Tag Archives: Oak

Autumn leaf prints

I went to a wedding in the hills recently… a very pleasantly relaxed and extremely celebratory occasion.  On the way home, I stopped in a small town because… many European trees grow in the Adelaide Hills and it’s wonderful to see.

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And of course, I had hopes and plans.  If you don;t want to look at pictures, stop now.  This is a post of MANY pictures.

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I collected leaves…

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I made bundles…

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I made experiments…

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I tooled around the neighbourhood on my bike collecting tried and true leaves.

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I unwisely tied my bundles with coloured string for the first time ever.  I sorta kinda knew this was stupid but did it anyway and was rewarded with blue lines, most of which happily washed out!

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I applied heat as the sun set…

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And the next day! These images are of fabrics still damp and freshly unwrapped.  Even the flannel rag I had used to create a bit of ‘padding’ on one bundle took dye.

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Oak leaves on silk

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Maple leaves on silk.  So green!  they are still green after washing and ironing.  This silk is from a pantsuit a friend scored for me at an op shop. It is well washed and work raw silk.

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The ever faithful E Cinerea on linen.  A friend gifted me linen offcuts and these are the first that have made their way into the dye pot.  Am I ever blessed with generous friends!

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Maple leaves on linen.

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E Scoparia is awesome yet again on cotton.

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Sheoak from the neighbourhood on linen.   This has so much potential…

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A happy day all round!

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Filed under Leaf prints, Natural dyeing, Neighbourhood pleasures

Sampling oak leaves

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While I was in the Western suburbs recently, I went for a wander and saw what I thought at first glance were olive trees.  Shame on me for not looking more closely: these were oak trees, as evidenced by the acorns.

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On the other hand, looking at those leaves, this is not a variety of oak I’m accustomed to.  The most common oak in my neighbourhood is the English oak (Quercus Robur), which has quite a distinctive leaf shape: nothing like this one.  The next most common is the cork oak (Quercus Suber): there are a couple in a nearby park which are a constant source of wonder to me. Perhaps I am just not paying attention.  I found this site listing quite a few oaks on a site from my own city–so many different oaks must be grown here.  While I was in Melbourne there was a leaf I could only have said was not native on the table during the Second Skin workshop.  India Flint pronounced it an oak, and that evening I saw loads of them planted down the side of a street.  With acorns–which are evidently the only mental clue I have for identifying unfamiliar oaks.  So I recently understood there must be members in the oak family I hadn’t met.  To look at this tutorial on identifying oak leaves in North America, the leaf I saw in Melbourne was a red oak and the ones I know better are white oaks.

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Just to add to the mystery, where the trees had re-sprouted after being cut back, there were juvenile leaves that were positively prickly along the leaf margins.  Well–I decided to gather a few leaves and acorns and try them out.  The result was not really exciting… but then I have never seen so many acorns in one place and there are dyeing applications for acorns I’ve never tried. So perhaps the future still holds possibilities!

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Filed under Dye Plants, Natural dyeing

Leaf prints with rust water

I have continued my experiments with Rebecca Burgess‘ ‘fall dye starter’ from Harvesting Color. I admit, it is barely autumn here and I’ve actually been trying this out through our summer… but this is a mere detail, I hope! I tried these three lobed leaves which someone told me were from a maple (I know little about maples), and birch leaves–why not?

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I like the results a lot, but I won’t bother with birch again. I also collected oak leaves and wrapped them.

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Finally, I made a special trip to what I was confident was a maple to collect these exquisite five-lobed leaves.    I tried these on fabric cooked with tannin-bearing eucalyptus bark, which is not what Burgess recommends at all.

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This produced hardly a smudge.  So, I may have to review my ideas about tannin.  Or on the other hand, I may have to reconsider my naive ideas about maples!

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Filed under Dye Plants, Leaf prints, Natural dyeing

Oak leaf ‘prints’

Following Rebecca Burgess’ instructions for a fall dye starter from Harvesting Color, I pulled out my rusty nail solution and, given the difficulty of collecting maple leaves nearby, took the opportunity when I was passing a street where oaks had been planted as street trees. 

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I wrapped my bundle and put it in a jar of vinegar and rust nail water on 16 December (that’s it beween the rusty nail jar and the hibiscus dye jar).  Now to see what happens.  I have to say it is a mystery to me why my rusty nails, which were…rusty and orange… have produced a black solution over time in my case.  I have added more vinergar and water to the nails and the black particles have settled out in the bundle jar overnight in this photo.

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After two weeks in the sun, my rusty water looks more rusty (and you can just see my bundle in there):

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And yes, I did get a leaf print, albeit a mostly very blurred one.  The colour is impressive, but I think this is a clear case of time (unusually) not being the dyer’s friend.  Rebecca Burgess suggested 2-3 days and I left this for 10-11 days, which suited me but not the process.  I will be sure to try again and be more obedient in my instruction-following!

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Filed under Leaf prints, Natural dyeing, Uncategorized