Tag Archives: eucalyptus

Spinning, mending and a gift of hand-knit eucalyptus-dyed socks

I keep thinking I’ll get knitting on some big project or other… but I seem to keep spinning instead. Alpaca dyed with eucalyptus keeps happening…

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There has been some random polwarth spinning from batts I prepared some time ago (and full of nepps they are too!) Love that maidenhair fern, a gift from my mother that is really thriving at present.

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There has been dull mending that doesn’t warrant a picture, but I seem to have had a small release from my usual functional approach.  This extremely utilitarian apron must date back almost 20 years… it is that long since I made my living baking and kitchen-handing.  I think I bought it second hand.  It had been discarded because one of the tapes was missing.  I long ago replaced it with some bias binding sewed in half, which I assume was on hand at the time.  It certainly isn’t a match for the other tape!  And the apron itself has had a hole for a very long time.

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Not any more.  I now use it for spinning–to catch all the random fibres and dirt and little bits of dried plant that drop from any fleece I have prepared myself, no matter how many rinses.  I also mended this wool knit on the train one morning, beginning as I waited at the station.  Just a little hole up by the neckline.

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I bought this garment years ago from Soewn Earth.  It has faded quite a bit, but I am still enjoying it… and considering whether it might be time for a re-bundle. First–across (with eucalyptus dyed silk thread)…

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Then in the other direction…

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Maybe later some embroidery for sheer decoration?  And finally, some socks for a friend with several new jobs and rather small feet.  She hasn’t had a pair from me in ages.  I put these in the mail to be a surprise parcel.  Sorry about the office desk pictures on an overcast day.  Once I finish a gift I get impatient to have it meet its intended recipient.

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They succeeded in being a surprise and she sounded delighted.  It’s midwinter here and they arrived in the week prior to the longest night of the year.  Perfect for chilly nights.

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A funny thing happened in the night… and a sign of hope

When I came home from my run early this morning I realised there had been action overnight.At the scene of the loss of three immense trees only too recently, I saw this.

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And this.

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Here’s the close up.

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This raised my curiosity about yesterday’s losses.  I didn’t think I had the heart for it, but in the end I went to see.

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Heartbreaking to see the space where those trees stood.

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But the commentary was to the point.

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Thanks so much for all your kind comments since the past post.  I read them as they came in and appreciated them very much but didn’t have the heart to answer them all for a minute.  Given how devastated I felt yesterday, I thought my friends might need cheering up.

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Attentive readers might recognise this parcel! Some of that string is made from the same pair of pants that went onto the feature panels…

On an altogether happy note, during the big infrastructure works in our neighbourhood, one of the Department of Transport and Infrastructure employees who cares about the state of the environment decided what she might be able to do in the face of so much tree felling and habitat loss was get bird boxes put into any tree of any size on public land in our area.  She initiated a project in collaboration with local schools whose students painted the boxes.  they have been in place for a while and have been checked once or twice already (we have become vigilant and therefore approach men on ladders who are looking at trees to check what they are doing, these days).  Today as I left home I saw a woman peering up into a nearby River Red Gum (E Camaldulensis) we managed to save.  She took a photo of one of my Beloved Tree banners, but she also took several at what struck me as an unusual angle.  This afternoon I saw why.

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It is an overcast and rainy day, and this is the best photo I could get.  But that is quite unmistakably a rainbow lorikeet who has taken up residence in one of the bird boxes and felt safe enough at that great height to look down on me without budging a millimetre.  Best thing.

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Garments to bags…

The time has come for some of my clothes to find new uses.  These worn out jeans have had years of use as jeans…

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I made these shorts from a length of linen I found on a pile of hard rubbish on a Brisbane kerb when I was there one summer.  They have had years of hard wear and been re-dyed once or twice.  Surprisingly enough the screen printed design on the pocket details didn’t take dye!

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They are now completely threadbare in places that would create embarrassment if they were to fail, further evidence of the hard wearing qualities of linen.

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I paired the jeans up with some leftovers from past sewing adventures, which finished out the lining.

