Tag Archives: silk

Opening the first experimental jars

I finally decided I could open some of my stuff, steep and store jars.  I have to say that all three of the first I decided to open are experiments–not just my experimenting with India Flint’s preservation dyeing process (I have shown myself a poor follower of instructions many times so everything is an experiment in one sense)–but using this method to try out plants that have no dependable dye properties I know about.  India Flint seems a genius to me, but even she can’t convert a plant with no exciting dye properties into a gem on my behalf.  I find India Flint’s process exciting, and I am loving using it with experiments using small quantities.  But naturally, India hasn’t stood by my side and saved me from my own mistakes.  Speaking of my mistakes, I want to say: One total sealing failure which resulted in mould.  So far, 24 jars that sealed in spite of some of them being re0used many times.

1. Rhagodia berries.  These are the fruits of the seaberry saltbush, gathered on holiday.  I learned a lot from this jar.  Its contents began to ferment while we were on holiday and before I could get it to a place where I could try to seal it.  Ahem.  Next time, I’d put it in the fridge while it waited, because this was totally predictable.  I failed to think of these berries as essentially, just like a jar of any other fruit.  After all, they are a (small) fruit. And it was summer.  Next, I had sealing trouble and decided in the end that we re-use jars a lot, and that if I want a really good seal, perhaps I should try using jars I know won’t have lids that have been bent out of shape.  India kindly assisted with a re-sealing strategy (I’d forgotten about it, but there it was tucked inside the lid!).  13 months after they went into the jar:

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And here are the contents! Including some respectably orange-brown silk embroidery thread.

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2. Hibiscus flowers from the Himeji gardens. The trees in Himeji gardens have purple leaves–very pretty.

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By coincidence I found these trees growing at West Lakes when I was there supporting three friends doing a triathlon (there is a lot of waiting if you’re a spectator)–a man saw me taking a photograph of his tree and told me it was a cottonwood hibiscus (H tiliaceus–more here).

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This is the most unappealing looking of all my dye jars.

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The contents are no more spectacular but the thread in this jar is quite a deep brown colour.

3. Finally, the camellia flowers.  Hope springs eternal!  I had all kinds of experiments with the camellia flowers  when they were plentiful. This jar looked almost grey.  This one had only been in the jar since August 2014.  Not really enough time for a full result, maybe.

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Actually the colour on that silk thread is pretty good. But nothing like the colour of the flowers from whence it came.

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If you are curious, there is a lovely post on using this method here.  Another here.  Another blogger has some glorious results to show here.  Go visit and be inspired!  There is a wonderful online pantry of people’s experiments kept by India Flint with links to the book and all here.  You can find my jars as they looked once sealed up there.  Now to wait until some more jars have had a good long wait.

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Things learned so far:

  • use a jar that has a good chance of sealing–an undamaged lid is a good start.
  • treat contents with care if they have to wait for sealing.  Duh.
  • jars that appear not to have sealed completely may still be fine.  I selected three of these jars because I had concern about sealing despite multiple attempts.  The contents smelled pleasant.  Nothing mouldy, smelly or rank at all.  They were not bulging at the lid (which would suggest fermentation) but they didn’t have any indication of having vacuum sealed either.  Perhaps I conceded too quickly! I have a madder jar that contains some mould, which Deb McClintock on madder dyeing says can provide good colour even if it happens to go mouldy…I decided to re-heat and leave the steeping madder on the strength of these jars having sealed.
  • be bold.  What if I’d had a little more boldness and some bigger jars?  I would now have more than thread to show for my efforts.  Timidity has its place, but not every place!

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4 Comments

Filed under Dye Plants, Natural dyeing

An outbreak of bags

Apparently one bag leads to another.  At least, it does for me! Part of this rash of bags was brought on by a bit of op shopping–I found a packet of venetian blind cord and having such suitable cord made my fingers itch.

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These are linen scraps gifted to me some time ago. The lining is recycled, eucalyptus printed raw silk.

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Maple leaf prints paired with scrap denim from making jeans.  One pair of jeans led to several others–but that was some years ago now and I lost my nerve!

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The lining is from the lining of a second hand jacket.

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Can I stop at three???

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12 Comments

Filed under Leaf prints, Sewing

Stitching up a storm

It began with a beloved tree banner for a tree that lost its long standing banner during the Royal Show.  Hopefully it went to another beloved tree.  The whim took me one night, so I found some calico gifted by a friend and interfaced it with a handkerchief that had passed the point of no return.

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Pretty soon, I had a banner ready to tie on. The silk thread was dyed a little while back, wrapped around a piece of E Scoparia bark from the very tree this banner is destined to adorn.  Before:

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After:

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And here’s the banner!

