January 9, 2013 · 2:57 pm

Hibiscus Flowers

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Until recently, there was a house near us that we were told would be demolished within the next week (it’s gone now).  The inhabitants moved out in a hurry, leaving the tide of unfinished business you might expect in the circumstances: the gate and doors open and unwanted stuff everywhere.  I picked all the grapefruit they’d left on the tree and gave it to a friend who loves grapefruit, saved the water lily and goldfish for another friend with a pond, with the help of friends, I put out the bins and piled their recyclables into our recycling bin and their recycling bin and a crate or two, ready for collection the next day.  I decided to harvest the flowers from their red hibiscus, which was in full bloom.   I followed the instructions Jenny Dean gives in her very fine book Wild Colour, up to a point…

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I decided to use more rather than less dyestuff, 125g flowers to 50g washed unmordanted polwarth locks to begin with.  I began as Jenny Dean suggests but decided to try solar dyeing.  You can see the wool in the top of the jar wrapped in a couple of yellow onion nets.

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Two days after beginning the dyebath, I picked a whole extra round of flowers, sieved out the ones that had been steeping two days, gave them to the worms in our worm farm and added a fresh lot of flowers to my dye jar.  The dye liquid was a plum colour and a little thicker than water.  I took the second round of flowers out after they gave their colour up.

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Well, after a good fortnight in the jar, almost no colour on the fleece.  So I returned to Jenny Dean’s instructions and heated the dye bath.  The fleece still didn’t take up colour, but my sample card gave green on alum mordanted wool.  Green???  I have dyed with hibiscus before and achieved a rose pink on unmordanted washed fleece, which I spun up three-ply and knit into socks for my mother.  Green isn’t even on Jenny Dean’s horizon.  Deep, olive green (checked against a couple of friends with decent eyesight).

So, I put a skein of alum mordanted, commercial superwash in the dye bath, heated again and my skein turned steely grey.  This picture gets the colour right despite its defects in the focus department:

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To me, this is quite bizarre.  I can only think that the fleece failed to take colour because it was inadequately scoured, though it didn’t feel at all greasy or sticky.  Polwarth is a high-grease breed.  But how I can explain the green and grey outcomes?  Well, I can’t–and I await your thoughts.  Dye pots which had been inadequately cleaned might mean there was some iron in the dye bath, but Jenny Dean suggests purple to pink would still be the outcome.  And after all this, the dye bath was still full of colour–red-purple colour.  Mystery!

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January 7, 2013 · 5:47 pm

Hits and misses

The other day I was at an exercise class in a park.  One if the trees was helpfully labelled Lagunaria patersonia (pyramid tree).  It turns out to be native (to Australia, though not to this part of it).  So… I decided to take a sample and test its dye properties.

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I am here to report to you, dear reader, that this is not one of the stellar dye plants of our time.  That smudge on the right of the linen square with the questionable machine embroidery is the best I can show for a leaf print after an hour and with teh presence of iron and soy mordant.  The only fibre on my swatch showing any colour after an hour of simmering is wool + alum, a delicate shade of yellow-green.

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On the other hand, I made these cushion covers from leaf-printed cotton and linen.  They are for friends who invited us to a holiday house they share near Mittagong.  I hope they’ll accept these as thanks for the lovely relaxing time we had with them.

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They are custom fit to the cushions on the verandah of their holiday house, whose covers have seen better days.

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January 4, 2013 · 11:50 am

More Eucalyptus Cladocalyx Bark Outcomes

Given the level of colour in my E Cladocalyx bark tannin bath (see previous post), I couldn’t resist trying to dye some wool.  This is handspun finn cross wool, cooked for about 90 minutes in a solution of E Cladocalyx bark, which had been soaked in a sunny spot for 14 days prior to dyeing. The commercial superwash, alum mordanted strand of wool on my test card is a much darker shade of brown.

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January 1, 2013 · 5:53 pm

Illumination

I am touched and delighted to have been nominated for the Illuminating Blogger Award by Dre from Grackle & Sun.  I am inspired not only by her thoroughgoing approach to natural dyeing and her witty and illuminating way of writing about it, but also by her dedication to her wellbeing and to getting fit.  I haven’t been writing about it here, but 2012 was the year I started running (jogging… slowly), so I’ve been on a wellbeing and fitness journey of my own on which all fellow travellers are welcome!

Illuminating Blogger Award

The rules of the award  ask that:

I share a random thing about myself: Yesterday morning I saw a pair of gang-gang cockatoos in the bush, near Mittagong, New South Wales.  This is the first time I’ve ever seen one in the wild: it was just so exciting!  The last time I saw a gang-gang I was in some kind of zoo or wildlife park inside a big cage.  I was wearing a spectacularly light catching and quite large stud in my ear–some kind of plastic bling.  The male gang-gang landed on my shoulder, which was amazing.  We had a short chat, and then he applied his considerable and strong beak to my earring, which was pretty scary really… but I still have an earlobe to this day.