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The jeans pockets went on the inside, retained for future use.  The outside features the pockets of a pair of hemp shorts that hit the dye pot some time ago.

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I teamed the linen shorts up with the remainders of a pair of men’s twill cotton pants bought for a dollar from the Red Cross.

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I love a beautifully executed pocket, and there are two of them featured on the outside of this bag, while the back pockets of the shorts are still on the inside of the bag.

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In between the sewing, I spent the weekend mordanting fibre and continuing to try to exhaust dye baths from the workshop a fortnight ago!  By the end of the weekend I was down to pastels… And there was the odd Stuff, Steep and Store jar to be going on with.  Using the microwave has lowered the barriers to taking an opportunistic dye find or something that seems promising but whose dye properties are unknown to me and putting it up for future reference.  Here, rat-nibbled pomegranate remains collected off the ground… as no edible pomegranate would be turned to dye at our house!

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Natural dyeing workshop

I began the final stage of preparation for my natural dyeing workshop by packing the car to capacity the night before and steeping logwood and madder in hot water. These are more of the dyes that have been left at the Guild.  It seemed good to share them with other Guildies this way.

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I came through the parklands on my way to the Guild and stopped in homage to a few trees.  This one turned out to be E Tricarpa…

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The unpacking was quite a thing.  This is a view of the back seat of the car before unpacking.

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The steeped fermenting walnut hulls (another dyestuff left at the Guild) travelled in the front seat footwell, in a pot with a lid, in a big bucket in case of spills.  No spills.  Whew!! I put heat under them an hour before people arrived in hopes of getting it over with.  My friends, I will never do this again.  It may take me years to live down the smell this dye pot gave off!  At one point when a heater went on, someone told me they had found a dead mouse in the heater.  When I went to see, they were looking for a mouse they were sure must be in there because they could smell it.  Cough!  The women who were rostered on in the Little Glory Gallery in another part of the Guilds premises exclaimed.  So did the treasurer, who came in to work on the books and was similarly appalled.  Eventually walnut tailed off and a eucalyptus bark dyepot began to prevail.  The smell of natural dyeing had people who had come to the gallery wanting to come and see what we were doing all day!  I give you the walnut hulls I will be living down at the Guild for years to come.  They produced an inky dye.  Truly impressive.

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I set up a bit of a display table of yarns and knits, leaf prints, tea cosies, sample cards and books.

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People had their first go at India Flint’s eco-print technique.  Some had read the book but never tried it.  I don’t know how people can resist!  The Guild has a copper which had been repaired because we were planning to use it.  Use it we did!

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My Mum deadheaded her African marigolds for me through summer and they made a great yellow.

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I tried grinding the soaked madder in a blender as Rebecca Burgess suggests (the second hand blender was pretty challenged) and here it is in the dye bath, in its own stocking… we got some lovely reds.

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I used one of the bottles of pre-ground cochineal that had appeared in the dye room cupboard.  The colour was entirely startling!

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There was a pot of logwood that came out so deep it was virtually black.  There was a pot of E Scoparia bark that gave some burgundy on the first round and some tan for a skein added in later.  There was an E Scoparia leaf pot and an E Cinerea leaf pot–oranges of different shades.  The dye room at the Guild has four gas burners as well as the copper–so we went wild.

The wonder of unwrapping eco print bundles never wears thin!

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I used the opportunity of being at Beautiful Silks in March to acquire organic wool as well as silk noil twill and some silky merino for this workshop.  E Cinerea did its wonderful thing.

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And so did human imagination…

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The string print on the upper right of this next image was a lovely surprise…

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It was overcast and the results of the dye vats which were the focus of the day are seen here in all their glory drying in the Guild car park! These are eucalyptus and logwood.

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These are cochineal, madder and marigold.  I had mordanted some silk paj in alum and taken it along.  I tried eco printing it years ago and didn’t think much of the results.  Wendi of the Treasure suggested jewellery quality string (which sounds very promising to me), so I’d been planning to eucalypt dye them–but took this opportunity to expand my palette.  The silk went orange in the madder bath even though wool in the same bath was much more red–still good.