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Somehow the same night I machine stitched the banner together I decided to finally break out the glorious Japanese indigo dyed cotton thread my beloved brought home from a recent trip to Japan.  With pictures of the master dyer and his family, and of the workshop.  And some hand woven indigo dyed fabric.  Oh my!  It could take me years to decide what to do with it!

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Pretty soon I’d made this panel and started to have all kinds of ideas about what might happen to it next.

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But in the meantime I was keen to make a gift for a friend who had recently given me all the linen, canvas and cotton left from her days in art school.

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It’s lined with part of a raw silk suit a different friend found for me at an op shop.

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Done just in time to see her today!

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And… here is the banner in situ.

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The tree is in the process of shedding bark right now.  And just as beautiful as ever.

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8 Comments

Filed under Craftivism, Leaf prints, Natural dyeing, Neighbourhood pleasures, Sewing

Preparing for the Royal Show

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I have decided to enter the Royal Show this year.  I decided to enter last year but missed a step and prepared (several) entries that I couldn’t enter in the end.  Oh well.  It isn’t as if I baked a cake and it ended in mould. I am not all that interested in the competition part, although of course it is flattering to get a ribbon, if I get a ribbon.  But really, I like to be part of showing the crowds that come along that spinning and dyeing are still alive and happening nearby, that these crafts are creative as well as traditional and I like to give my friends at the Guild someone to compete with.

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The hardest category for me to prepare is the ‘spinning perfection’ category.  There are much better spinners than me at the Guild, and some of them are sure to enter.  I count it a privilege to be beaten by people with such fine skills (and I hope it makes winning sweeter for them, that there is someone else entering).  But this is an opportunity to build my skills and spin intentionally–because sometimes often I just spin for serendipity, which is a different kind of pleasure.  Even when I spin intentionally, I sometimes get surprises. Spinning is like a lot of crafts–it is simple enough to learn the basics, but you could spend an entire lifetime acquiring skill and still run out of time! This category requires three skeins of 50 g each, one fine, one medium and one bulky.  Traditionally, it is presented in natural wool, even though this is not a requirement of the category.  I have never seen a dyed skein in this category.  This is fleece from ‘Viola’ –a gift from a friend of a friend.  Viola’s breed was unknown to the giver but the consensus at the Guild (whew!  there was consensus!)  is that she must have parentage that is English Leicester and some other kind of heritage too.

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Once of the previously mentioned Guildies of extreme spinning skill washed this fleece for me, which was such a generous and kind thing.  It is beautifully clean and did not take me hours of backbreaking effort.  She has a simpler method than the one I use, but I lack the equipment to do it.  I carded up batts for the medium and bulky skeins and weighed out sections of the batts for each skein–2 ply for the medium skein and three ply for the bulky one.

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Then I lashed on some locks and combed top for the fine skein.  I am still pretty inexperienced at combing, but I am definitely improving, and top is a gorgeous preparation to spin.  I have to say, the long locks on this fleece and the not-so-fine character of the fleece makes preparation a breeze.

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No blood was lost!  Two passes of the combs and I had lovely looking fibre ready to draw off into top…

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Through a diz.  I tell you, a person could take up spinning just to have tools with such wonderful names.  It has helped me at Scrabble and Bananagrams no end!  I do not bother with the list of two letter words with no discernible meanings but I pull out spinning and dyeing terms whenever possible.  I pre-drafted the batts in their weighed-out sections and had a day of spinning and a second day when I did all the plying.  It was quite a contrast to the last time I entered this category, when I seem to remember I was spinning for months.  Perhaps I didn’t weigh out just enough for the entries.  I seem to recall spinning an entire bobbin of each single last time, which is a significant amount of spinning.

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Well, three months have passed since I was carding and combing Viola’s fleece for those ‘spinning perfection’ entries.  There they are on the left.  Then there is a skein of merino with dyed silkworm cocoons gifted to me by a friend (novelty category).  Then an entire issue of The Guardian cut into strips and spun slowly on my wheel (novelty category).  That’s right, since you’re asking, without glue.  Then two skeins of Viola’s fleece which I’ll tell you more about in posts to come.  Those who have been around a while will recognise some of those colours. Finally, two skeins of Malcolm the Corriedale dyed and spun a while back.  These sets of two skeins are my two dyeing and spinning category entries.  The entire pile of woolly goodness is sitting on top of a quilt I am entering.

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I finished this a little while ago and it has a set of blocks on the front, each with a print of a species of Eucalypt, with its name embroidered in eucalyptus dyed silk thread.  The back is a patchwork of pieces of eucalyptus-dyed cottons.  It is machine quilted over an old flannelette sheet well past its heyday and ripe for a new life out of sight.