Years ago I sang in a trio and one of the other members of the trio set ‘Bird and Man’ by Douglas Stewart to music in a most wonderful way (I believe some liberties may have been taken with the lyrics).  My favourite couplet remains: ‘Bird is gang-gang, well he knows/His whole head’s feathered like a rose’.  It turns out Douglas Stewart also wrote ‘A Flock of Gang Gangs’.

Nominate 5 (or more) other bloggers whose posts are informative and illuminating.

Wendi of the Treasure

I love Wendi’s use of local and native plants, sense of experimentation and the sense her blog gives of her living a good life.

an impartation of colour

Pallas’ approach to dyeing is wonderfully systematic and so beautifully communicated. I love her generosity in sharing her dyeing processes and her experience as a dyer.

debmcclintock

I find Deb’s blog full of information and a wealth of experience, and she is a delightful and thoughtful writer.

textileranger

Every time I visit ‘Deep in the heart of textiles’, I find myself humming that famous tune as I enjoy textile ranger’s wonderfully eclectic and colourful blog.

Rihivilla, dyeing with natural dyes

I love Leena’s wonderful photography, dedication to growing and harvesting dye plants and her delicious colours. Her blog is a source of inspiration as well as beauty and information.

What a pleasure it has been to think about these bloggers and all I admire about their writing and dyeing!  Have a happy and colourful new year…

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January 1, 2013 · 5:23 pm

Oak leaf ‘prints’

Following Rebecca Burgess’ instructions for a fall dye starter from Harvesting Color, I pulled out my rusty nail solution and, given the difficulty of collecting maple leaves nearby, took the opportunity when I was passing a street where oaks had been planted as street trees. 

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I wrapped my bundle and put it in a jar of vinegar and rust nail water on 16 December (that’s it beween the rusty nail jar and the hibiscus dye jar).  Now to see what happens.  I have to say it is a mystery to me why my rusty nails, which were…rusty and orange… have produced a black solution over time in my case.  I have added more vinergar and water to the nails and the black particles have settled out in the bundle jar overnight in this photo.

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After two weeks in the sun, my rusty water looks more rusty (and you can just see my bundle in there):

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And yes, I did get a leaf print, albeit a mostly very blurred one.  The colour is impressive, but I think this is a clear case of time (unusually) not being the dyer’s friend.  Rebecca Burgess suggested 2-3 days and I left this for 10-11 days, which suited me but not the process.  I will be sure to try again and be more obedient in my instruction-following!

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January 1, 2013 · 5:14 pm

Eucalyptus Cladocalyx Bark

I have been reading Rebecca Burgess’ gorgeous book, Harvesting Color, which had me thinking about how to create a tannin solution.  The local solution for her is to gather acorns.  That might be possible for me in autumn, too. There are some avenues of oaks in my city, and they have tiny newly formed acorns right now.  But it seems to me that eucalypt bark would be a promising source in my own region.  I thought it seemed logical to collect bark from a species that hadn’t shown a lot of dye potential (I’m trying for mordant, not dye).   So I stopped outside the royal showgrounds where this huge E. Claodocalyx (Sugar Gum) had shed its bark recently.  We were having unseasonably cool weather as this dull photograph shows.

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I picked up a bag full of bark and headed home to let it steep in rainwater. This will be an opportunity to consider the dye potential of the bark as well as try it as a source of tannins.  There are many of these trees around my area and this is a truly huge tree when full grown, which sheds its bark once a year, so if this is a good source of dye, I will have access to a lot of it! Here is how it looked on 15 December:

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And two days later:

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…so I put a metre of cotton cloth into it, which immediately turned golden yellow:

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I left the pot in a sunny spot.  The temperatures have ranged from mid-twenties celcius to 40C.  By 1 January, the pot was darker still, with the liquid seeming a ruby red shade.

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And here is the cotton I immersed in it  so many days ago after drying.

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Needless to say, I am now planning to dye wool in my bark liquor and see what happens…

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December 18, 2012 · 5:26 pm

Significant Tree

I love trees.  Some are especially precious to me.  Like this one.  The Department of Planning and Infrastructure says it is a Corymbia Maculata (Spotted Gum).  I have tried dyeing with Corymbia Maculata.  As a dye plant, it’s not spectacular: my samples are tan, tan and tan.  Dye potential isn’t the only or even the main value in a lovely tree from my point of view, but just one of its potential fine qualities. 

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We failed to save it by objecting to its removal.  A local creek is going to be put into a pipe so big a car would fit into it as part of major infrastructure works, and this tree is standing in the path that pipe is going to take beside the railway.

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The Minister approved its removal, and his decision is not appealable.  That fence along the railway stands where over 10 much smaller, but still appreciated, trees used to stand beside the spotted gum. Since their removal I hear there are six possums fighting in the nearest neighbours’ yard at night instead of just one. We have been given several different dates on which the Corymbia Maculata will be felled, and prepared ourselves for the day each time. It has been fenced off because tomorrow is the day.  9.30 am is the time.  My nearest and dearest is staying with a friend tonight so as not to be here when it happens.  The people who will be felling it will start to arrive at 7 am.  It will be a big job.  The chainsaws will be going all day long, if indeed they can do it in a day.

