Tag Archives: eucalyptus

Local windfalls 2

I went for a walk the other day after more gale force winds.  The wind had been so impressive I watched every piece of mulch in our backyard become airborne the previous evening!  I took my trusty secateurs and a calico bag with me.

My first candidate (for the dye pot) is a tree my father calls Queensland Box.  Wikipedia suggests my father is right, and also that this tree is widely cultivated outside Australia.  It is Lophestemon Confertus–and its flower is just lovely (go to Wilkipedia if you’d like to see it–they are not in flower here right now).  The trunks peel to a lovely burnt orange but at present this process has barely begun.

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They are widely planted as street trees here.

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And they certainly are fruiting, with two generations of seed pods on show at present among glossy leaves.

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Two generations of fruit is one thing. Dye pot candidate two had four generations on show.  This eucalypt has been pruned ruthlessly but shows mostly smooth bark with rough, peeling bark near the base.  My best guess is E Macrandra (River Yate)–but this really is a guess.

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Now for the reproductive material! I think this is a ‘flattened, strap like peduncle’ as constantly referred to in my reference works. Those tiny ‘fingers’ are buds.

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Here the buds are again, a lot further along, in the second generation:

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Immature fruit:

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Still immature but older fruit:

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Finally, I came past a stand of ironbarks where I often collect after wind, and collected my third candidate.  It’s a mixed stand from which I sometimes get good colour and sometimes very little.  Three dye pots full waiting their turn on the hob…

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The results were not tremendously exciting… different shades of tan and pale apricot from the eucalypts (clearly the ironbark was not E Sideroxylon). I have to confess that I forgot to photograph these unexciting outcomes before overdyeing them with E Cinerea.  The Queensland Box showed its capacity to give tan in the presence of alum, especially.  The samples are (from left to right) wool, wool+alum, silk and cotton.

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How diverting!

Experiments in diverting textile waste from the rubbish bin or compost continue… The lavender wool and the entirely waste batt are all spun up.  In the end, I plied the trash batt with a single of the lavender wool.  I can’t say I expected loveliness, and to my mind this is not lovely. As for the spinning experience: it was fine to spin though my lack of foresight about a plying strategy wasn’t ideal and I didn’t think a chain 3 ply would work.  I also have to say that even with a  generous apron under my drafting zone, this yarn shed loads of pieces of chopped thread at every stage, which didn’t make me popular with my beloved.

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These yarns are destoned for yarnbomb glory.  I knit then into K2P2 ribbing and will apply them when I’ve chosen a suitable spot and the rain and wind abate!

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On the other hand, here is a corespun yarn made from the batt composed of white polwarth locks, eucalyptus dyed corriedale carding waste and overlocker waste (much of it from leaf printed fabrics).  I like this very much. I think the ratio of polwarth to other inclusions is part of what works, but so is the texture of the polwarth–it helps hold everything together.  The happy combination of colours doesn’t go astray either…

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Neighbourhood windfalls 1

We’ve had gale force winds here lately.  One morning about a week ago, 40% of my city had no power when we woke up (we were happily still connected to the grid).  Needless to say, this has led to windfalls, and I was still collecting them yesterday as further gale force winds began a week later.

The first windfall was an ironbark.  Guessing from its location (a stand of three ironbarks) and the gumnuts still intact, I think it is E Tricarpa. Sadly, just as unremarkable as a dye plant, as the last time I tried!

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I have not managed to identify this tree, partly because it branches metres above ground level.  Even with so much of its canopy on the ground, I didn’t find a single bud, flower or fruit to help me identify it.  The trunk is rough and pale. The whole tree is difficult to capture in a photo, especially on such a gloomy day.  It must be at least 20 metres tall.

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It seems to be under attack from some kind of scale insect.  Every single leaf was affected. Here it is after some hours in hot water–suggestive of a beige outcome….

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Compare my third windfall.  This is a tree that has been cut to accommodate cars parking beside it, in the car park of a recreation area.  I haven’t been sure whether it was E Scoparia, E Camaldulensis, or some other unknown eucalypt.  Both E Scoparia and E Camaldulensis have similar shaped and sized leaves, small fruit and both can have pale, smooth trunks (but this trunk looks more E Camaldulensis to my admittedly self-trained eye).  The branch that fell to the ground had an uncharacteristically large number of fruit on it for E Scoparia.  On the other hand, the clusters of seven fruit with 3 valves apiece made me think it might be E Scoparia after all.  So did the colour of the dye bath, though the leaves did not turn orange the way E Scoparia usually does.

In spite of the colour of that dye bath, the result says that this is not E Scoparia, and the 3 valves say that it isn’t E Camaldulensis either (4 valves).  Even with vinegar to help bring out whatever orange or red might be there to be had, and still damp from the dyebath… the 3 valved tree is at the top (brown-beige?) and the 20 metre tall tree is at the bottom (caramel-beige).

