Tag Archives: silk

Yellow!

I have been so excited by my recent colour knitting success that I have been moved to dye more shades and spin with the intention of colour knitting.  Not just spinning up all kinds of stuff and then deciding to use it in stranded colourwork on a whim.  Though that turned out remarkably well, and the errant graph book with the knobby club rush design in it magically appeared on the weekend, nestled among sheet music (my filing clearly needs more work–I had been looking for it in the dyeing and knitting collections–what was I thinking)!

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I’ve been cold mordanting Viola’s fleece with alum in preparation.  She is a white/silver grey/dark grey sheep, and that will give me room for a bit of heathery loveliness, I think.  These big jars were being thrown out at the Guild and this seems a decent use for them. Some BFL/silk sock yarn has been getting the same cold mordant treatment, because why not?

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I had quite a lot of coreopsis flowers, because my mother is such a generous woman, she saves her dead flowers for me. And in case anyone ever wondered where my thrifty ways come from, these flowers were lovingly collected as they wilted and then dried–and then delivered in paper bags previously containing mushrooms and purchases from the newsagent, and in a reused cardboard box that was lined with two layers of pre-loved Christmas wrapping paper. Bless her heart, my Mum is a treasure.

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There were also osage orange shavings that had been left at the Guild.  Many years old, to judge by the packaging.  At times such as this, Jenny Dean is my trusted Guide.  So I followed her instructions from Wild Colour as best I could.  It’s an interesting thing, this dyeing with only me there in body, but with a little posse of imaginary friends about me, some of whom I’ve never met! Jenny says osage orange can give more dye on a  later extraction and India would no doubt agree on principle (I have been rereading Eco Colour)… so with the three of us in agreement on that, I planned an exhaust bath from the beginning and in due course, decided to honour Mum’s collection by tossing that in too…

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After the first stage of heating, I filtered out the dyestuffs through an old nylon stocking (also deposited at the Guild in quantity–more of my imaginary friends present on this occasion in tangible and intangible ways!)

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And in went the fibres.  They had a nice long wait in the dye baths after the heating stage was over.

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The sock yarn took the dye with alacrity–that golden yellow is rather lovely, I think–I am planning to overdye with indigo, but this yellow is glorious as it is.  I thought I remembered the coreopsis being a more golden yellow and the osage orange being a colder shade, but not this time.  They look remarkably similar.

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The exhaust bath made use of the stocking too… and out came some paler but still yellow fleece.  My fingers are itching but the day job calls… and there has been yet more knitting…

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Filed under Fibre preparation, Natural dyeing

Returning home

I decided to celebrate returning home from Tin Can Bay with some local bundles… and knitting, and a visit to the saltbush plantings… and time with my beloved and our friends, and music… but here I’ll focus on the bundles!  If I can restrain myself that far…

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I took my new found knowledge and experience of bundling paper, which built on my reading of India Flint’s Bundle Book.  There is a cheap and simple e-book version available –or go for the glory of a solid object!  I tried a different kind of paper, acquired in the last few weeks, and I used scrap metal my Dad cut me.  I tried op shopping for flat metal with remarkably little success in previous months.  But there are quite a few priorities on my personal list and some progress slowly.

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Happy results!  These are E Cinerea leaves–different to what I would get on fabric and very lovely. Like all bundle dyeing, part of the mystery and part of the joy is trying out what is local and seasonal. Everyone’s selection is different.  My garden is heavy on calendula and marigold right now and I had some lovely little geranium flowers and all sorts of local leaves to try too.

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I decided to use my flanellette string for bundles despite it being unnaturally dyed.  I loved seeing some of my retreat companions loving their bundles enough to use handmade string to tie them.  And my much re-used string collection is getting to the end of its tether.

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I used all kinds of fabrics–raw silk from a recycled garment, calico, linen offcuts, and a little piece of silky merino given to me by a retreat companion (should she be reading, thankyou again!)

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The silky merino gives such vibrant colours, but actually the linen was a bit of a standout too.

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Meanwhile, the string making continues.  I have decided to try using this process of making string as a point of reflection on my obligations under Indigenous law–and of so many principles of earth care that might come under that set of principles.  The importance of things that will biodegrade and that will not last forever, the way plastic will.  The intertwining of all life.  The cycles by which nature does its magic.  Our dependence on plants and water.  the way things and beings come into closer relationship with one another.  I keep sharing the string–as people admire or ask about it, I have a little stash right here by my hand and I can give them some.  Sharing is a primary principle too.