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So–my entries are finished.  They have their little labels attached.  The quilt has a hanging sleeve hand sewn onto it!  Most of the entries have the additional things required (accounts of dyes and breeds, samples of fibres) and a few do not. I’m just not well enough organised, and in the end decided to submit the skeins I want to show and not worry about their compliance with rules.  I won’t be crushed if they don’t get a ribbon because I didn’t do all that was required.  All I have to do now is take them in on the right day, and all should be well!

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It isn’t a really wonderful example of quilting.  I’m quite dedicated to patchwork and loved the dyeing and stitching, but I am less enthusiastic about quilting.  Perhaps that is yet to grow on me!  This quilt marked the beginning of embroidery growing on me for the first time since chiildhood, so it’s possible.  I decided to enter partly to honour the admiration of a friend who thinks this is the best quilt ever. And partly just to speak back a little to all the floral frou-frou that dominates quilting exhibits I have seen with a little leafy goodness.  And there you have my entries.  Local wool, mostly local dyestuffs, local spinning and stitching–with some cotton and silk and indigo and osage orange from far away, grown and processed and woven by the hands of other people unknown to me.  Showtime!

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Filed under Fibre preparation, Leaf prints, Natural dyeing, Sewing, Spinning

Birthday gift

It came to my notice that a niece who was shortly to visit us also has a birthday approaching. I put on the dye pot.

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I went out to visit a favourite tree.

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I had ordered the scarves with this kind of occurrence in mind, so I pulled one out and pulled out the new silk thread as well.

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In they went (and so did the stems that were left from the leaves I’d used)!

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The transformation is always amazing in the dye pot.

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But the contents are even better fun!

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Shown here wet from the dye bath…

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And here hung out to dry.

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Yes, she does like it….! And we took her out on a walk to see the tree that contributed its glory to her gift.

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20 Comments

Filed under Dye Plants, Eucalypts, Leaf prints, Natural dyeing, Neighbourhood pleasures

Whimsically cabled socks

Socks take a little while to knit.  Maybe 20 hours or more of knitting for a pair in 4 ply (fingering).  To be honest, I’m not sure.  Needless to say, I don’t sit down and time myself knitting them. I don’t knit them on a whim, they way I do hats, which just sit about waiting for the right head to come by.  I want them to be well received and they need to fit in more senses than one.  So, a little while back, there was a tracing of the foot.  Then I checked the preferences of the intended recipient, ordered BFL/silk sock yarn, and dyed it with eucalyptus.  To get a good strong colour, I dyed the 100g of yarn in four dye baths.  These socks have travelled, because in those hours of knitting, socks-in-the-making are my constant companions, which is one of the lovely things about them.  I enjoy the knitting, and I enjoy holding the intended recipient in my mind for the time the knitting takes. Here is the first sock, and that week’s reading for theory reading group.

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They came with me to hospital to visit a complicated relative who had a near death experience, twice (she is still alive).  They may not have brought her comfort but they brought me comfort.  The second hospital visit was so dim I did something quite inappropriate and had to rip back a bit.  They have been to some high level meetings.  They came to a very informal meeting with a workmate which was interrupted by another knitter (otherwise, a total stranger) who was beside herself to see socks being knit right there in front of her eyes.  My workmate is a generous man who didn’t flinch!  I have walked along knitting them from my bag.  They have been fondled lovingly by the odd stranger.  I was getting to the heel of the second sock when I went to Sydney.  Here we are in a cafe reading political theory (with relish).

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In front of a sculpture at a university in Sydney where I attended part of a conference where my beloved did a wonderful job of presenting.

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In a hotel room with a banksia cone.

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Waiting for a bus outside central railway station in Sydney.  Ask not what the other people waiting thought of my photographing a sock.  There is a lot going on outside Central at night and no one blinked.

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Almost done at Coogee Beach.

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Maybe you wanted to see Coogee beach?  Glorious!

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Toe grafted and ends darned in, in the Sydney airport.

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Here they are in better light after a nice steam press!

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I hope that they will be snug and long lasting… (non knitters: that is a reinforcing heel stitch you see there).

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And I hope that the whimsy of these cables will tickle India‘s fancy the way it tickles mine!  This design was suggested by one of my nearest and dearest, who first told me about India’s work years before I first saw it.  He was the first to have a whimsically cabled pair of socks made by me… and now there are two such pairs!  It is an absolute delight to be able to turn the generosity back toward someone who has been so exceedingly generous to me.

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4 Comments

Filed under Eucalypts, Knitting, Natural dyeing

Eco-printed scarves

I was rifling through some of the wool and silk items that I packed away protectively during summer, (when clothes m*ths are breeding) and realised I still have three scarf blanks that were given to me by friends. One is a wool gauze, I think.

