weekend.  I told a friend and she came round ready to leaf print yesterday, with an entire woollen blanket that was ready for improvement.

So here we are laying out leaves… these are on some smooth silk noil.  It is in the dye pot now as I couldn’t fit it in yesterday…

Here’s the blanket bundle before…

Some of our bundles during…

And here is the blanket afterward, just unwrapped.

My other dye job looked all right to begin with but there are some very dark patches–perhaps I did not dissolve the dye properly.  Now I have it out of the dye pot I think a second attempt might be called for!  The dye is Landscapes ‘Plum’.  Here it is in the pot, looking quite good, really:

I may have to rescue it by overdyeing.  I am considering ‘Bloodwood’–failing all else, ‘Currawong’ (that is, black)!  So, some successes and some failures.  Some alpaca that I tried out my new combs on came out beautifully, and here is the finished yarn.  After my plum episode, I’m not ready to consider dyeing this!  It was a gift from a friend whose generous partner came home from a drive with not one, but several alpaca fleeces.  Thanks to them both for this sample.

 

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Small beginnings

It’s a cold, windy and wet night tonight.  So I’ve tucked myself in at home and I’m finally starting up a blog where I’m hoping to tell some stories about my passion for making… it is certainly a night for staying warm.  A night for slippers and shawl and spinning wheel, I think!

In posts to come, I’ll be talking about growing and dyeing with plants, spinning yarn, sewing, knitting and other slow ways of bringing into being things that are hand made, useful, lovely and one-of-a-kind.

I love to source what I can locally and to reuse when I can.  Today I’ve been preparing hand spun yarns, including some dyed with Eucalyptus leaves and bark, because I’ve decided to enter the local show.  Last year I was sad to see how few spinning entries there were.  So, I’ve entered several categories where I hope to show people who come to look that spinning isn’t a dying craft!

Here is one of my entries: corespun natural fibres on a simulplied core (using techniques learned from the work of the wonderful Jacey Boggs).  The orange fibre is eucalypt dyed merino and the pale pink is finely shredded eucalypt printed linen fabric.

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