Tag Archives: hibiscus

Opening some jars and filling others…

Once upon a time, I used to make ginger beer, recycling glass beer bottles for the purpose.  We had some with us one time years ago when I was travelling by (even-then-antique) Kombi.  We stopped at a wonderful national park, near Hattah Lakes.  There was a long walk in intense dry heat.  We walked much further than we planned, perhaps having failed to fully understand the map on the sign before setting out.  The water in the lakes was so low that we eventually realised we were not seeing eels in the lake, we were seeing the spines of large fish as they swam in water so shallow that it was barely as deep as the fish were tall.  We got back to the Kombi, and since we’d been walking for hours, and we were on holiday, opened up the back of the van and lay down on the bed for a nap.  We’d been there a little while when there was an almighty bang.  We sat up pretty quickly, because to our untrained ears, it sounded like a gunshot.  There were no other people in sight and only one car in the distance.  All fell quiet.  No dramatic action.  Eventually realisation dawned on one of us, and the three way (gas–electric–car battery) fridge was opened.  Inside it were the remains of a bottle of ginger beer which had exploded under the pressure of its own contents, sprayed though the vegies and suchlike.  Three cheers for the fridge keeping the glass shards safely contained.  Long story short–all bottles of ginger beer stashed under the bed were emptied right there and then, and I never put ginger beer in glass again, except once the lid was off!

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In case you can’t tell, this is a sideways introduction to my circumspection about the state of my steeping jars of dyestuff.  I’ve had some difficulty getting a good seal with with the Stuff, Steep and Store method.  The first time,  I think I raised the temperature too quickly.  It’s a vice I’ve been known to indulge in (or a problem I’ve suffered from, depending on source of heat) when preserving fruit, too.  I resealed some jars and took additional steps to ensure a good seal.  But several of the lids began to dome up again (or just plain leak). This one (pelargonium petals) leaked, as you can see.

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Luckily I had stored it on top of another jar.  Ahem.  So much dye lost!

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The very reverse of a vacuum seal (which is the intention), all of this suggested to me the contents were fermenting.  Perhaps the lids were damaged.  Perhaps my thermometer was actually faulty… I went off and checked when I had this thought on the weekend.  Yes, the thermometer was faulty–the little glass blob that should have held it in a fixed position had clearly broken away unnoticed, allowing the whole business part to slide down by about ten degrees.  So… back to the drawing board.  I am glad I didn’t use that thermometer for preserving peaches and plums!  The jars of fruit all came out just fine, which leads me to think that Stuff, Steep and Store should work for me, as it undoubtedly does for others.  Clearly I can manage a vacuum seal under favourable circumstances.  The good news on my jars of dye is that it looks like I got colour even though these jars haven’t steeped as long as I planned.  Here they are wet from their baths… and not smelling especially fermented.

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From left to right, pelargonium petals (greyer and less blue than the image);  dyers’ chamomile,  brown onion skins, and E Scoparia exhaust dye bath on various silk threads.  Since it’s my patience and my thermometer and not the method that are at fault… I decided to try again.

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From left to right (below): red hibiscus flowers, dried prunus leaves and fallen flowers from an unusual, purple-leaved hibiscus I found almost at the end of its flowering season when I visited the Himeji Japanese gardens on the weekend.  Each with vinegar, sea water, silk/cotton thread and aluminium foil.  Wait and see!

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Filed under Dye Plants, Natural dyeing

Hibiscus Flowers

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Until recently, there was a house near us that we were told would be demolished within the next week (it’s gone now).  The inhabitants moved out in a hurry, leaving the tide of unfinished business you might expect in the circumstances: the gate and doors open and unwanted stuff everywhere.  I picked all the grapefruit they’d left on the tree and gave it to a friend who loves grapefruit, saved the water lily and goldfish for another friend with a pond, with the help of friends, I put out the bins and piled their recyclables into our recycling bin and their recycling bin and a crate or two, ready for collection the next day.  I decided to harvest the flowers from their red hibiscus, which was in full bloom.   I followed the instructions Jenny Dean gives in her very fine book Wild Colour, up to a point…

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I decided to use more rather than less dyestuff, 125g flowers to 50g washed unmordanted polwarth locks to begin with.  I began as Jenny Dean suggests but decided to try solar dyeing.  You can see the wool in the top of the jar wrapped in a couple of yellow onion nets.

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Two days after beginning the dyebath, I picked a whole extra round of flowers, sieved out the ones that had been steeping two days, gave them to the worms in our worm farm and added a fresh lot of flowers to my dye jar.  The dye liquid was a plum colour and a little thicker than water.  I took the second round of flowers out after they gave their colour up.

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Well, after a good fortnight in the jar, almost no colour on the fleece.  So I returned to Jenny Dean’s instructions and heated the dye bath.  The fleece still didn’t take up colour, but my sample card gave green on alum mordanted wool.  Green???  I have dyed with hibiscus before and achieved a rose pink on unmordanted washed fleece, which I spun up three-ply and knit into socks for my mother.  Green isn’t even on Jenny Dean’s horizon.  Deep, olive green (checked against a couple of friends with decent eyesight).

So, I put a skein of alum mordanted, commercial superwash in the dye bath, heated again and my skein turned steely grey.  This picture gets the colour right despite its defects in the focus department:

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To me, this is quite bizarre.  I can only think that the fleece failed to take colour because it was inadequately scoured, though it didn’t feel at all greasy or sticky.  Polwarth is a high-grease breed.  But how I can explain the green and grey outcomes?  Well, I can’t–and I await your thoughts.  Dye pots which had been inadequately cleaned might mean there was some iron in the dye bath, but Jenny Dean suggests purple to pink would still be the outcome.  And after all this, the dye bath was still full of colour–red-purple colour.  Mystery!

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Oak leaf ‘prints’

Following Rebecca Burgess’ instructions for a fall dye starter from Harvesting Color, I pulled out my rusty nail solution and, given the difficulty of collecting maple leaves nearby, took the opportunity when I was passing a street where oaks had been planted as street trees. 

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I wrapped my bundle and put it in a jar of vinegar and rust nail water on 16 December (that’s it beween the rusty nail jar and the hibiscus dye jar).  Now to see what happens.  I have to say it is a mystery to me why my rusty nails, which were…rusty and orange… have produced a black solution over time in my case.  I have added more vinergar and water to the nails and the black particles have settled out in the bundle jar overnight in this photo.

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After two weeks in the sun, my rusty water looks more rusty (and you can just see my bundle in there):

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And yes, I did get a leaf print, albeit a mostly very blurred one.  The colour is impressive, but I think this is a clear case of time (unusually) not being the dyer’s friend.  Rebecca Burgess suggested 2-3 days and I left this for 10-11 days, which suited me but not the process.  I will be sure to try again and be more obedient in my instruction-following!

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