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People made their own series of test cards too.

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It was a day of happy experimentation, I think, the smell of fermented walnut hulls fighting it out with stewed eucalyptus bark notwithstanding.  The people who came were friendly, warm and generous–a delight to be among.  It was a treat to be in the company of other people who are fascinated by eucalypts and by the dye possibilities of plants. Folk were talking about what they might do with their cloth and how they might approach their neighbourhoods differently…  I hope that for at least some it will be the start of an exciting new journey.  By the end of the dye I was deeply weary.  I took the logwood, madder and cochineal baths home with me (after taking suitable precautions against spillage) and began some exhaust dye baths next day.  But by late afternoon I was down to twining silk string mindlessly and happily…

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In preparation for a natural dyeing workshop

As I write, I’m preparing to run a workshop at my Guild.  I’m counting down and there are only a few days left.  Preparation has been going on for weeks now! I’ve skeined beautiful organic wool and mordanted some.

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I’ve washed fleece in two colours and two breeds, and mordanted some.  I’ve decided being able to mordant cold in alum is a real benefit to preparing unspun fibres.  Less opportunity for felting or simply mooshing the fibres.  Three cheers to Jenny Dean, who introduced me to the idea of cold mordanting with alum.

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I treated some merino roving to a cold alum bath too. Later I decided that past unlovely experiments with paj silk could go in the mordant bath with a view to being overdyed.  And added silk embroidery thread.

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I have been packing things into bags and writing lists. I’ve begged milk bottles from coffee carts and turned them into sample cards. Finally, on the weekend, I wandered the neighbourhood on my bike gleaning leaves, and finding some damaged pomegranates that might be used for dyeing–the rats that were scampering along the fence nearby had clearly been having a banquet!  It was overcast, but can you see these two E Cinereas forming an arch at the end of this street?  Cute as a button!

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Ironbarks were oozing kino, which is their main strategy for avoiding pest attack.  This one seemed to have gone a bit too far…

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Some ironbarks were in flower. Gloriously.

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In some streets there was a carpet of flowers on the ground where lorikeets and rosellas had been partying.

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Some of the neighbourhood E Cinereas have recovered from the most recent attack of the chainsaws a bit.

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I stopped off at my favourite E Scoparia on my way home.  It now has some leaves I can reach for the first time since a bough was lopped a couple of years ago.

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So, I came home fully laden.  I even found an E Cinerea branch that had been cut some time ago but must have fallen to the ground more recently. Needless to say, it came home with me.

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Hopefully, my preparations are nearing completion.  I had a dream the other night where my workshop went terribly wrong… for one thing, there were two workshops and I had not prepared for the first one at all… and the Guild hall, which is a bit of a rabbit warren, had several rooms that I had not previously seen!  Perhaps it is the idea of using cochineal for the first time acting on my overdeveloped sense of responsibility…

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Filed under Dye Plants, Eucalypts, Fibre preparation, Natural dyeing, Neighbourhood pleasures

Happily spinning alpaca

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I have been happily but slowly dyeing an entire white alpaca fleece with eucalypts. I’ve been dyeing it without washing it, what’s more! The washing stage comes after dyeing instead, treating the dye bath as stage 1 of the cleaning process. I love the way muddy tips create a resist which will produce a sunny yellow which shows wonderfully among all that flame orange.

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I have a lot of black alpaca too… this I have already washed.

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On weekends sometimes there is fibre processing and vegetable harvesting–this is one of the last of the capsicums.

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Then, of course, carding.

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Out in the back yard when the weather is sunny.

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I’ve been spinning up more colour changing yarns and including some of the black alpaca… and that is the entirety of the lemon crop beside the skein.  Can’t wait until the fruit trees grow up a bit…

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Dyes of antiquity: Eucalyptus leaves

My friends, there is going to be a little series on dyes of antiquity here on this blog. It arises from plant dyestuffs that have been donated anonymously to my Guild, which have come to me as the person currently teaching natural dyeing at the Guild.  Needless to say, there are women at the Guild who know more about natural dyeing than I do and have decades of experience.  Some are dyes used in antiquity (cochineal, indigo, kermes).  Others are in packaging that predates metric weights  in Australia, which came in in 1977.  Certainly, safe disposal of mordants that are now regarded as toxic has had to be arranged.  So I am using the word ‘antiquity’ both literally and figuratively–but I have a trove of dyestuffs which I would usually not have come across, and some of which I would not be prepared to buy if they were available.  Some require identification.  Some require research, so I can figure out how to dye with them.  I decided to start with what I know.

