Tag Archives: iron

Madder

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I still have some dyestuffs that have been given to me… and before I dig out my home grown madder, I thought I would use the last of the dried madder root I have.

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First, the boiling water soak and pour off (saving the poured off liquid for another bath, in my case).  Jenny Dean is my guide in the case of madder though I also read Jim Liles and Rebecca Burgess…

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I decided to try to manage the madder (as opposed to having little particles distributed through my fleece and yarn) by putting it in a recycled nylon stocking–which you can see at the bottom of the picture poking out of the dyebath.  First I added alum mordanted BFL-silk sock yarn.  The first fibres to enter are those likely to be most red.

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Over time the shade really does deepen.

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Eventually I decided to add fleece, as you can see.

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I did several exhaust baths, including one or two some days later.  Then I did one a week later and still got apricot!  I also tried a different method by which Jenny Dean (in her rather lovely new book A Heritage of Colour) achieves aubergine.  I was sceptical about this method.  Not because I doubt Jenny Dean really gets purple in this way–I am sure she does!  But because it calls for using judgment in the matter of mordanting and modifier, and I know my judgment is nowhere as refined as hers.  I further prejudiced my chances by using the poured off first bath rather than using the most powerful dye bath I could.  I had, you know, only so much madder, so many plans, and only a modicum of confidence to be going on with.  I kept looking at this brownish bath and thinking it was not succeeding.  To my surprise though–once the fleece actually came out of the bath and I pulled it from the rinse bucket, it clearly was a shade of purple.

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The sock yarn–made me happy.  It came out of the dyeing process all scruffy looking, reminding me to always do my own skein ties.  But I love the colour!

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Autumn leaf prints

I went to a wedding in the hills recently… a very pleasantly relaxed and extremely celebratory occasion.  On the way home, I stopped in a small town because… many European trees grow in the Adelaide Hills and it’s wonderful to see.

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And of course, I had hopes and plans.  If you don;t want to look at pictures, stop now.  This is a post of MANY pictures.

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I collected leaves…

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I made bundles…

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I made experiments…

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I tooled around the neighbourhood on my bike collecting tried and true leaves.

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I unwisely tied my bundles with coloured string for the first time ever.  I sorta kinda knew this was stupid but did it anyway and was rewarded with blue lines, most of which happily washed out!

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I applied heat as the sun set…

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And the next day! These images are of fabrics still damp and freshly unwrapped.  Even the flannel rag I had used to create a bit of ‘padding’ on one bundle took dye.

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Oak leaves on silk

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Maple leaves on silk.  So green!  they are still green after washing and ironing.  This silk is from a pantsuit a friend scored for me at an op shop. It is well washed and work raw silk.

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The ever faithful E Cinerea on linen.  A friend gifted me linen offcuts and these are the first that have made their way into the dye pot.  Am I ever blessed with generous friends!

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Maple leaves on linen.

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E Scoparia is awesome yet again on cotton.

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Sheoak from the neighbourhood on linen.   This has so much potential…

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A happy day all round!

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Filed under Leaf prints, Natural dyeing, Neighbourhood pleasures

Waste not, want not, with a side serving of the election

I live in a society so wealthy and so wasteful, in global context, that any selection of actions I make about waste reduction can feel a bit arbitrary.  I see so many missed opportunities every day!  But still the principle that waste should be avoided is beyond criticism, and the principle that I should do what I can, is likewise sound.  So this election night, I took the eucalyptus-printed silk/hemp scraps from my previous foray into shirtmaking (I was piecing them together back in this post) and the scraps of my skirt adventure, and created bags from them. I love bags.  I love making them, giving them and carrying them around.  I seldom leave home with less than three, a curious fact I’ve decided to relax about.

Skirt bag 1: has already gone to an enthusiastic new owner who cooked a fabulous dinner for us last night:

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Skirt bag 2 is with me now and soon to be introduced to someone I am confident will like it:

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I decided to line the hemp/silk bags on account of the method of piecing I had chosen and being unsure of the fabric’s propensity to wear.  I had leftover silk noil from various workshops and from making pillowcases.  Apologies for the dodgy pictures taken after dark, indoors, with a flash.  Some bloggers are so impatient!

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There were some small sample pieces that had indigo australis and local eucalyptus leaves printed onto them and then an iron afterbath in the Blue Mountains.  I took these pictures just before they vanished into the interior of the bags to be seen only by the new owners, whom I hope will enjoy having this treat inside their bags!  I personally am the kind of person who revels in pocket linings made of treasured fabrics, whether they are organic flour bags or were formerly part of my late Grandmother’s extensive scarf collection.  Needless to say, I love a bag lining with a story.