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One is probably silk scrim.

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And the other looks like a finer grade of still quite open-weave silk.

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I had an idea for how they might find happy homes, and after some days of wishing but not finding time…

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These leaves were collected in the neighbourhood as they fell from trees lining a driveway.  And of course, eucalyptus!  One pot had a madder exhaust in it, because madder is never really exhausted as far as I can tell.

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Out they came…

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The silk scrim will need another dye bath, I think. The other two made me very happy–and this is good, because I planned for them to be part of my daughter’s birthday present.  I tried a different folding and wrapping strategy on the wool and love the way it came out.  The tie resist marks were great–

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There are leafy parts and abstract parts, parts that are burgundy or grey-black and others that are more orange.

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I tend to get more muted colours on silk, and this was no exception.  Still lovely, and just as important in this case, different.

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I hope she will like them both.  She lives in a colder part of the country and she does love a good scarf.

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And now… they have been folded, wrapped, tied with hand made string and placed in the post!

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19 Comments

Filed under Leaf prints, Natural dyeing

Just knit a hat!

After the chicken hat, and before the kind lesson in white balance from a knowledgeable friend and reader… I decided something simple was called for.  This is the swatchless watch cap from Knitting from the Center Out by Daniel Yuhas.  Locals may recognise that I am casting on, on the train.

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This hat went a few places, from our house…

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…to solstice dinner with a big bunch of friends large and small.

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This is a small amount (66g) of luxury handspun merino/yak/silk naturally dyed by A Verb for Keeping Warm in ‘sticks and stones’.  I bought the fibre from someone else’s destash and it struck me as a delightfully soft and understated hat for someone.  Done.

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Filed under Knitting, Neighbourhood pleasures

Indigo fructose vat

I am determined to learn to use Michel Garcia’s fructose indigo vat rather than the very simple but clearly toxic and stinky hydrosulphite vat. I am also on a mission to create handspun, plant dyed yarns for colourwork, and I have a pattern in mind which requires some greens.  Also a plan about sock yarn in which this previously undyed, now (osage orange yellow) skein of BFL/silk becomes a variegated green.

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I prepared the vat and waited for a bronze sheen and yellow-green liquid below as signs reduction (the removal of oxygen from the vat) had been achieved.  I have a Ph meter to ensure the Ph is within range.

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I had success with reducing the vat but a lot of difficulty in getting the Ph into a range suitable for wool.  In the end, I decided to make the most of it and dipped my ugly cotton bags several times.

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In all I dipped them three times and they are now an old denim colour which is a decided improvement.

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Once I had managed the Ph, next came fleece from Viola, previously dyed in coreopsis or osage orange.

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Finally, in went the gloriously yellow sock yarn.  That yellow was so awesome I was tempted to leave it as it stood.  But I was looking for yellows and various shades of green, and here they are, ready for the next stage of my cunning plan….

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Filed under Natural dyeing

Madder

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I still have some dyestuffs that have been given to me… and before I dig out my home grown madder, I thought I would use the last of the dried madder root I have.

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First, the boiling water soak and pour off (saving the poured off liquid for another bath, in my case).  Jenny Dean is my guide in the case of madder though I also read Jim Liles and Rebecca Burgess…

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I decided to try to manage the madder (as opposed to having little particles distributed through my fleece and yarn) by putting it in a recycled nylon stocking–which you can see at the bottom of the picture poking out of the dyebath.  First I added alum mordanted BFL-silk sock yarn.  The first fibres to enter are those likely to be most red.

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Over time the shade really does deepen.

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Eventually I decided to add fleece, as you can see.

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I did several exhaust baths, including one or two some days later.  Then I did one a week later and still got apricot!  I also tried a different method by which Jenny Dean (in her rather lovely new book A Heritage of Colour) achieves aubergine.  I was sceptical about this method.  Not because I doubt Jenny Dean really gets purple in this way–I am sure she does!  But because it calls for using judgment in the matter of mordanting and modifier, and I know my judgment is nowhere as refined as hers.  I further prejudiced my chances by using the poured off first bath rather than using the most powerful dye bath I could.  I had, you know, only so much madder, so many plans, and only a modicum of confidence to be going on with.  I kept looking at this brownish bath and thinking it was not succeeding.  To my surprise though–once the fleece actually came out of the bath and I pulled it from the rinse bucket, it clearly was a shade of purple.

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The sock yarn–made me happy.  It came out of the dyeing process all scruffy looking, reminding me to always do my own skein ties.  But I love the colour!

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Filed under Natural dyeing