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There were bags of varying sizes containing eucalypt leaves.  One was clearly E Sideroxylon leaves.  Then there was the orange bag of unidentified leaves–possibly E Nicholii (which has clearly been in widespread use at the Guild in the past).

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Then there was a lovingly stored and labelled small pack of E Crenulata leaves.

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From time to time, people online ask whether you can store Eucalyptus leaves for too long.  I don’t know.  I tend to use what I have on a rotating basis, partly because I have seen what insects can do to stored vegetable matter!  These leaves appeared to have been stored for a long time, but under good conditions.  No signs of insect damage.  They had clearly been dried prior to being bagged for storage.  They retained some green colour. They were sitting on top of a stack of newspapers dated 1991.  Was that a clue?  I don’t know!  A fellow Guild member who helped me clean out the cupboards thought they were probably older!

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The E Sideroxylon leaves gave far more intense colour, partly because there were more of them.  And possibly because the small fine leaves were not from an exciting dye species and the second dyepot was mostly relying on the small quantity of E Crenulata.  Just the same, more of my white alpaca fleece is getting dyed, spun and ready to be knit all the time…

Meanwhile, I am preparing for a dyeing workshop at the Guild and deciding which of the dyes that have come to me are suitable for use there… I’m thinking madder, walnut, cochineal and logwood!!

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For the love of mending: Make do and mend afternoon

We had a make do and mend afternoon with friends recently.  We’re investigating actions we might take about climate change, and we’ve begun with some conversations about consumerism.  Who knows where that might lead?  I began by stitching up a torn out seam for my partner and tightening all the screws on the clothes rack so it works properly. Meanwhile a rusty frypan was rehabilitated, an electrical plug was replaced, and the endless chewing of moths on fine wool was darned in by others.

I have a wardrobe which is heavy on the bottom end.  I always have more clothes suitable for gardening and doing filthy jobs than I have clothes for best.  And my favourites are usually my gardening clothes.  Things that are no longer suitable for wearing to work or to visit my mother, unless I’ll be weeding while I’m there. My father is a bit like me.  When I knit him socks he puts them in the drawer until he has worn out a previous pair.  My current favourite jeans are well past their best, and weeks ago they went through in the knee.  I kept thinking I would turn them into a bag, but then I kept taking them out of the reuse pile and pulling them on.  So with a crowd of friends who were mending and repairing too, and a pot of pumpkin soup to keep it cheery, I patched them.  Maybe one day this patch will be part of a bag!

For those who wish they knew how to patch the knee of jeans, step one for a simple mend is to rip out whichever seam is less complicated.  Leave the flat felled, beautifully topstitched seam intact and rip the other one, if there is a choice.

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Choose a nice patch.  This one was once part of a pair of cotton twill pants and is now eco printed with E Cinerea leaves.  Trim back the hole to some solid fabric, and shape it.  My mother taught me this mend and always created a straight sided shape, like a rectangle.  I decided to try something rounded.  Put the patch on the inside, and turn the edges of the jeans under all around, attaching to the patch fabric. Tacking would be a great way to proceed, but I prefer pins.  Call me a daredevil!

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On the inside, turn the edges of the patch under, toward the wrong side of the jeans.  Stitching the first seam and then turning the second would have been a good idea, but I was having an interesting conversation and didn’t want to leave the room to use the sewing machine yet!

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Stitch around each edge.

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Apologies for the indoor pictures on a rainy day–but here is the patch, being a mend on gardening jeans, in the garden, with the sun out, however weakly!

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One of my treasured friends brought some socks with him.  It’s a shame about the lighting, but never mind.