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I like these bags a lot. The weight of the fabric with the lining works well, to my way of thinking.  I could feel the urge to give these away before they were off the sewing machine, so here are pictures on an overcast morning!

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This next one has been rated suitable as a gift for my mother-out-law, who is apparently generous enough in her assessment of my skills to talk to her friends about my crafting sometimes.  She has friends who have been weavers and dyers for years.  She herself has been a wonderful garment creator for decades and keeps thinking she has given it up and then changing her mind, so her judgment may not be unbiased but I am flattered by it nonetheless.  Her bag has been finished with a strip from a heavy weight ramie shirt found at an op shop (thrift store)–beautiful fabric and sewing skill but an appalling garment I felt no compunction about cutting up and redeploying.  Most of it became another bag complete with interior welt/flap pockets which had been a beautifully crafted feature of the front of the shirt.  Sadly they were an offence against fashion even to me, and I don’t hold with fashion much!

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And for gratuitous images, I have these of our hens.  They don’t stand around waiting for their photos to be taken when there are earwigs to be found.

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However, they are glorious, and they are also blissfully ignorant of the election that was taking place the day I snapped their pictures.  We were planting and pruning and mowing and they were seeking insects and seeds.

I feel deeply sad that the people of my country have elected a government that thinks we need to pay less international aid to fund infrastructure here; that expresses routine contempt rather than compassion for refugees taking desperate measures to escape their mostly war torn homelands and get to our shores; that thinks roads are a higher priority than public transport; that cares little for renewable energy and plans to fund it less; and that has expressed little interest in participating in global efforts to halt or turn back environmental devastation or climate change.  Here’s India Flint on the subject, should you wish for more.  I haven’t made a habit of commenting on the state of our nation here, but I felt the need to mark the day.  There will be some serious further consideration given to the forms of action that might be needed in the coming period at our house and in our community of friends.  Thinking about the state of the world and our impact upon it, in all their complexity, will continue to be crucial.

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Filed under Eucalypts, Leaf prints, Natural dyeing, Sewing

Eucalyptus Nicholii

I finally found E Nicholii, growing in Botanic Park. My beady eyes have been searching the suburbs of my city for this tree as I ride past, to no avail until now.

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This is such a finely-leaved tree!  Perhaps I have failed to identify it if I have seen one fully grown, mistaking it for another kind of tree altogether.  I had one growing in a pot but it suffered too much through summer. It is also the only tree I have ever seen as the subject of a public notice at Guild, where I once saw a hand lettered note asking if anyone could supply E Nicholii leaves for a dyer. My friend’s godmother–another dyer–who lives in NSW, recommended E Nicholii as her favourite dye plant.  These are some of the reasons I was trying to grow it in a pot.  I have given that up and we have a tiny specimen growing in the corner of the back yard.  And now–the reason why people are so keen!  I think this print is sensational.

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See that big black splodge?  I have wondered why I get one of these once in a while (and needless to say I have had a few theories).  Just recently the penny dropped.  Or should I say, the washer dropped–because that is what actually happened.  One of my dye pots has a glass lid with a knob screwed into the centre of it. All these eucalypt dye baths have eaten away at the metal of the screw and washers.  One washer recently fell off altogether, as the hole in it simply had been made too large for it to stay in position.  So… there has been an inadvertent contribution of iron to some of my dye baths, and some unintended black smudges where iron water drips down onto my bundles from above–since this lid is convex, I have preferred it when I have large bundles in the pot.  Aha!  Another mystery solved.  This may explain some of my surprise dye bath outcomes, too…

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Filed under Dye Plants, Eucalypts, Leaf prints

Oak leaf ‘prints’

Following Rebecca Burgess’ instructions for a fall dye starter from Harvesting Color, I pulled out my rusty nail solution and, given the difficulty of collecting maple leaves nearby, took the opportunity when I was passing a street where oaks had been planted as street trees. 

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I wrapped my bundle and put it in a jar of vinegar and rust nail water on 16 December (that’s it beween the rusty nail jar and the hibiscus dye jar).  Now to see what happens.  I have to say it is a mystery to me why my rusty nails, which were…rusty and orange… have produced a black solution over time in my case.  I have added more vinergar and water to the nails and the black particles have settled out in the bundle jar overnight in this photo.

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After two weeks in the sun, my rusty water looks more rusty (and you can just see my bundle in there):

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And yes, I did get a leaf print, albeit a mostly very blurred one.  The colour is impressive, but I think this is a clear case of time (unusually) not being the dyer’s friend.  Rebecca Burgess suggested 2-3 days and I left this for 10-11 days, which suited me but not the process.  I will be sure to try again and be more obedient in my instruction-following!

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