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Here are the results of a bath with a fallen branch from an actual E Scoparia, downed in the same windy night.  They’re the red and orange samples, with the E Tricarpa for contrast.

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Waste not, want not, with a side serving of the election

I live in a society so wealthy and so wasteful, in global context, that any selection of actions I make about waste reduction can feel a bit arbitrary.  I see so many missed opportunities every day!  But still the principle that waste should be avoided is beyond criticism, and the principle that I should do what I can, is likewise sound.  So this election night, I took the eucalyptus-printed silk/hemp scraps from my previous foray into shirtmaking (I was piecing them together back in this post) and the scraps of my skirt adventure, and created bags from them. I love bags.  I love making them, giving them and carrying them around.  I seldom leave home with less than three, a curious fact I’ve decided to relax about.

Skirt bag 1: has already gone to an enthusiastic new owner who cooked a fabulous dinner for us last night:

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Skirt bag 2 is with me now and soon to be introduced to someone I am confident will like it:

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I decided to line the hemp/silk bags on account of the method of piecing I had chosen and being unsure of the fabric’s propensity to wear.  I had leftover silk noil from various workshops and from making pillowcases.  Apologies for the dodgy pictures taken after dark, indoors, with a flash.  Some bloggers are so impatient!

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There were some small sample pieces that had indigo australis and local eucalyptus leaves printed onto them and then an iron afterbath in the Blue Mountains.  I took these pictures just before they vanished into the interior of the bags to be seen only by the new owners, whom I hope will enjoy having this treat inside their bags!  I personally am the kind of person who revels in pocket linings made of treasured fabrics, whether they are organic flour bags or were formerly part of my late Grandmother’s extensive scarf collection.  Needless to say, I love a bag lining with a story.

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I like these bags a lot. The weight of the fabric with the lining works well, to my way of thinking.  I could feel the urge to give these away before they were off the sewing machine, so here are pictures on an overcast morning!

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This next one has been rated suitable as a gift for my mother-out-law, who is apparently generous enough in her assessment of my skills to talk to her friends about my crafting sometimes.  She has friends who have been weavers and dyers for years.  She herself has been a wonderful garment creator for decades and keeps thinking she has given it up and then changing her mind, so her judgment may not be unbiased but I am flattered by it nonetheless.  Her bag has been finished with a strip from a heavy weight ramie shirt found at an op shop (thrift store)–beautiful fabric and sewing skill but an appalling garment I felt no compunction about cutting up and redeploying.  Most of it became another bag complete with interior welt/flap pockets which had been a beautifully crafted feature of the front of the shirt.  Sadly they were an offence against fashion even to me, and I don’t hold with fashion much!

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And for gratuitous images, I have these of our hens.  They don’t stand around waiting for their photos to be taken when there are earwigs to be found.

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However, they are glorious, and they are also blissfully ignorant of the election that was taking place the day I snapped their pictures.  We were planting and pruning and mowing and they were seeking insects and seeds.

I feel deeply sad that the people of my country have elected a government that thinks we need to pay less international aid to fund infrastructure here; that expresses routine contempt rather than compassion for refugees taking desperate measures to escape their mostly war torn homelands and get to our shores; that thinks roads are a higher priority than public transport; that cares little for renewable energy and plans to fund it less; and that has expressed little interest in participating in global efforts to halt or turn back environmental devastation or climate change.  Here’s India Flint on the subject, should you wish for more.  I haven’t made a habit of commenting on the state of our nation here, but I felt the need to mark the day.  There will be some serious further consideration given to the forms of action that might be needed in the coming period at our house and in our community of friends.  Thinking about the state of the world and our impact upon it, in all their complexity, will continue to be crucial.

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Show time!

It is Adelaide Royal Show time again.  Spring began here only a few days ago, by the calendar.  There was a brief hot spell–33C is too much too soon for me–and then for the first day of the show, overcast and threatening rain as these dim pictures may suggest.  This week I have been tuning up the bunting I made to protect our little community revegetation project–around one of my favourite E Scoparia trees.  I sewed all the pieces back together, made some more, joined it all with some recycled cotton yarn, and… this morning we went out and applied it.

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The saltbush and other natives we have planted here have come on wonderfully–and there has been a spectacular fail with transplanting dianellas which I’ll pull out once the show is over. The yellow flowering tree on the right is a wattle that is doing really well (and not because we planted it).  The modest goal of this bunting is to gently suggest to people walking from the show (who will likely come down the path on the right of the image below) heading for the car parking on the left of the image below… that they should walk around this patch rather than trampling it in the dark after the fireworks are over, tipsy/sleepy/not paying attention as they may well be after an exciting day and too much fairy floss.  I think I replaced it three times last year, so I have some backup bunting already in hand, and I’m keeping my fingers crossed.  Happy show!  Happy springtime!