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This tree must be decades old.  The whole neighbourhood will be different without it.  The flocks of native birds who have visited it when in bloom every year will no longer stop by.  Under government policy, in our hearts and those of lots of our neighbours, it is a Significant Tree.

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December 16, 2012 · 6:10 pm

Dianella fruit

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Yesterday I came through the royal showgrounds with my secateurs.  On the way out, I spotted these fruits.  I think this is one of the dianellas, probably Dianella Revoluta. It’s a  common native, drought hardy inclusion in public plantings in my area.  There were so many that on the way back, I took just a couple of stems from each plant and put them in my panniers.  While I was there I saw some caltrop, so I removed that while I was there.

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It’s one of the enemies of cyclists, as you might guess from these immature fruits… which when ripe will be the stuff of many punctures.  I pull this out any time I have the chance.

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I followed Jenny Dean’s suggestions about processing berries…

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And, as might have been expected, the result was nothing like the fruits I started with.  I would rate the unmordanted wool pale tan, wool with alum dark tan, the silk is grey-brown and the cotton is pale grey.  Not too exciting, is my conclusion!IMAG0340

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December 10, 2012 · 9:44 pm

Leaf prints of the week: Eucalyptus Cinerea and pecan leaves

It was another weekend with leaf prints.

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Eucalyptus Cinerea, before..

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and after:

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My test cotton sample, demonstrating that the mordanting I wrote about a little while back should work out just fine for the natural dyeing workshop I’ll be running.

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On the weekend I travelled south of the city to celebrate the lives and love of two dear friends.  They had an all-in-one birthday party and anniversary.  I gave them a teapot and teacosy dyed with silky oak leaves (grevillea Robusta) and eucalypt, and they found it suitably funny.

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As we left, one of them pointed out their now-flourishing, though still relatively small,  pecan tree.  I had seen pecan eco-prints on Lotta Helleberg’s lovely blog.  I asked if I could pluck a few, and then I took them home and wrapped them in a piece of cotton twill that used to be a pair of trousers.  It was ready and waiting, mordanted in soy and ready to go!  Before… (such lovely leaves…)

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and, after:

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I had also saved this sample of an unidentified eucalypt a friend was growing in his backyard, but sadly it yielded a few brownish smudges.  It’s much prettier in person than as a leaf print.  I think it is Eucalyptus Kruseana (Bookleaf Mallee).

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And I spent some time creating textured batts ready for textured yarn spinning… wool with mohair locks, while I tried a new method for washing wool.

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Good times!

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December 1, 2012 · 8:03 pm

Patterns emerge

I keep finding myself humming ‘Deck the halls with boughs of holly’ when collecting bark.  I realise it’s the first of December and there is a chance I have just been ear-wormed by a Christmas carol when passing by a shop… but I don’t think so.  I think I am actually humming ‘Tis the season for bark-collecting, tralalalala tralalala’.  Which may, of course, be even greater cause for concern!  Today I went out with my bike and visited this tree, cunningly hidden behind and beside a carob tree (whose leaves you can see).  I’ve tried dyeing with carob leaves, but nothing exciting emerged.

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As I went to pack my bag of bark into my bike trailer a gecko ran out!  Now that really was an occasion for celebration… a native lizard enjoying one of my favourite dye plants.  I also collected bark from a tree in Leader St.  I ran a sample dye pot some years back from leaves that had dried in the gutter beside it and got rich colour, but the council has trimmed the boughs so high I can’t reach leaves or see any buds or gumnuts.  I am using the pattern of bark shedding to identify more E Scoparia trees.  Anything that has bark that has turned dark grey and red just as it begins to shed is on my plausible candidates list if it is peeling now, which is why I visited the one in Leader St. Needless to say, there is a dye pot running now to test this theory.  After all, ’tis the season for bark collecting…

And, at Guild today I became the happy recipient of natural dyestuffs of antiquity which I might be able to use for my dyeing workshop.  Some had no labels, and this one is the most intriguing of the unidentified specimens.  I could guess many, but not this one.  Any clues?  It looks to be the husk of a small fruit.  Smaller than a hazelnut, say, but bigger than a pea.  Dark on the outside and crimson on the inside.

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This trove is going to take some research, but will be my first opportunity to try logwood and cochineal (let those bugs not have died in vain…) and suchlike, as well as some things I’ve never heard of, like shredded mulga bark (mulga roots are common firewood here, but I’ve never heard of this as a dyestuff) and ‘red sanderswood’. Happy times… I also received some undyed handspun yarn as part of the Guild birthday challenge, labelled ‘Goat Hair’. Perhaps it can be dyed from the new dye collection?

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