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I have in mind something like what Grackle and Sun might call atheist prayer.  But different, of course.  Do read her post and be inspired.  I love her idea of chantstrands, but my experiments along those lines didn’t work for me the way taking a few wet leaves out to a tree to twist together into string and considering things has so far.  So I have taken inspiration from her and begun to make cordage from it…

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A few people have been asking about how to make string.  I have put a link to an online tutorial in the How To tab at the top of the blog, but you could learn from a basket weaver (as I did) or from any basic basketry text.  Or put yourself near India Flint, who shares string making everywhere she goes, as far as I can tell (having learned how from Nalda Searles).  Or go to YouTube and be among survivalists who do something similar!  Meanwhile, the garden is growing as rain begins to fall.

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The first poppy of the season is out and beyond lovely.

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And I had a new insight about this especially beautiful saltbush which I have so far not managed to propagate.  It has taken a lot of observations to figure out when I might be able to collect seed, but one day at work recently I pulled out a seed envelope I happened to have with me (as you do) and amused bystanders by rubbing the ends of these silvery stems gently into it.  Who knows what might come of that?  I have high hopes…

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Filed under Dye Plants, Natural dyeing, Neighbourhood pleasures

Retreat to Tin Can Bay 1: Things made

This last week I have been away from my day job and away from home at the Retreat to Tin Can Bay with Roz Hawker and India Flint.  What a wonderful opportunity!  I felt as though planetary alignment must have occurred when it turned out to be possible for me to get there, and I managed to get a place.  There is a lot I would like to say about this week.  There will be a little series of posts, if you would like to stay with me a while on this theme.

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I’m going to start small, with some of the things we made.  I call this starting small both because some of the things we made were small–tiny, even!  But I also say this is starting small because, as these posts from Roz Hawker and India Flint both make clear–the things we made are, in important ways, the least of it.  I was delighted to be among other folk who clearly felt the same way–that the growing of relationships and the creaking and whooshing sound of minds expanding and the beginnings of new ideas that will grow and develop and become larger and different… are so much more than these little packages of wonderment.

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Not that I would wish to trivialise little packages of wonderment in the slightest!  Naturally, there were some bundles.

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Here is one of mine as it emerged from the dye pot.

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Weeds can give some great colour on paper, clearly!  I got another lovely print from cobblers’ pegs (Bidens pilosa), a plant with very sticky seed heads well-known by all who have worn socks in Queensland.

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There were little books and little packets cunningly folded from paper.  I know I’ll be making these again.  Small, achievable acts of genius please me immensely… and I think any regular reader knows that I am completely capable of finding repetition pleasurable.

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There was coiled basketry of a kind I hadn’t tried before, shown here prior to dyeing. It was glorious to see how different people did different things with the same concept and even with the same materials.  I have had little exposure to the kinds of exercises we did some days–using a set of constraints that paradoxically demand and therefore set free creativity.  It was rather lovely to see that process work out with a group of different minds and different skills sets and personalities.

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There was drawing and playing with ink and graphite and making marks with plant materials and… so much more…

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There was a little etching on silver.

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There was the sampling of new and sometimes unidentified windfalls.

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There was a dyepot over a glorious wood fire (the smoke came in handy considering the array of insects keen to nibble on any exposed skin–Queensland would not be Queensland without critters).

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I was surprised to get a leaf print from one of the local banksias.

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And also to get green from one of the local eucalypts.  It doesn’t show as well here as it does on my new silk bag!

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This was one of my favourite things… a small collaboration  between leaf, insect and eucalpytus-dyed silk thread.

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But there was so much more… feet in the sand and the mud.  Banksias and mangroves.  The pleasure of being nourished by poetry wonderfully read and collectively created.  Admiring the creativity, beauty and thoughtfulness of my companions.  Time to play and time to delight.  Friends to make.  Leaves to be twisted into string.  And so much smiling.

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Filed under Basketry, Leaf prints, Natural dyeing, Sewing

Autumn leaf prints

I went to a wedding in the hills recently… a very pleasantly relaxed and extremely celebratory occasion.  On the way home, I stopped in a small town because… many European trees grow in the Adelaide Hills and it’s wonderful to see.

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And of course, I had hopes and plans.  If you don;t want to look at pictures, stop now.  This is a post of MANY pictures.

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I collected leaves…

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I made bundles…

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I made experiments…

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I tooled around the neighbourhood on my bike collecting tried and true leaves.

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I unwisely tied my bundles with coloured string for the first time ever.  I sorta kinda knew this was stupid but did it anyway and was rewarded with blue lines, most of which happily washed out!