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I made these from Cleckheaton 5 ply crepe in pure wool (not the best possible choice for socks) in 2009. Here they are on my desk at work in all their glory in 2009.  Who can believe I managed to find the photo (or understand why I took it at work?)

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The stripes at the tops are all my samples for the previous period–a metre or two of yarn dyed with samples of local eucalypts and other plants.  The rue dyepot was the worst ever–but a triumph of neighbourhood cooperation involving a rendezvous at the local train station where my friend handed a bag of rue prunings out the door and I stood there ready receive them as he continued on his way on the train relieved of his pungent burden!  One of the socks is all in orange tones and the other tans and greens.  Rue.  The ordinary kind does not give red, my friends, take it from me (or sort me out if you know how to get red from it–seems like there is a Siberian kind that might give red–but only from the seeds–or some such).  I digress.  These socks have been worn a lot, which is very flattering, and my heart’s friend wanted to keep them, though perhaps only for in-slipper wear.  We consulted about whether it was feasible to darn these holes.  I wasn’t sure.  He can darn but has not kept up his knitting skills in a period when carpentry has been needed more at his place.

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He has the biggest feet on my knitting roster.  These holes are BIG.  I wasn’t sure about darning them.  He went off to tend to a bicycle (there were others people dealing with wood and still others entertaining children with the wheelbarrow and others still darning).  I thought it over, no doubt drawing on things I’ve seen and read, and wondered if I could just pick up and knit on a patch.  I pulled out 4 ply patonyle dyed with eucalypts.  I’ve learned a few things about getting a strong colour since I dyed these socks.  the original wool in the socks has worn thin and the 4 ply was fine for the job.  I decided on a visible mending aesthetic.

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At first, I wasn’t sure how to join on the sides on.  Then it dawned on me… pick up a further stitch and knit or purl it together with the edge stitch.  What could be simpler?

Put your sunglasses on, I must have changed the settings on the camera.

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When I got to the end of each hole, I decided to graft.

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I picked up more stitches and kitchener stitched (grafted) them together.  And in the end… the conversation was so good I mended all three of the big holes.  Comfy socks to wear when your feet are up.  Eat your hearts out!

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Milky merino: Second effort

I decided to use the scraps from my milky merino to make a singlet for a small friend. One inspiration was the discovery of another E Cinerea nearby on a suburban street.  It is beautiful.

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It is covered in new growth, whose leaves are larger and teardop shaped rather than the rounder heart shape that is usual for mature leaves.

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I have to say milky merino is a glorious fabric to use for eco-printing.  It takes colour in a most spectacular fashion.  I bundled up one night and unbundled a day or so later.

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I love the way the fabric took on a golden creamy colour where it did not absorb a direct print.

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Action shot!

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I created a pattern from an existing garment and set about cutting and sewing it from the fabric.

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The finished garment is sooo cute, and so tiny I need to find a different recipient for it.  I should have recognised the difference in stretch between the garment I measured up and the milky merino…!

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Milky Merino: First effort

Last year, I managed (with a little help from cossack design) to acquire some milky merino knit fabric. I have been thinking that if I want to make all my own clothing I will need to learn how to make turtle neck, knit, long sleeved tops for winter and T shirts for summer (though perhaps it will be years before I wear out my current collection of T shirts–and people keep giving them to me)!  I decided to try a pattern I bought some time ago.  Then I managed to trace a pattern from a garment I already have and like to wear and cut one of those from the length of fabric I had as well.

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I was feeling positively gleeful about the potential for two garments to emerge from this experiment.  Many other dyers–see examples here, here and here have had beautiful results dyeing this fabric.

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I’m delighted with these results.

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I also dyed the little samples that came in the pack, neatly enclosed in my soup ball:

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This thread has since been applied to a ‘beloved tree’ banner.

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That was all very well.  I sewed my garment together, only to discover that I had succeeded in shrinking the fabric… and more in one direction than the other.  In the end, I gave the garment to a smaller friend and she adjusted it to fit her.  She looks wonderful in it!  Now I am building up my nerve to sew the second turtleneck together and see who that will fit!

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