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A pair of backyard Eucalypts…

Recently I discovered that a friend who has one of the biggest E Cinerea trees I have ever seen in her back yard would like some of it removed.  I offered to cut and take away the dead and insect affected parts, to her surprise, and have now made three visits to do just that. I’ve begun some dye pots with alpaca another friend has asked me to dye.

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On the second visit to trim the E Cinerea, my friend’s partner spoke about the loss of a bough on their other eucalypt.  I looked closely at this second very large tree with rough, fibrous bark on the trunk and very narrow leaves and ‘Eucalyptus Nicholii’ went through my head.  Could I at last have found a fully grown specimen?  It branched so high and the ground had been so thoroughly cleared in the effort to remove all the fallen material that I couldn’t find fruit.  I did manage enough leaves for a dye pot however… and it is very promising! I heated the leaves for an hour, dropped the sample card in and went for a bike ride leaving the heat off.  When I got back:

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As I write I have added some alpaca fleece.  I will have to wait to make a more definitive identification… I have sometimes found that all the hours I’ve spent with books on Eucalypts have created the context for me to have a correct intuition about a particular tree.  Equally often, though–I have completely the wrong end of the stick!  But the alpaca is looking good as it sits draining…

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Intriguing trees…

I returned today to two trees I have sampled a little that are growing on my favourite running track.  We rode our bikes down it, so I took pictures (and some more leaves, needless to say!)

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Into the dye pot they went, with a sample card.

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Since I have two burners, I also ran a pot from leaves I collected when we went planting native trees on a friend’s farm.  It looked like E Cinerea to me… but an enormous tree, growing where there is so much more water than in the city where we live.

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The dye pot confirms that the E Cinerea gives great colour.  And the mystery trees gave  rusty orange with some tan undertones on handspun wool with no mordant, and brown on alum mordanted superwash.  Even more intriguing, really!

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Small things…

They say ‘small things amuse small minds’. I think that if you can be amused by small things, you can be amused and delighted on a regular basis.  And that small things are often delightful.  Moss, for instance.

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This is such a small thing. I loved Cossack Design’s needle safe, and what with all the embroidery going on round here, I decided to make my own needle case.  I think the last one I made was created in my primary school years–both long gone. 
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I decided on golden stitching for the edges, so dyed some silk with Silky Oak (Grevillea Robusta) leaves.  A nod to Ida Grae of Nature’s Colors fame for the recipe, wherever she may now be.  Hopefully hale and hearty and dyeing away though apparently no longer publishing.  How wonderful that she figured out this dye plant–which is native to Australia–from California!

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Here is the thread…

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And the inside of the needle case. These two fine scraps of recycled woolen blanket and that lovely piece of cotton string saved for just such a special occasion have found happy homes at last.

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Unknown Eucalypts

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I found an unusual looking eucalypt in bloom on my favourite running track. Which means I had no camera and no bag with me.  This is a small dried sample… The tree has a lovely bronze, smooth trunk, with bark peeling in strips.  Euclid isn’t speaking to me at present but perhaps later identification will be possible with those wonderful red flowers!

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There is a smudge of red among the orange leaf prints these leaves gave…

This is my second unidentified eucalypt.  It was growing in Botanic Park when I rode through recently.  It had been raining and this extremely tall tree had lost some twigs, leaves, buds and flowers.  Sadly, no one had given it a name tag for my edification… but it seemed an opportunity too good to miss.

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Or on the other hand… further evidence that there are Eucalypts which give very little colour!

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Tour de Fleece continues…

Have I mentioned that I’m participating in the Tour de Fleece, spinning each day during the Tour de France?  Clearly this strikes a lot of people as a truly bizarre and quaint pastime. I am not an especially sports loving person, so from my point of view, this is great sport!

I have been spinning more of my eucalyptus dyed grey corriedale.  I loved the 3 ply yarn I made from it, but it isn’t going to make gauge for the cardigan I now have in mind and will stripe in a way that won’t work for it either.  This may be a clue that I should make the cardigan from some other fibre, of course, but I decided to try 2 ply, which raises entirely different issues about colour blending.

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I’m struggling to get the colours to show right in photos… but this approach clearly will even out the colour variations without making them disappear.  And perhaps it is time to try a swatch to discover how I am doing on gauge.  I have been feeling squeamish since plying… two plies of different colours is not something I would usually be aiming to achieve.  My beloved has offered the view that the yarn is lovely and will look ‘tweedy’, which sounds good to me…

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