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I applied heat as the sun set…

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And the next day! These images are of fabrics still damp and freshly unwrapped.  Even the flannel rag I had used to create a bit of ‘padding’ on one bundle took dye.

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Oak leaves on silk

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Maple leaves on silk.  So green!  they are still green after washing and ironing.  This silk is from a pantsuit a friend scored for me at an op shop. It is well washed and work raw silk.

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The ever faithful E Cinerea on linen.  A friend gifted me linen offcuts and these are the first that have made their way into the dye pot.  Am I ever blessed with generous friends!

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Maple leaves on linen.

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E Scoparia is awesome yet again on cotton.

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Sheoak from the neighbourhood on linen.   This has so much potential…

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A happy day all round!

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Filed under Leaf prints, Natural dyeing, Neighbourhood pleasures

Earthy tones

There has been spinning! I made some purchases in a destash recently and so have acquired fibres I wouldn’t ordinarily buy.  This is naturally dyed fibre by a verb for keeping warm; merino/silk/yak in ‘sticks and stones’ colourway.

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And in case you’re wondering, I have been planting lettuce and poppies and not only saltbush… and transplanting potted plants too.

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This spin made me realise that my preference for strong colours would have had me disappointed with this if I had dyed it myself. But here I am, appreciating its subtlety and wondering who would like it as a hat.

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Filed under Natural dyeing, Spinning

What I knit on my holidays

You may have detected a quiet moment on the blog… in which I finished holidays, returned to work and ran out of pre-drafted posts.  Before that, though, I had some moments of achievement. I momentarily forgot my commitment to local fibres and invested in some lovely but imported sock yarn.  My daughter scored these socks.

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It did make me think about spinning up colour changing sockyarn, but this Noro Silk Garden is a single.. and I can’t believe I could spin a singles that would be up to the challenge of becoming a sock.  Love those colours!  I have some handspun sock yarn in my stash.  I was so committed to spinning it finely I have ended up with something on the light side of 4 ply (sock weight) and I am a bit intimidated by the knitting of it.  Being three ply, the colours in the original fibre have been very much blended in the spinning process.  This, in contrast was a fun, fast knit.

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There was some quiet stitching… more on that later.

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I finished another scogger for my farmer friend.

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And from a different angle…

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We went to visit her and saw some of her beloved rescue donkeys.  She will be out feeding them come winter and that is where the scoggers will come in.  They are knit with sock yarn and shirring elastic for firmness and fit.  I have made several earlier versions and this is what works best.

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How lucky these donkeys are to be cared for by someone so devoted in their old age!

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We also saw the orchard and the fabulous chickens.

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Look at these modern game bantams!

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While I am showing pictures of critters, here is a spectacular caterpillar we found in a friend’s front garden (on a pink gum).

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But of course, it wasn’t all knitting.  There was also spinning!  And lazing around sleeping, and reading and, because it is summer here, there was beach walking and swimming.  On the way to the beach, a fabulous woven basket-fence.

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Wonderful limestone cliffs…

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And then the beach.  My greetings to all of you now in midwinter.  I thought you might like to be reminded of summer.

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We are so lucky to live in this beautiful place.

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More workshop preparation: batts, batts and more batts!

I spent a lot of hours recently creating batts for my spinning workshop.  I had all kinds of bits and bobs, some gifted from Guildies, some fleece washed and (sometimes) dyed right here at home, some from here and there and all over the place.  Even recycled sari silk.

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Batts based on natural undyed polwarth; batts based on indigo-dyed polwarth; batts based on eucalyptus-dyed corriedale…

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And then some based on merino and crossbred roving from the Guild trading table in all manner of wild colours.  The pile kept growing….

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Textured spinning is the goal, so in went silk noil, silk roving, silk yarn scraps, viscose, sparkly bits, alpaca locks, mohair, you name it!  Phew.  There’s a lot to do to get ready 🙂

 

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Unnatural dyeing

I have been preparing for a spinning workshop at the Guild, and the time came to dye materials for the class.  I weighed and measured my merino braids and soaked them overnight.

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I used a cold pad batch dye made in my state for this process, so I mixed up dye the night before and then put damp braids into plastic bags ready to be dyed… and poured on the colours.

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Then–silk hankies and silk noil got the treatment.

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My many bags of fibre and dye went into the sun for a 44C day or two before being rinsed.  My stash of plastic bags unsuitable for other re-uses (and ditto for rubber bands and all kinds of saved-up stuff)–came into handy at last, along with virtually every bucket I possess!  The silk hankies and noil came out rather pastel shades, which was a real surprise.

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Some of my own silk cocoons got a dip in the dye too…

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And the braids came out wonderfully well.  Certainly more than enough fibre here for my workshop participants to be able to revel in playing with colour, texture and technique.

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Solace

India Flint posted some time ago about a new project of hers called Solace.  It speaks to lots of issues I think about a good deal.  Holding tough issues like climate change in my mind a lot, I found the concept of solace as a companion on that path a piece of genius.  She has asked for participants to make flags that could form part of an installation: ‘a collective impromptu poem, recorded on cloth, to sing in the winds’.  I love this idea too.  I pitched it to a group of friends who meet to figure out what we might be able to do about climate change.  We were thinking about despair and discouragement and how to respond to these things, and Solace seemed like one way to me.

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I packed my threads and other necessaries (and dinner…).  The core concept is to create a triangular flag (pennon) with a word or words stitched on it–so we needed thread and cloth.

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I also packed fabrics to share around… this one is a print of an extremely fine-leaved native she-oak… and sadly I wrote its name down in a very special secret place I cannot find now…

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This print resulted from a tip India gave me at her workshop.  It was so exciting when I unwrapped this bundle it is hard to believe months have passed without my having another attempt at that glorious green!  My dear friend took this piece of fabric home with some marigold-dyed thread for him to finish later.  There are some others in development too…

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This one is a print from a friend’s pecan leaves.  India proposes: ‘Stitch on it a word or a phrase or a sentence that might act as a wish for peace or an acknowledgement of beauty, imply a sense of stillness or simply something that  gives you solace. It can be as brief or as long as you like. A haiku, a snatch of song, a word that takes you where you want to be.’

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Now for the confession.  I can’t quite believe that I managed to take my eye off the rather simple instructions and make these shapes and not triangular flags as requested. Do not follow my example in this respect!  I am not sure how I’ve become so forgetful, or so bad at following instructions!

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I will either have to make some more–which I might do anyway for sheer pleasure and participation’s sake–and keep these ones at home–or just send these and hope that they will be OK in a crowd of triangles.  Perhaps with some triangular pennons for company.

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So… there is my start on joining in Solace for now. Anyone else participating?

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Filed under Craftivism, Leaf prints, Sewing

An invitation, a week 2 silkworm update and some random happenings

Let me begin with some dignity, because it won’t last. Soon we’ll be back to silkworms and other silly stuff.  Anne Harris of Annie’s Workroom would like to invite you to her exhibition.  It’s in Brisbane, Queensland–I am sorry to report this means I won’t be able to see it.

Invite Back & Front

Expressions of Love: Lovingly Interrupted brings together established contemporary artist Kim Schoenberger’s collection of treasured memories assembled from the humble teabag. And introduces emerging artist Anne Harris’s work of naturally dyed, painted and stitched images exploring the emotions of love. Official Opening 14th September 3.30pm. Closes 28th September: Gallery 159, 159 Payne Road, The Gap, Brisbane.  There is a special bus to make it easy for sunshine coast people to attend. Please call  Anne 0433 162 847 for more information or visit her on the web.

And now… for the silkworm update of the week.  OMG, as they say in the classics, the silkworms are still hatching!  I have been struggling to figure out a cross-national item to give a sense of scale (US coins don’t work for me).  Here is my trial object.  Let me know how I’m doing!

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Here is a close up of silk worms in several stages of growth–with more hatching every single day two weeks after they started!  They were all laid as eggs within a couple of days of one another, I hasten to add. What more can I say? There is still just one mulberry tree with leaves on it in the neighbourhood.

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On the weekend, there was lemon preserving (the salty kind)… inspired in part by an anonymous donation of a bag of Meyer lemons left on our porch.  Three cheers for the grower and the tree!

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I had the urge to cast on, a lot.

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I also had the urge to dye and since it was warm and sunny, took advantage by mordanting fabric for future leaf prints.  I had the realisation some time ago that I had somehow managed not to find a section on mordanting cellulose fabrics, with quite specific instructions, in Eco-Colour.  I had always wished there was a section like that in there.  Happily India Flint has indeed put it in her gorgeous book and if only I had paid more attention… Anyway, since I can’t change the past, I have been waiting for sunny weather to dip and dry and dip and dry on a principle somewhat different to the one I have been experimenting with–and now the sunshine is here I got to it!  Good dyeing times are coming…

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Filed under Fibre preparation, Knitting, Natural dyeing, Neighbourhood pleasures